El Aplauso

Mariano has three reasons to invite Antonlín Fair to visit Acapulco since the last 50 years. The first one because they were his best friends during high school, the second one because he has serious intentions to find Carmen Madrigal, a woman from Acapulco who was the love of his youth, and the third one he rather not say, but it is the reason he carries a pistol and three bullets in his suitcase.

Carmen, a woman in her twenties, records videos every day for her deceased mother. As a way of processing her absence, she captures what remains of their relationship in the echoes of daily life. One day, a new neighbor moves in next door — Carita, a 10-year-old girl, along with her mother, Amalia, who has begun to show signs of memory loss. Carita also records videos every day, but hers are for a father she has never met. From the very beginning, Carmen and Carita spy on each other through their cameras, building a silent bond. One night, Carita discovers a hole in the closet of her room. When she crawls through it, she finds herself inside Carmen’s apartment.

Isabel is a young painter who sets out to paint her own naked body but does not know how to do it without feeling herself converted into an object.

After a suicide attempt, Sebas, a teenager haunted by the fear of loneliness, is forced to join a theater workshop, where he will confront his deepest wounds and discover that we all have a place where we belong.