Detective Bureau 2-3: A Man Weak to Money and Women

When George Tanner does business with high-ranking Yakuza Tono, Tono kidnaps his daughter, and George summons his old friend, private eye Harry Kilmer, to Japan to investigate.

After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. As the Viper trails his target through the countryside, the agile Phoenix Tetsu grows concerned that one of his former associates has betrayed him.

A Japanese bullet train is threatened with a bomb that will explode automatically if the train slows below 80 km/h, unless a ransom is paid. Police race to find the bombers so the train crew can learn how to defuse the bomb.

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

Agent Zero is a cop that uses her own methods for dealing with criminals. After she unlawfully kills a rapist in a violent fashion, she is sent to prison and stripped of her badge. But very soon after, a rich politician's daughter is kidnapped by a ruthless gang. Agent Zero is let out of prison with the mission of going undercover to find the politician's daughter and return her safely. Using her deadly red handcuffs, she disposes of the criminals one by one.

The fictional land "Pandora" sends three (numbered) graduates of the "National Gambling University" to Japan. You should defeat the master player Kôji, control the international casino empire and use the profits to achieve world domination. But Japan's most famous left hand knows what to do.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

Rambler Shinji arrives in town armed with nothing but a guitar. With assistance from an old gun-for-hire friend, he sets about to stop the mob from turning an honest ranch into a gambling resort.

In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

In the teeming black markets of postwar Japan, Shozo Hirono and his buddies find themselves in a new war between factious and ambitious yakuza.

A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.

A crime film released in 1962

In the nine part Wataridori series (1959-1962), Kobayashi played a wanderer on Japan’s back roads with most of the accoutrements of a Western hero, from a horse to fringes, guitar and even a trusty bullwhip.

A 1967 crime film

In the late 1890s, coal is a precious new natural resource. During an era of rapid economic growth, dreams are instilled into the lives of many across Japan. A vigorous young man with a look of fearless determination, sets foot on the northern part of Kyushu, an area where Yakuza thrived. His name is Kingoro Tamai (Yujiro Ishihara). With plans to travel the world, Kingoro worked diligently at a coal mine. His loyalty and hard work earned the respect of his peers, his courage won the heart of the beautiful Mon (Ruriko Asaoka), and his success evoked jealousy in his enemies.

With a Kansai syndicate setting their sights on Tokyo, a former yakuza boss gets dragged back into a world of violence.

When a mysterious stranger muscles into two rival yakuza gangs, Tokyo's underworld explodes with violence.

A self-destructive man becomes a powerful member of the yakuza but quickly loses his self-control. Based on the true story of Rikio Ishikawa.

Maki, a porter at the Sakura Hotel, finds a body in Room No. 2 and picks up a piece of paper on which is written "one-third of the key", also the part of a key. From a newspaper he learns that the dead man is an official who has been detained as a suspect in a bribery case involving 150,000,000 yen and that another suspect named Matsunaga is still in custody. Maki realizes that if he can obtain the other two-thirds of the key, he will be a multi-millionaire.

A sailor is stuck in the harbor due to an engine failure in his boat, and he learns that a friend of his has died, reportedly from suicide. He begins to investigate the matter himself, and finds there may be more to the story...

One day, a lone horseman rides into town with a wounded man strapped behind him. Joe, the Ace, had captured one of the bandits who had held up the armored payroll car headed for the dam construction site, takes the wounded man to the police and claims the reward offered. He is told to wait until the driver of the armored car returns to identify the bandit and goes over to the Blue Star where he is introduced to Mishima, the owner of the cabaret, who is highly respected in the town. Joe then meets Saburo, while fishing, and his lovely sister, who seem to sense the real man beneath the rough appearance and take him into their home. Word reaches Joe that the bandit he'd captured had been shot and he hurries over to the hospital.

A jazz bandleader, falsely accused of murdering his girlfriend, tries to stay one step ahead of the police as he dives into Tokyo's sin-city in search of the real killer.

Nakata (Keiichiro Akagi) is a nihilistic young buck who is willing to do anything to get money in his pockets. As he knocks back a couple drinks that he knows he won't be able to afford, a former marksman-turned-bad, Ishioka approaches him. Ishioka is looking for an unaffiliated hit-man who is willing to handle some business. Nakata is just the right man for the job.

Koji Himuro is the wandering gambler. His brother and his girlfriend were both murdered because he was determined to expose a gambling cheat. As a result, he vows to never gamble again, but in the end, his rage against cheats spurs him to action once again, with deadly consequences.

The beautiful Shizuko and her husband Toyama Takayoshi have a loving relationship, But Takayoshi is getting older and isn't always able to perform. His primary source of gratification involves observing his wife in sadomasochistic scenarios so he commissions a painter, skilled in the arts of bondage to bring these fantasies to life. Soon, Shiziko becomes a willing and submissive participant in fulfilling the S&M fantasies of not only her husband but a slew of rich lecherous men.

Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.

In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words used by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.

In the sequel to 1990's classic Neo Chinpira, Junko (Sho Aikawa) attempts to take out Kazama and then goes on the run. However, he quickly begins to feel homesick, and returns home to find that almost everything has changed. Noriko is now a bar mama with a lavish lifestyle, Yumeko is nowhere to be found, and his boss (Toru Minegishi) seems to have sinister plans involving Junko and his uncle (Jo Shishido).

The world-famous woodblock artist Hokusai (1760-1849), a widower in need of a steady income, lives with his daughter Oei in the house of his friend Bakin.

After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his old life, he faces great odds in a variety of different harrowing circumstances as he and his men sneak behind enemy lines.

A coming-of-age story about two newcomers to the world of professional baseball who compete for Rookie of the Year honors and love.

Roppeita is big in size, clumsy and full of energy. When his grandfather orders him to move out to Tokyo to save a sinking milk delivery business a distant relative of his runs, he encounters the most strangest of clientele.

It had been a year and four months since Mitsuo was last on a movie set. Welcomed back by director Ishizaki and his film crew, Mitsuo is excited to star as the lead in "My Sweetheart". One day, half way through production, he meets his friends from a popular rock group, "The Spiders". Through their discussion regarding the climax scene, they criticize that the script is too grim. In a notion to protect their friend's career, they decide to pay the scriptwriter a little visit.

Fumiko, mother of two and wife to an unfaithful man, shares her family life with her budding vocation as a poet. The beginning of her successful literary career coincides with her divorce and her breast cancer diagnosis. In her final stages, Fumiko meets a young journalist from Tokyo who wants to write a story on her experiences.

Ayako (Sayuri Yoshinaga) is a free-willed college girl who shares a room with Takako and Kimie. They each have a clear vision of what they want from their career and love life. Soon, their room share takes a turn, when ideals begin to clash with reality.

Comedy about a young man who causes pandemonium by raiding a bar patronized by his father, winning the favors of a hostess and ends up feeling the breasts and hips of all the girls in his father's office.

Adapted from the original work by the literary giant Yasunari Kawabata. Through the lives of three sisters each following their own path, the film offers a richly poetic exploration of what constitutes happiness for women.

At Tokyo Gakuen University, Takema, son of Tatsunosuke, chief of the Waku gang, is a freshman who wishes to prepare himself for a better life away from gang activities despite the wishes of his father who wants him to assist strengthen the gang against the Kawano group. Takema's classmate, Akiko, is the daughter of Eiko who operates a restaurant, and through her he obtains a lodging in the house of Shiu, a dancing mistress. The students enjoy their life, but most have their troubles. Sakamoto works as a laborer on the docks to help pay for his schooling, and Akiko worries over the relationship between her mother and Sakurai, a corrupt politician, suspected to be involved in graft over jet aircraft.

1962 Japanese movie