Dunas do Barato

This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.

Armando Costa was one of Brazil's most successful authors, both in terms of audience and critical acclaim, responsible for shows like "A Grande Família" and "Malu Mulher." Despite this, he didn't care about fame or signing his works.

A mutant prank improvised by Arnaldo Baptista, Sérgio Dias, and Rita Lee. Os Mutantes on a unique day in the streets of São Paulo.

In 1976, a great rock show, called "Som, Sol & Surf", took place on Itaúna beach, in Saquarema and also had a surfing championship. For three days, a crowd of young people enjoyed songs by Rita Lee, Angela Ro Ro, Raul Seixas and others.

This documentary reflects the beginning of surfing in Brazil

Interpretation of the artist's work and life from fragments of his performances, installations and works. With diversified material, starting with the pyramid of the Louvre, it records the creative and affective universe of one of the greatest plastic artists of the contemporary world. Before being a documentary, it is an espionage carried out without fear of self-incrimination.

Super 8 film by Luiz Alphonsus. Presented at the IX Bienalle de Paris in 1975.

The artist Cildo Meireles in search of the sound of Brazil's main water basins in order to construct the sound sculpture Rio:Oir (River:Hear) created from the play on words and concepts. From Foz do Iguaçu to the Pororoca of Macapá, from the Águas Emendadas Park to the mouth of the São Francisco river, and later, in a studio, gathering the pieces and matching them to the cacophony of residual waters and human laughter. The documentary "Listening to the River" reveals the artist's simplicity, the relation of region's inhabitants with water, and it enhances our perception between sound and image.

Grupo de Bagé was an artistic movement that emerged in Rio Grande do Sul in the 1940s, led by painters and engravers Glênio Bianchetti, Glauco Rodrigues, Carlos Scliar and Danúbio Gonçalves. Linked to Taller de Gráfica Popular do México and the Communist Party, they turned printmaking into a way of popularizing art, with realistic themes and social denunciation. The documentary reveals the appropriation of these artists of the brazilian arts, from the pampas in Rio Grande do Sul to the palaces of Brasília.

Documentary discusses the definition, birth and consecration of artistic creation with testimonies from Eduardo Sued, Carlos Vergara, Beatriz Milhazes, Cildo Meireles and Ernesto Neto.

A Brazilian avant-garde film matching the image of John Wayne on horseback to incongruous discourse in Portuguese.

The true story of João Guilherme Estrella ("Johnny"), a young middle-class bon vivant who became a big-time cocaine dealer in Rio de Janeiro in the early 1990s.

In the early seventies in Rio de Janeiro, detective Mariel Moryscötte de Mattos belonged to a special police force called "The Golden Men". This powerful group of the elite of the police was created with the intention of eliminate crime from Rio de Janeiro, and they had privileges above law to expedite their action against the outlaws. However, absolute power in wrong hands corrupts, and this group formed the "Death Squad", executing criminals without the conventional trial from the justice.

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

Rio's criminal underworld is run by an unexpected boss: a femme Queen with a taste for power and violence. But heavy lies the crown: what Queen can trust her subjects, however fabulous? When she sets up a stoolie to take the fall for her boy, a plot against Her Majesty arises!

Arne Sucksdorff’s drama follows four homeless children—Jorginho, Rico, Lici, and Paulinho—struggling to survive in the Rio de Janeiro slums. They shine shoes, scavenge food, and pickpocket while dreaming of escape from the streets. When Rico, once escaped from a brutal institution in Caxambu, falls ill, he chooses to return there rather than die outside. A somber portrait of poverty and resilience, the film was selected for the 1965 Cannes Film Festival.

Toquinho is a young man living in Marechal Hermes, a poor neighborhood in Rio de Janeiro, together with his widow mother and a younger sister. Although he is poor, he is also ambitious, and wants to change his life. He spends all his time on the beach, at Arpoador, Ipanema, where he dreams to become a famous surfer. Besides, he usually finds Patricia there, a rich and liberated young woman, whom he likes a lot. To impress Patricia and satisfy some of her wishes, he lets himself be seduced by André, a gay guy who, in return for his sexual favors, promises him a trip to Hawaii for a surf championship.

Romantic adventures of a group of Rio de Janeiro teenagers and surfers.

Forty-year-old Cláudio is always looking for a romantic relationship. His routine changes when he has to take care of his 12-year-old daughter: women no longer look at him and the conquest tactics have no effect.

Famous soap opera actress finds out her sexuality after breaking up with her former boyfriend, an important TV executive.

In a beautiful coastal retreat, a seductive young woman ignites a rivalry between two surfers vying for her affection. One of them is trying to move on from a past love, but when she unexpectedly reappears, he finds himself torn.

A silent film shot in New York in 1972, including scenes in Hélio Oiticica’s apartment. Last film made in exile by Bressane, it mimics the experimental concept of "quasi-cinema" by Hélio Oiticica. It consists of a fragmentary experience of freedom, in super-8 and 16mm, in a code out of time, out of the square, while recreating (with different cameras) the wild and sensitive look that Oiticica dedicated to cinema. Its definitive 71-minute restored version was completed in the early 2000s.