Ek Din Pratidin

Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.

Arko is a school student who forms a beautiful bond with his teacher, Nayanika. It is more of a relationship between two friends rather than a student-teacher relationship.

After being molested, Minal and her friends try to file an FIR against a politician's nephew. When the subsequent case gets rigged, a retired lawyer helps them to fight the case.

A woman tries to uncover the mystery behind a series of mysterious packages from an anonymous sender that threaten her marriage.

The denizens of a brothel deal with internal drama, as well as greedy land developers and an anti-prostitution politician who are pressuring them to leave town.

Kolkata police detective Aniket Sanyal (Kharaj) guess on a holiday to Kasuli in Himachal Pradesh after his wife's death, only to be sought out to solve the mystery behind the well-planned murder of another tourist.

When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.

‘Pinjar’ is an evocative meditation on captivity—of bodies, of spirits, of choices—unfolding through the entangled lives of five individuals and a wild bird.

The spirit of a condemned 20-year-old student wanders through time, linking together four stories of people struggling for survival in this gritty meditation on poverty, natural disaster and political strife in India. A middle-class family's home is no match for the monsoons, while another clan's morality is compromised when famine strikes. Young boys smuggle rice, and politicians pity the poor while living in the lap of luxury.

Girija's insecurities take over his mind as he suspects that his partner Runu is falling in love with a paying guest.

Prafulla is beautiful and righteous but is mistreated by her in laws because of her poverty. Prafulla comes to a fortune by chance and is guided by Bhabani Pathak, a nationalistic religious leader to use this fortune in the cause of justice. She is trained rigorously and becomes a bandit queen wrapped in mystery and even fights back Colonial British forces to safeguard villagers.She becomes the legendary Debi Chowdhurani. Gradually incidents take such a turn that her erstwhile tormentors, i.e. her in laws come under her power and the movie ends with reconciliation.

Rajat has inherited his brother's mantle as keeper of the family after his brother is killed in a union demonstration. Unlike his deceased sibling, Rajat is a dreamer whose ideals run counter to financial success, or even having a normal love relationship.

Mrinal Sen is in his early days around the time of India’s independence, where he is a struggling idealist with an all-consuming hunger for cinema but unable to feed himself or his young wife, to 1950s Calcutta, where (alongside Satyajit Ray) he helped start the Indian New Wave cinema movement.

The journey of a woman from a mere homemaker to a woman seeking her self identity. This search for self identity is sparked off by a young bohemian photographer, with whom she falls in love while he photographs her for a magazine doing her daily chores.

A young musician and a fatso model have the same dream together, and they meet and fall in love at a bookstore. When their relationship starts to fall apart, an out-of-work magician steps in.

Subhash is a photographer from the city, who has come to take pictures of some old temples and ruins in a village. Ruins fascinate him. While in the village, he gets acquainted with a young woman, Jamini, who has had her heart broken in the past, by another visitor from the big city. Will history repeat itself, or will she find a way out of the ruins at last?

How friendship is meaningful in our life? Does it has any barrier by thought? Age, Color, race or religion? Let's make friendship universal -a circle free for better humanity.

A bright and idealistic young graduate steels himself for a dog-eat-dog world, only to flounder in a job market packed with thousands of other hopefuls. When he eventually decides to start his own business as a middle-man, he discovers that the world of business does not live up to his lofty ideals.

When the elderly mother of a Kolkata middle-class family commits suicide, no one has the courage to read the old woman's diary. When the eldest son returns from Germany, his anxious questioning brings to light the disorientation experienced by the family and the way world history penetrates into the fabric of individual lives.

A young, idealistic director arrives in a village to make a picture set during the Great Bengal Famine. It’s a film that he hopes will reveal the problems and privations still current in rural India.

A pre-teen servant boy dies of suspected carbon monoxide poisoning on a cold winter night in the kitchen. The household is suddenly plunged into psychological turmoil, torn between guilt and fear of a police investigation and the resulting scandal. As events unfold, the employer and his wife reveal their petty, hypocritical selves.

A Naxalite revolutionary escapes police custody and begins to question his beliefs whilst hiding out in a luxury apartment.

A small company advertises for 100 vacancies and 30,000 apply. The applicants are all from the ranks of the poor and there is a virtual riot. Everyone around is seeking for opportunities. Among them are the applicants who desperately need the job, the photographer who is busy seeking a scoop, the village moneylender who is busy exploiting the poor, the ineffective police, the employers who are advertising posts even while a six month old strike has nearly caused the workmen to become destitute. It is a story of society captured in a tiny framework of a small business. Ultimately, the workmen, the unemployed and the farmers all get to gether to protest against this exploitation.

Burning with a desire to be a journalist, a young man gets his chance when a publisher -- the father of a friend -- suggests that he write a story on the daily life of the people in his house (several families worth of people). The material turns out to be too incohesive and abundant to work into a pointed, thematic article, and just when he is about to give up, his younger brother asks him a simple question: "How many coal burners are there in Calcutta?" This triggers an idea for a story about Calcutta's pollution -- and the aspiring journalist dreams of myriads of burner-toting citizens invading the publisher's home demanding redress. Maybe he is finally on the way to a story that matters.

It is a film of the childhood tragedic story of three siblings, wher their father lost his job and his family people killed him. The childhood life of those people was in the ancient Darjeeling during the british rule. One of the sibling was recalling the whole past and was writing about that after the independence of Inida. he then went to meet his siblings in distance places, but found them in much much more traumatising and proverty situations, but could not help them.

'Prajapati' is the story of Sukhen who grows up neglected to become a rough person with a heart of gold. Shikha, Sukhen's beloved wants him to lead a normal and healthy life. His elder brothers are political leaders who work only for their personal gains. His eldest brother Keshav runs a drug business behind his medical business. His second brother Purnendu is a corrupt man who kills the young maid of their house. Sukhen attempts to stop the fatal rift growing between his brothers but is killed while doing so.

A middle-class family struggle to make ends meet. Their only hope is their son Rana who always fights injustice which lands him a job in the police force and takes care of the family.

The film presents the life and work of the writer Sukumar Ray, Satyajit Ray's father. Ray made this film as a tribute to celebrate the centenary of his birth.

Set in the holy city of Benares, this is the second film about the detective Feluda, who goes on a holiday with his cousin, Topshe, and his friend, Lalmohan Ganguly. But the theft of a priceless deity of Lord Ganesh (the Elephant God) from a local household forces him to investigate.

Sadhan Bose a small-time businessman leaves for work, Sadhan, incorrigibly, hasn't read beyond the opening page of the morning newspaper. Nabendu his neighbour, brings him abreast of a gruesome murder. One, Sibdas Mullick has been found beheaded. A Madhusudan Maity appears the prime suspect. Sadhan shudders. His mind flies back four years to his room on Patuatola Lane. Sadhan Sibdas & Mudhusudan deal cards in a game of Flush. Mudhu makes a killing. Sadhan smells foul play & voices his misgivings. Suddenly Mudhu is without himself. Flashing a flick knife, he threatens to avenges Sadhan's jibe one day... Evening. Back home, a grim-faced Sadhan tremulously eyes an oversized package on his table. None has hint of the parcel's sender/origin. Meanwhile the police drop by to interrogate Sadhan about his past conditions. Deep into the night. Sadhan site wide-eyed & pale. His hair bristles at the though of Sibdas backed head in that package & Madhu's bloodshot eyes....

Govind is a die-hard fan of director Ganesh Sen, known for making realistic films about the tyranny faced by common people. Kanai Bhaiya and Manju want Beena to marry Govind. But Govind takes the messages in Ganesh Sen’s films so seriously that he ends up almost ruining his own life.