Early Abstractions

A live action footage of a smiling, bespectacled (presumably) Western tourist set against the familiar cadence of an accelerating train revving up as it leaves the station sets the mesmerizing tone for the film's abstract panoramic survey of an Ozu-esque Japanese landscape of electrical power lines, passing trains, railroad tracks, and the gentle slope of obliquely peaked, uniform rooflines as Breer distills the essential geometry of Mount Fuji into a collage of acute angles and converging (and bifurcating) lines .

In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.

In this powerful abstract film with a soundtrack of African drum music, Lye scratched "white ziggle-zag-splutter scratches" on to black leather, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World's Fair. Stan Brakhage described the film as "an almost unbelievably immense masterpiece".

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.

We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.

100 basic images switching positions for 4000 frames.

Len Lye’s camera-less film animates “swing” versions of the popular Lambeth Walk—featuring Django Reinhardt on guitar and Stéphane Grappelli on violin—through scratched and painted imagery directly on celluloid. Sponsored by the Tourist and Industrial Development Association after Lye and his family fell into hardship, the film blends vibrant visual rhythms with music, free of advertising slogans, and stands out as one of Lye’s most playful experiments in direct cinema.

Journey into the lives of two distinctly different Jedi from the prequel era – Ahsoka Tano and Count Dooku. Each will be put to the test as they make choices that will define their destinies.

Forget what you learned in history class, and imagine all the nations of the world as guys on an inappropriate reality show. Pledge allegiance to your favorite superpower in Hetalia Axis Powers!

Here the artist creates a world of color, form, movement and sound in which the elements are in a state of controllable flux, the two materials (visual and aural) are subject to any conceivable interrelation and modification.

Series of shorts that will tell stories of "three sisters raised in your (one) room."

Features a man known as "Mr. Linea" drawn as a single outline of an infinite line, which encounters various obstacles during his walking, and often turns to the cartoonist, represented as a live-action hand holding a pencil, to draw him a solution. All episodes are short subjects, ranging from 2:30 to 6:40 in runtime.

"Grovel enough, and you'll get what you want." This is the motto that Suwaru Doge firmly stands by, believing that kneeling and begging will grant him the majestic view of a woman's naked body. After realizing the power of groveling in the dogeza stance, Doge wastes no time in exploiting it for lewd requests. Targeting the cutest and hottest girls in the school, he is one step closer to his goal of beholding their nude bodies, no matter what harm it may cause to his social standing.

Our Lady of the Sphere uses cut-out animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery.

John Constantine wakes up in the eerie House of Mystery with no recollection of how he got there. Fortunately, Zatanna and his friends are all there. Unfortunately, they have a bad habit of turning into demons and ripping him to shreds, over and over again!

A Flash animation series staring Harley Quinn, Poison Ivy, Batgirl, Catwoman and Zatanna in short stories about the daily lives of the characters.

In this series of cartoon shorts, Mickey Mouse finds himself in silly situations all around the world! From New York to Paris to Tokyo, Mickey experiences new adventures with his friends!

The Huckleberry Hound Show is a 1958 syndicated animated series and the second from Hanna-Barbera following The Ruff & Reddy Show, sponsored by Kellogg's. Three segments were included in the program: one featuring Huckleberry Hound; another starring Yogi Bear and his sidekick Boo Boo; and a third with Pixie and Dixie and Mr. Jinks, two mice who in each short found a new way to outwit the cat Mr. Jinks.

Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

A silent figure known as The Assassin travels through a nightmare underworld of tortured souls, ruined cities and wretched monstrosities forged from the primordial horrors of the unconscious mind of Phil Tippett, the world's preeminent stop-motion animator.

Donald shows his nephews the moves that won him his hockey trophy. But the boys have a few moves of their own.

Ella Blake, a stop-motion animator struggling to control her demons after the loss of her overbearing mother, embarks upon the creation of a film that becomes the battleground for her sanity. As Ella’s mind starts to fracture, the characters in her project take on a life of their own.

While streetworker Mickey romances Minnie, Mickey's nephews Morty and Ferdie take control of his steamroller and it's full speed ahead on a very destructive ride.

Experimental short. 16 mm, color, silent, 2:30 or 6 min. Sequel to No. 4.

Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.

The Big Bad Wolf torments Little Red Riding Hood and the Three Little Pigs.

The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.