Deserted and alone to make my pain go away

The charismatic Snaporaz encounters an alluring woman on a train and pursues her through a forest. He ends up at a hotel populated by women gathered for a feminist conference, where he is an unwanted presence. Snaporaz soon discovers he’s entered a phantasmagoric world where women have taken power.

A group of Greek soldiers are assigned to run the Cinematographic Unit of the army in the midst of political unrest.

"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.

High society women of a small Greek town try everything to have sex with the first male they can find.

The most important political, post-military junta satire about the nation, the religion, the education, the family.

A left-wing ideologist reaches the limits of suicide, experiencing a deep crisis. He tries to write a book about everything that once existed, but has changed today. Everything around him seems distant. The friends, the family, the Party from which he withdrew. His hope for a different future is virtually dead.

Telemachus, an actor with a glorious past and an uncertain future, leaves Athens at the age of fifty to escape the banks. With the help of Babis "Fou," he finds refuge in an abandoned castle in the heart of Messinia. The only inhabitants are two brothers who don't speak to each other and a niece who got fed up with them and left, Demokratia. Telemachus meets her by chance and is enchanted. A little of the doctor's syrup for his lungs, which have become a mine, a little tsipouro, a little of Babis' "forbidden substances"... the gods intervene and Democracy returns to her place! Dream, reality, or both? You be the judge, and whoever finds out wins a Kalamon pasteli.

An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

Famous writer Alexander contracts a terminal illness. He receives a letter from his wife describing a summer day 30 years ago, and leaves his seaside home to remember his past. This journey will allow him to wander between the past and the present, and encounter unexpected people, allowing him to collect unforgettable memories in the final moments of his life.

The story follows a family of refugees from the early twentieth century through to the Civil War. Through movements, separations, and reunions, personal lives intersect with Greece’s major historical transformations. Space and time are in constant flux, while the characters remain trapped in an unending search for a homeland.

Time after time, soldiers of the Italian Army are forced to leave their mountain trenches in attempts to storm an enemy fortress, always with the same disastrous results. As casualties mount, indignation spreads among the rank and file. Disturbed by his superiors' decisions, Lieutenant Sassu is led to question the purpose of war and reconsider where his real duties lie.

A girl, whose father is from Greece, studies ancient art in France. The film was made for television but never broadcast for political reasons related to its portrayal of Greeks. A work print was screened in Belgium in 1971, and the film is now available in reconstructed form.

Lucky Luciano is one of the bosses of the Mafia. He orders the slaughter of 40 other responsibles, therefore becoming the only boss. But a few years later he is put into jail. In 1946, he got a pardon and is sent back to Sicilia. There, he begins becoming one of the chief of the Mafia. The US Army seems to refrain from interfering.

In the fascist Italy of 1935, a painter trained as a doctor is exiled to a remote region near Eboli. Over time, he learns to appreciate the beauty and wisdom of the peasants, and to overcome his isolation.

A sarcastic, improvisational film, with anarchic origins, strongly cinephile flavor, and largely autobiographical in nature and content. A film director strives to escape alienation, while, at the same time, expressing his intense feelings for his wife, cinema and Greece during the restoration of democracy.

The story of a group of Rembetes, singers and musicians of the Greek equivalent to the blues, in the early decades of the 20th century, seen through the eyes of a young female singer.

After the 1815 Restoration, an aging revolutionary finds himself reluctantly involved in an attempted insurrection in Southern Italy while growing increasingly disillusioned with his cause.

An immigrant returns to his village after many years, only to find that no one is waiting for him. When his wife and her lover murder him, an investigator attempts to reconstruct the crime, while a film crew documents the event.

"The Poor Hunter of the South" is the title of the film Stavros Tornes never got to make, rightfully featured alongside his name on this documentary by Stavros Kaplanidis ("Canteen", "Play it Again, Christos"). The film traces his imagery, listens for his whispers and infiltrates the memories of his closest friends, looking for clues in order to piece together the portrait of a filmmaker who made something out of nothing and stayed true to himself and his vision until the very end. Besides Tornes' own films, this documentary includes footage from films where the "poor hunter" appeared as an actor, like "The Secret of the Red Cloak" by Kostas Fotinos, "Kierion" by Dimos Theos and " Allonsanfan" by Paolo and Vittorio Taviani.

Stavros and Charlotte - i.e. the director and his partner in life and art, Charlotte van Gelder - are wandering the streets of a burdensome reality like immigrants, tracing the world around them through friendships, journeys and political quests. Made with minimal means with a few rolls of black and white film they managed to scrape together, this is a thoroughly unconventional film that defies traditional narrative structures, spectacularly revealing the director's true vision: a primordial cinema full of imagery that comes out of nowhere and communicates freely, like a small wonder. A large slice of the international film critic community - including Frenchman Louis Skorecki who described the film as a comet - will adore "Coatti" and continue to support Tornes' lonely path until the end.

Michalis returns to the tobacco growers of his rural village after having spent some time in the city and persuades them to form a collective, rather than suffer the poverty-inducing prices they are paid for their crops by tobacco brokers. They agree not to sell to any of the brokers and start to form a farmers' group. When one of the farmers breaks the agreement and is found dead, Michalis is accused. However, rather than expose the farmers' plight and give publicity to the brokers' greed, the motive the government gives for the killing is thi asimanton aformin, for unimportant reasons.

An approach to the phenomenon of Thanasis Vengos, the man and the artist, through film excerpts, testimonies of his collaborators and relatives and analyses of his symbolic role in the post-war modern Greek reality. Thanasis Vengos, for more than fifty years, was one of the most important actors in Greece. His films and lines are written in history, raising more than three generations of Greeks.

A 35-year old man, just released from jail, decides to make a clean break from the big city and his troubled past. He retreats to the abandoned village his father came from and moves into an old, collapsing house. Alone, far from the bigger village and doing petty jobs to survive, he will strive to find himself once more. Amidst a haze of suspicion and scorn by villagers who treat him an intruder, his past catches up to him in the form of his girlfriend from Athens. Conflict is inescapable

Antonis Katsaris stars as a teacher in the small village of Zante who fights the growing desire of many locals to abandon the village for the big city or other countries. He works hard to organize traditional cultural events, such as outdoor performances of the traditional play I Chrissomalloussa, in order to solidify local values and a sense of identity. The teacher is aided by a young woman, a widow who has just returned from Germany and lives with her father-in-law. Kazan walks away with the film, as his sinister desires for his daughter-in-law are inflamed when he sees that she has fallen in love with the teacher. These developments lead him to whip up protests against the play by conservative locals, claiming that the teacher has changed the traditional story by adding elements of propaganda with the potential of causing peasant uprisings. The result is an unexpectedly violent example of social censorship.