Die Erbschaft von New York

The brothel mother's illegitimate daughter takes revenge by luring her half-siblings into the brothel.

A taxi driver, (Piel), finds an odd contraption on the back seat that renders him invisible, but his friend steals the device to rob a bank. An inventive comedy.

German colonial soldiers fight against the British during World War I.

Dancing, sports and erotic pursuits are the main ingredients in this drama about the fate of this scorned and abandoned woman, Josefine, who falls for the selfish Fennhofer. This film is considered lost.

The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.

German horror mystery movie from 1920.

An Italian engineer who had made a strategically important invention to ward off enemy aircraft is killed in a robbery. As the plans have presumably fallen into the hands of spies, secret service captain Bergall is given the task of recovering the papers. Bergall initially adopts a false name and appears as Mr. Gran, whom nobody knows. Under this name, he rents a room in the Hotel Danieli in Venice and makes the acquaintance of the shipowner's daughter Viola Dolleen. With her help, he is able to eliminate Captain Gordon, who is also interested in the plans. When Gran learns that the plans are now in the possession of the art dealer Tschernikoff, who wants to sell them to Gordon, he immediately travels to Rome, visits the art dealer Titian and pretends to be Gordon. In the art dealer's remote villa, events come thick and fast...

Blonde goddess Marika Rökk plays Julia Koster, a ravishing red-headed musical revue star and her opening number, "At Night It Isn't Right To Be Alone", playing to a packed theater, is both an eye-popper and a jaw-dropper.

The film chronicles East Prussian history from its pagan origins to the start of World War I in 1914, highlighting the Battle of Tannenberg. The first three acts cover the region’s early history, including the Teutonic Order’s founding, the Brandenburg electors’ era, and the impact of Napoleonic troops, with Queen Luise as a comforting figure. The third act depicts modern Prussia’s resurgence affecting East Prussia. The final two acts focus on the Russian invasion of Masuria in August 1914, showing the devastation and the portrayal of Cossack hordes as destructive. Retired General Paul von Hindenburg arrives, ending the atrocities and leading to a decisive Russian defeat at Tannenberg, culminating in East Prussia’s liberation.

The doctor Ada Haller pursues a successful career as a scientist, in which she comes more and more into conflict with her marriage and the role expected by society as a woman. An extremely progressive and conventional film at the same time, which takes up modern themes and shows parallels to the life of the leading actress: Esther Carena, real name Franziska Lucia Pfeiffer, studied medicine for a semester before she came to film through acrobatics and pantomime; after their marriage in 1924, she withdrew from an extremely successful silent film career into private life.