El último dia

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

Lucía and her son live isolated from society in a flat place where there’s practically no life. The small family unit formed by mother and son hardly ever receives visitors, and their goal is to lead a quiet existence. At first they succeed, but the appearance of a mysterious, violent creature that starts stalking their small house will put the relationship that unites them to the test.

A private expedition travels to the moon to photograph a comet. A fragment of it ends up impacting the Earth, cutting off all communication and leaving them completely isolated, desperately fighting to survive in the lunar vacuum.

Basque Country, Spain, 1985. Four teenage friends must face life and death, social upheaval and political violence as they try to enjoy their summer vacation.

The exhibition, which coincides with the birth centenary of the poet Federico García Lorca, proposes a realistic recreation in images by Frederic Amat of the poet's screenplay Trip to the Moon. The aim, according to Amat, is to unravel the mysteries of the screenplay, an effort to distill its essence, silhouetting his poetic suggestion and let the script itself manifests in the different film procedures that invites the Lorquian conception.

Victor works in a real estate agency in the well-known Chueca neighborhood of Madrid. He hides a terrible secret: he makes apartments available for sale by murdering the old ladies owners that live in them. Then, refurbishes and decorates the apartments to sell them to gay couples with high purchasing power. His ultimate objective is to transform Chueca into a kind of London Soho area.

In a cold January evening, Caraoscura wanders around the streets of a secluded village. Little Carla awakes scared. Lucas, her older brother, tries to calm her and convince her that Caraoscura isn't real, but little did they know that the story conceals a a reality so terrifying that they never imagined before.

Maribel (Natalia Dicenta) is a prostitute working in Madrid in the late fifties. One night he meets Marcelino (Carlos Hipolito), shy and quiet man who falls for her. For Maribel is in principle a client more, but gradually begins to feel attracted to the shy provincial, owner of a chocolate factory in Soria. Pili (Nathalie Seseña), Rufi (Mireia Ros) and Nini (Malena Alterio), the companions of Maribel, truculent by nature suspicious of this relationship and begin to suspect that the provincial could be a murderer. When Maribel Marcelino asks her to marry him, they intervene and away from Marcelino and his "strange family". Adapted from the play "Maribel and the Strange Family" by Miguel Mihura.