Edlinger, la liberté au bout des doigts

The film shows Catherine Destivelle's trip to Dogon Country, in Mali, where she will make spectacular free solo rock climbing ascents in the sun-warmed cliffs of Bandiagara. Destivelle is accompanied on this trip by a friend climber, Lucien Abbet. A film by Pierre-Antoine Hiroz produced in 1987 by Paradoxe and also featuring Tidjani Koné, Ibrahim Dolo, and the Dogon inhabitants of the Bandiagara Escarpment. The film won the Genziana D'argento for best free climbing film at the Trento Film Festival in 1987.

This documentary follows the life and climbs of legendary alpinist Jeff Lowe, through his visionary ascents around the world up to his final dance with a terminal disease. Centered around Jeff’s most daring climb, Metanoia – solo, in winter, up the North Face of the Eiger in Switzerland — which changed his life and prepared him for the greatest adventure of all: facing his own mortality. It is a mind-bending adventure through time and space that gives physical form to Jeff's unique philosophies and inspiring creative genius.

Catherine Destivelle has deservedly become the most famous female climber in the world. She rose to prominence with historic climbs, such as the free ascent of the Nameless Tower in Pakistan, and solo winter ascents of the classic north faces of the Matterhorn and the Eiger, climbs that have never been repeated by any woman. She also made history in sport climbing by winning the world championship title. In 1997, this time in Scotland, on the iconic Old Man of Hoy route, opened by Bonington, Patey & Baillie, Martin Belderson crowned Destivelle Queen of the Rock. She was four months pregnant when she made this 137-meter ascent, which was not difficult but on tricky rock.

Fifteen years have passed since the spectacular images of Jean-Paul Janssen's "Life at Your Fingertips" introduced the general public to free climbing and its embodiment: Patrick Edlinger. We witnessed the birth of a sporting phenomenon that would leave a lasting mark on generations of climbers. But fifteen years later, in 1997, beyond the myth, where is Patrick Edlinger? Gilles Chappaz found him on some of the most beautiful walls of the Verdon Gorge and other cliffs during the filming of Maurice Rebeix's documentary "Roc'n Wall 97," where he shares his climbing practice and philosophy with the younger generation, including Liv Sansoz and Arnaud Petit.

Catherine Destivelle is an ambassador for the French Alps and is well known in France and abroad. In Beyond the Summits, viewers will feel like they are climbing up the mountain with her. The film shows three classic Chamonix routes with three different climbing partners. Each partner was chosen because they had a profound impact on her life. The camera captures the magnificent scenery, as well as frank and intimate moments during the ascents ...

Climber Patrick Edlinger visits various climbing areas in the American West, including Joshua Tree (routes and bouldering), Yosemite (bouldering), Hueco Tanks (bouldering), and Smith Rock (routes). He is seen climbing alongside Russ Clune, Ron Kauk, Jean-Paul Lemercier, and Todd Skinner in numerous sequences accompanied by Native American-inspired music composed by Benoît Fromanger. Less well-known than his two previous films, "La Vie au bout des doigts" and "Opéra Vertical," it remains a benchmark for all climbing enthusiasts and admirers of Edlinger, the world's most famous climber. His familiar voice provides narration throughout many sequences with iconic phrases that encapsulate the man, such as: "Climbing, this useless thing to which I dedicate my life."

Vertical Opera is a documentary film directed by Jean-Paul Janssen, with climbers Patrick Edlinger and Jean-Paul Lemercier in the Gorges du Verdon. The film opens with a training sequence of Patrick Edlinger then he links the routes with Jean-Paul Lemercier "L'Ange en décongelation" (7a), in which he falls voluntarily to demonstrate the usefulness of the rope, then "Le Septième Saut" (7b+). Finally, the final scene, an anthology, consists of a close-up of Edlinger who climbs free solo and barefoot the route "Débiloff", still in the Verdon, above hundreds of meters of void, all to lyrical music. It is "Wie Furchtsam Wankten Meine Schritte", the aria for alto voice from Johann Sebastian Bach's cantata BWV 33, music not unrelated to the subject of the documentary: "How faltering and fearful my steps were".

Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.

A fascinating chronology of 100 years of mountain film history in the Alps. This documentary focuses primarily on films shot on the Matterhorn, the Eiger, and the Grandes Jorasses, considered until the 1930s as the "last problems of the Alps," and shows the evolution of mountain filmmaking through numerous excerpts from documentaries and feature films – notably on the Matterhorn in 1901. The genre, appropriated as a means of mass exaltation by "fascist" regimes during the Second World War, was reinvented in the 1950s by Gaston Rebuffat, Marcel Ichac, and Lionel Terray in the Mont Blanc massif, avant-garde figures of French mountain cinema, who reintroduced, beyond performance, the values ​​of the mountains – and in color – poetry, humor, and sharing among people from all walks of life.

A 2016 film about the Cateissard, a mountain overlooking the Val di Susa near Turin, a laboratory of innovation and evolution in Italian climbing. From the Risveglio route opened by Grassi, Bonelli and Galante in 1974, in the heart of Nuovo Mattino, to Patrick Berhault's visit in 1980 and his legendary climbing demonstration on the Nani Verdi route, to the rediscovery of these rocks by Andrea Giorda who, with Marco Croce, Fabrizio Pennicino, Aldo Tirabeni and Claudio Battezzati, Marco Bernardi, Federica Mingolla, Carlo Giuliberti and others, opened 116 new single-pitch routes, graded from IV to 8b. The success of these climbing sites is undeniable; the cliffs of Profondo Rosso, Falchi Penne and Croci, Neverending Wall, Cateissoft, Sky Wall and Cateisstrong, opened by Giuliberti and Lotito, attract dozens of climbers, even from elsewhere.

With the proliferation of private climbing gyms and the sport's inclusion in the Olympic Games, climbing, long a counter-cultural movement, is undergoing a profound transformation and facing a major paradox. On the one hand, private gyms are enjoying increasing popularity, while on the other, natural climbing sites are under serious threat. What vertical legacy will we leave to future generations? Is outdoor climbing destined to disappear? What will the future hold for climbing? Led by Cédric Lachat, a multi-award-winning Swiss climber, the film provides an international overview of this counter-culture, which has recently become a social phenomenon.

Catherine Destivelle has deservedly become the most famous female climbers in the world. In this film we see the history of her climbing career, and her latest feat in unprecedented climbing ascents. Catherine Destivelle earned her fame with historic climbs, such as the free ascent of the Nameless Tower in Pakistan, and solo winter ascents of the classic North Faces of the Matterhorn and the Eiger, climbs that have never been repeated by any woman. She also made her mark in sport-climbing as she captured the World Championship title.

In a vertiginous sequence, Claude Lelouch's camera follows Patrick Edlinger climbing with his bare hands one of the routes of the spectacular Cimaï cliff. The action takes place in the Consensus voice (7c+/8a+) at the Cimaï quarry. In a place large enough where Claude Lelouch had been able to take out his crane to make a vertical trip. Later, in 2013, the foot of the Consensus route will experience landslides, the climbing sector has since been prohibited by municipal decree, huge blocks threatening to fall.

This documentary by Maurice Rebeix—conceived by Patrick Edlinger and released by the French climbing magazine *Roc'n Wall*—features several elite climbers tackling difficult routes in the Verdon Gorge. In the first part of the film, Patrick Edlinger teams up with Patrick Berhault and meets up with climbers such as Cécile Martha, Olivier Fourbet, Axel Franco, Martina Polackova, Laurent Paoletti, and Frédéric Devoulet. The film marks the 30th anniversary of the first route established in the Verdon in 1968—a location that has since become a premier destination for French climbing.

In this film, following in the footsteps of Patrick Edlinger, Christian and Olivier build the legendary roof of La Piade (Toulon, France) solo in deep water. Up to 18 m high, the two climbers are keen to work the route without a rope. The Piade site appears in the first minutes of the film “La Vie Au Bout Des Doigts” by Jean-Paul Janssen. At a height of 15m, after several summers of work, Olivier is one of the rare local climbers to have completed this route. Today, it is Christian who is taking on this same challenge. The two climbers are keen to work it without the help of a rope. After each fall, they must start the route from the beginning. Guided by his elder, the film recounts Christian's progression and success on the path. It is also the story of their friendship and the joy they share together, suspended, “at their fingertips”. Determined, Christian works the route in summer, as in winter, despite the sometimes unpredictable conditions.

In 1984, climbing virtuoso Patrick Berhault gave a night climbing demonstration with Nico Ivaldo in Finale Ligure, Italy. This close and spontaneous connection with the audience, the silence followed by the cheers of the crowd with each move, amplified the climbers' sensations, creating a powerful feeling that gave them a state of flow. This idea of ​​climbing dance took root and culminated in the film "Star Climber," composed of parodic vignettes retracing the history of climbing through the ages. Berhault, by turns a Cro-Magnon man, a Zulu in a trance, a troubadour climber accompanied on the flute by Catherine Destivelle, a Buster Keaton trying to climb his beautiful woman's wall, as Blues Brothers, Berhault and Robert Cortijo push the dial on rock 'n' roll 10 meters above the ground solo on the facade of a building at the crossroads of West Side Story and a Terry Gilliam film.

An American general with highly confidential defence information has been kidnapped by terrorists and is being held in a cliff-top fortress in the Mediterranean.

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.

In the 1980s, Catherine Destivelle, nicknamed "Rock Queen," won several world titles in climbing competitions. In the early 1990s, weary of competitions, world championships, and the pressure of elite sport, she chose to return to the essentials: the mountains, alone and facing the challenge. In 1991, she established a new route—solo—on the west face of the Drus in 11 days. Her ascent garnered admiration, but for many, she remained primarily a rock climber. On March 9, 1992, around 5:00 a.m., she proved the skeptics wrong. After months of preparation on ice with her friend Jeff Lowe, she set off alone on the icy north face of the Eiger, and 17 hours later, she reached the summit. The mountaineering world bowed in awe; she entered the pantheon of mountaineering. Catherine Destivelle will be the first woman to have climbed the three great north faces of the Alps: the Grandes Jorasses, the Matterhorn and the Eiger – solo.