Howard, a young telemarketer masking as a business tycoon, must confront his unstable identity when the latest victim of his serial killing spree tugs at his heartstrings.
Body dysmorphia is a subject rarely tackled in film. The irrational beliefs about appearance that sufferers experience, along with the self-conscious anxieties that comes with it, are such fertile grounds for genre exploration. Writing and directing from first-hand experience with this destabilizing illness, Grant Swanson has made a demonically disturbing standout that addresses it in uncompromising terms in DYSMORPHIC, which will be closing this year’s showcase. A film about modern dating. To a point.
Howard, a young telemarketer masking as a business tycoon, must confront his unstable identity when the latest victim of his serial killing spree tugs at his heartstrings.
Targeted by a secret fraternity, a brilliant student tries to expose the young men and end their reign of power. However, she soon realizes that the frat has ties to high-ranking officials who are willing to do whatever it takes to keep her quiet.
After being dragged to a party by her best friend, a girl desperately tries to find an escape to her own reality.
In 1990s Belfast, a woman is forced to betray all she believes in for the sake of her son.
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20 men are chosen to participate in the roles of guards and prisoners in a psychological study that ultimately spirals out of control.
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