Deweneti

Fatima is a little girl of eight years. By opening and closing the refrigerator, she wonders if the light stays on when the door closes...

Satché is about to die. He decides to make his last day on this world the day of his life.

El Hadj is studying in Paris. He is one of the young Senegalese men who have come to Paris since the French colony became independent to get a good education so that he can serve his fatherland on his return. Unexpectedly he is suddenly confronted by a problem with his residence papers, just because he has arranged an extension too late. His pleasant life filled with good prospects has gone in one fell swoop. He faces a dilemma. He can stay illegally in France, the country where he feels at home, where he has his friends, has fallen in love and can drink water from the tap. Or he can return (without graduating) to the 3rd-world country of Senegal to use the knowledge he has acquired. It is not only a practical choice. It comes down to the question of who he is, who he thought he could be.

Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.

As funeral preparations begin for Pierre Henri 'Guelwaar' Thioune, rumour spreads that his death may have been an assassination in retaliation for his radical political beliefs and constant criticism of the current regime. When the heroic Guelwaar's cadaver is stolen, his Francophile son, Barthelemy, contacts the authorities. As Detective Gora begrudgingly investigates, he discovers that Guelwaar was a complicated man guilty of his own share of sins.

A Senegalese platoon of soldiers from the French Free Army return from combat and are temporarily held in a military encampment with barbed wire fences and guard towers in the desert. Among them are charismatic Sergeant Diatta, educated in Paris and has a French wife and child, and Pays, a soldier left in a state of shock who can only communicate in guttural screams and grunts.

France, 2033. Olivier, an engineer, and Pauline, a teacher, decide to emigrate to the United States of Africa because they can no longer live in their country.

Mati, a divorced mother of a young daughter, makes a living selling bric-a-bric from a wheelbarrow and dreams of opening a snack bar. But she falls for the charms of Naago, a cop, and it's only when the Tajaboom festival (at which women and men switch roles) arrives that her opportunity for escape emerges.

French couple Jean and Marie go on their honeymoon in Jean's hometown in Africa. They end up in the middle of a tense political situation as soon as they arrive and must spend the night in hiding. Jean begins to take on some of his father's old French colonialist attitude, which comes into drastic conflict with their current situation. As they struggle to stay alive, Marie rethinks her marriage to Jean.

The TGV? No, it is not the famous French high-speed train, but instead the rickety and colourful bus operated, driven, repaired and, if need be, pushed by the intrepid "Rambo". This time, the trip between Dakar, the capital of Senegal, and Conakry, the capital of Guinea, is outright dangerous: the road crosses the territory of the Bijagos, who have launched an unexpected and violent insurrection. Rambo finds several odd passengers (with a handful of sheep) who are ready, for various legitimate or untold reasons, to take every risk to reach Conakry. And the TGV sets off on an eventful journey...

A Senegalese man living in Paris with his French wife and children receives a letter from his father back home saying he has arranged for him to take a second wife. The man's indecision outrages his French wife and leads to the end of his marriage, his return to Senegal and his reflection about how his life has ended up.

After brilliant studies in France and a 15-year absence from his homeland, Adama, a young graduate of the Ecole Polytechnique, rushes back to Senegal. He is alarmed by a message informing him of the sudden decline in his grandmother's health. Upon arriving in Dakar, Adama discovers that his grandmother is in perfect shape... Was this a deliberate ploy to get him back home, and if so, why?

To inspire striking workers, the griot tells of a legendary prince, Dieri Dior Ndella, who sacrificed his life during colonialism, and Koura Thiaw, an entertainer who took up the cause of oppressed domestics in the 1940s, both becoming heroes to their people. Though this strangely lyrical film deals with a contemporary crisis, critic Roy Armes notes that "the film travels exuberantly through time to capture situations linked only by their common concern with the concepts of honor and dignity, the importance of keeping one's word and not being bought or corrupted.

A Senegalese bank-robber born and raised in France is getting over a disastrous heist. As he considers going straight, his cousin calls him from Dakar with an easy opportunity.