Deleuzenal

We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…

A road trip across five countries to explore the social and political movements as well as the mainstream media's misperception of South America while interviewing seven of its elected presidents.

Bread, water, fuel: for a growing proportion of the world's population, particularly in Latin America, Asia and Africa, dizzying price increases are making these basic necessities increasingly unaffordable. With wars and climate change, the impossibility of access to the minimum subsistence level is now one of the main causes of migration on the planet and the aggravating factor of armed conflicts. These sharp increases in the cost of living often originate in new forms of speculation on raw materials, which create worldwide price movements totally disconnected from local markets, a devastating "butterfly effect".

Documentary about British fashion designer Ozwald Boateng.

The eight-hour series of interviews between Gilles Deleuze and Claire Parnet, filmed by Pierre-André Boutang in 1988-1989.

Based on Dr. Ahron Bregman's book, this documentary examines the life and mysterious death of Ashraf Marwan, an Egyptian billionaire and double agent.

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.

In life, the Libyan leader ruled with an iron fist for 42 years and treated Libya's wealth as his own. He died the richest man on the planet with a fortune of $150 billion. A dictatorial leader in life, the spell of Gaddafi's money remained in place after his death, triggering a ruthless race to find his missing billions. Two journalists pick up the trail of a mysterious $12.5 billion in cash, flown out of Libya in the dead of night just months before Gaddafi's demise.

Popular neighborhoods that are open-air prisons. Where beauty flirts with violence. The kingdom of the insubordinate children, veterans of the lead. A garden of amputated flowers, which with crutches on their backs, still grow and dance.

An architect and his wife see their relationship challenged.

The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB.

The confrontation of reality and dream.

Disjunctive fabric or network that collides, by means of re-appropriated or stolen resources, liberated archives that disrupt structures of power and institutions. Psychiatry and universities explode in an accelerated disruptive essay of archiving and post-archiving that coins “anarchoautism” as a flow of liberated desire. Through its form and politics of liberation, autistic and schizophrenic becomings imply a violent line of flight within institutional spaces.

The film concerns the famed 19th century French writer, proto feminist George Sand, in discussion with the new early 1970s feminist movement and a critique of the limitations of her progressivism.

The Title Was Shot was commissioned for a conference of film theoreticians in Berlin in 2009 entitled: The Cinematic Configurations of 'I' and 'We.' Composed of fragments from over 25 films dating from the 1920s to the 90s, this mischievous short features cowboys, Indians and damsels in distress. Tarzan, Jane, a transgender gorilla, and a menacing lion tango from frame to frame, prodded by Wittgenstein, Gilles Deleuze and Slavoj Zizek's philosophical considerations. A fast-paced, heart-pounding cinephilic farce.

"Super 8 reels of Paris catwalks I shot in 1979/1980 were supposed to become an experimental short meditation on couture culture. Its authority has unraveled some since and Deleuze’s definition of style: 'creating a foreign language in one’s own language,' encouraged me to loosen the threads of this pursuit. To ponder how fashion and style are interwoven but also influenced by individual flare and whimsy, I stitched together Coco Chanel, Courrèges, Cole Porter and Kaiser Karl with vintage film moments. Then, as now, to grasp the whole cloth of this interface involves finding, but also Losing the Thread…"

A conference given by Gilles Deleuze on the act of creation, taped on video.