Die bess'ren älteren Herrn

Vickie, short for Victoria, is crowned Queen of England and as such needs to learn the responsibilities of her new post.

Young Count Georg Wolkersheim is sent to the Congress of Vienna to represent the interests of his country, Reuss-Schleiz-Greiz. Tensions arise between the count, his wife Melanie, and their two chamberlains, and when the four attend a court ball, Melanie leaves Georg, assumes the identity of a famous actress, and attracts the affections of Crown Prince Ludwig of Bavaria.

The young man from Oxford originates from Vienna, where he returned after completing his studies to take over his deceased uncle's construction company. To gain a better overview, he joined the company as a junior employee and, of course, immediately fell in love with a young colleague...

Paying a rare visit to her estate, a countess clashes with the man she hired to manage it.

The residents of the villages Strasslach and Rott are anything but friends. The residents of the “enemy” town are ridiculed at every chance the residents of the other village can get to do so. And it’s no different, when Rott is getting ready to celebrate the 300th anniversary of its founding. The residents of Strasslach ridicule their neighbors, because the Rotters don’t want to celebrate the anniversary, because it’ll cost money. Even the church doesn’t have an organ, because that would cost money, too.

In 1815 Vienna, a corsetmaker falls in love with a valet.

Leopold and Franz are coach drivers and best friends. Their relationship gets strained when Franz decides to modernize by buying a taxi cab. Leopold, grumpy keeper of tradition, is not pleased.

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

An engineer, a musician, and a salesman are heading off on summer vacation in an old VW and a rented caravan. The confirmed bachelors want to enjoy their freedom. But the musician falls in love with a hotel telephone operator, and the engineer with a merchant's daughter. This leads to turmoil, with lots of fun and music!

According to the last will of a deceased millionaire, her brother Severin Petermann and her two nephews Walther von Peterjahn and Johannes Petermann should only be entitled to inherit if they spend a summer together under one roof in an Austrian villa.

Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

Composer Franz Schubert becomes involved with a family with three daughters, falling in love with the two blonds, first one, then the other; but will he notice the quiet brunet third daughter, who has fallen madly in love with him?

The film is an adaptation of the 1891 operetta Der Vogelhändler by composer Carl Zeller, with libretto by Moritz West and Ludwig Held, though it incorporates few of the original songs, using them mostly instrumentally or in the background. The plot follows Adam, a Tyrolean bird seller in 18th-century Rhineland, who hopes to marry his beloved Christl, a postmaster's daughter; to secure his future, she arranges for him to perform at court, but complications arise when she is mistakenly suspected of an affair with a philandering prince.

Johann Strauss firmly established himself as the leader of a dance orchestra in Vienna in the 1840s. His sons Johann junior and Josef have clearly inherited their father's talent. Nevertheless, father Johann is strictly opposed to both of them training as composers.

In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.

The mastermind behind a ubiquitous spy operation learns of a dangerous romance between a Russian lady in his employ and a dashing agent from the government's secret service.

A young noble feels that inflation does not stop at the nobility when she becomes impoverished overnight. As an actress, she struggles and is finally hired by a revue theater through the agency of a Russian emigrant.

In the Republic of Utopia, because of the bad economic crisis ailing the nation, the Jews are made the scapegoats for the economic and social ills affecting the population; therefore, the government decides to expel them. Leo Strakosch is among the exiled. He is engaged to Counsellor's Linder's daughter. He gets into the Republic, in a clandestine way, to show to the society the wrongness of their anti-semitic prejudice. Bettauer's novel differs essentially from the film version. "Vienna" was named "Utopia." Even a happy ending was provided.

In Alt-Köstendorf in the Salzburg region, the dean, known as Seelenbräu, and the brewer Hochleithner, known in the village as Leibesbräu, are fighting for supremacy. As their nicknames suggest, Leibesbräu is primarily concerned with the physical well-being of the villagers, while Seelenbräu cares deeply about the faith of his congregation. This leads to repeated clashes between the two men, who could perhaps be described as stubborn. When Hochleitner's niece Clementine leaves the convent and wants to stay at home, a new dispute flares up between Seelenbräu and Leibesbräu.

Starring Betty Amann in her most famous leading role, Joe May's Asphalt is a luxuriously produced German Expressionist classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of Berlin traffic.

A Czarist courier has to get across the Siberia frontier, threatened by Tartar invaders and a treacherous Russian helping them. Strogoff encounters several colorful characters along the way. German language version of the French film Michel Strogoff, adapting the novel by Jules Verne.