Deepak

A drama symbolizing a new beginning, hope, or a significant turning point

Kardar’s ultra-conservative ode to patriarchy tells of Binod (Jairaj) and Indira (Sitara Devi) who were married as children and never meet as adults. Indira grows into a ‘modern’ young woman while Binod, disinherited when his stepfather has a son, works in a distant village. Indira haughtily refuses a relationship with a pauper but she eventually realises her duties to her husband and goes to meet him disguised as Shanta, a beggar woman. Binod then falls in love with her, not realising she is in fact his wife.

A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.

A 1945 Bollywood film starring Motilal and Nargis

A peasant and his followers take up banditry and rebellion in response to unjust taxation from wicked deputies of the King. Robin Hood style.

A musician's move to Bombay ignites a love triangle with his new landlord's daughter and his former, unrequited admirer. Misunderstandings and family opposition lead to separation, but a fateful reunion during a crisis ultimately brings the true lovers together with a happy ending.

Two warring families in the town of Sajalpur find their generational conflict tested when the arrogant son of one, Raya, falls truly in love with Soni, the daughter of the other, forcing him to confront his reckless nature and sparking a dramatic rivalry with a woman from the jungle also captivated by him.

A village boy seeking work in the city falls for a mill owner's daughter, but their love is tested by escalating labor disputes and class conflict.

A professional thief Dhanji Bhagat uses his street-dancer daughter Raju as cover while working for wealthy schemer Keshav Seth. After Dhanji’s death, Raju’s life spirals into entanglements with Keshav’s shady dealings, a reckless suitor named Ramesh, and a series of misadventures that mix crime, betrayal, and misplaced romance. The story races through thefts, murders, and mistaken loyalties, ending with Ramesh marrying Raju after a turbulent journey of deceit and redemption.

A philosophical drama follows a disillusioned man's journey to rediscover his lost humanity in a society that has forgotten what it means to be a true human.

Four unemployed young men befriend their new neighbors, but soon tragedy strikes and everything is shattered.

Born into the opulence of a Lucknow palace, a young man’s silver-spoon childhood is shattered when his mother succumbs to a sudden cardiac illness. Driven by grief and a newfound purpose, he dedicates his life to medicine, becoming a heart specialist to save others from the tragedy that defined his youth.

The film is a social drama that explores themes of friendship, sacrifice, and the moral complexities of the time. While detailed plot synopses of 1950s "B-movies" can sometimes be elusive, Dost is characterized by the typical emotional storytelling of the era, often centering on family dynamics or star-crossed relationships.

Rich man's son Rajesh loves Savita, daughter of a teacher he got fired. She helps him excel in college. They marry against his father's wishes. Their friend Jivan creates problems between them, leading to separation.

Akbar deputes Raja Mansingh to conquer Orissa, where Pathan King Katlu Khan reigns. Mansingh, despite enmity, asks for cooperation. He sends Jagat Singh to Burdwan to spy on Pathan military activities, meeting Durgesh Nandini.

A murder had taken place. The suspect ran away and jumped into the water . When he was dragged out of waters, he was unconscious. A story of mystery and of breath-taking suspense.

An Astrologer informs Satpal Singh that his nephew will eventually kill him. When Satpal's sister, Maharani Meenakshi, gives birth to twins, he has one thrown from the castle walls, and ...

"Living Legend - Raj Kapoor" is a revealing portrait of Raj Kapoor, a charismatic personality who held centre-stage in the Indian film industry for more than four decades! In a highly personalized interview, Raj Kapoor talks to the film's director, Simi Garewal, about his emotional evolution.. his regrets.. his love.. his music.. his films and his philosophies. The viewers are also treated to glimpses of haunting scenes and songs from his films.

A social drama centered on the themes of reputation and honor, depicting characters' struggles to maintain or regain their standing in society.

A social woman-centered film interrogating aspects of feudal patriarchy. The painter Ashok (Surendra) who loves the orphaned Vimala (Bibbo) is distressed to learn that she is due to marry Jagdish (Yakub). He paints Vimala's portraits with a frenzied obsession and becomes a famous artist. Paralleling this love story is the decline in Ashok's family fortunes.

Three brothers, each raised in different religious households, reunite after many years in a chance encounter. They set out to take revenge on those responsible for separating them.

Teen Bahuraniyan (English: Three Daughters-In-Law) is a 1968 family comedy movie. The film is a remake of 1967 Tamil movie Bama Vijayam (Bama's Visit). The film's three lead ladies reprise their roles from the original movie. Teen Bahuraniyan is family story of 3 daughter in laws and their husbands. The movie shows how their relations takes different colour at various situations and how the father Prithviraj Kapoor plays vital role in the family to keep things going.

Lusty womanizer, army Captain Kishore, wants a gypsy dancer for himself, and is ready to kill anyone who tries to get in the way. But his plans are foiled when the woman kills herself, leaving behind an injured father, the head of the gypsies, and a younger sister by the name of Jugnu. Jugnu swears to avenge her sister's death, and seeks training from Robert Taylor, and becomes an expert in weapons and fist-fighting. She assumes the guise of a masked male and calls herself "Garam Masala", and inflicts terror in Captain Kishore's life and army. Garam Masala's attempts to kill Kishore are foiled when she is captured. She is rescued by a mysterious masked male, who disappears into the night. Kishore is clearly baffled by the appearance of two masked men, and asks his men to search high and low for them. In the meantime, Kishore returns to his kingdom, which has it's King missing for several years, and the prince - a puppet in the hands of Kishore and his men.

In the 16th century, when Prince Salim falls in love with a beautiful courtesan named Anarkali, Emperor Akbar's disapproval leads to a battle between father and son.

A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.

1952 Bollywood film.

This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.

In Manipur, in the early years of the 19th century, graceful and enchanting court dancer Indrani has captured the heart of Prince Chandrakirti. However, Indrani is looked down upon because of her low social standing and turned away when she tries to enter the city temple. She seeks solace in a crumbling temple, where all are welcome. Meanwhile, Prince Chandra comes under pressure to marry the princess of a neighboring land and secure a peace treaty for his kingdom.

A woman is presumed dead after being suspected of murder, leading to a new life but facing new complications.

Life changes for an honest police officer (Raaj Kumar) who's spent his career fighting crime on the right side of the law when he becomes a criminal himself. But is he really a "bad guy" if he's waging a personal war against injustice? Om Puri, Aruna Irani, Govinda, Farha Naaz, Shakti Kapoor, Kulbhushan Kharbanda, Alok Nath, Paresh Rawal and Ashalata co-star in this ensemble Bollywood drama.

A rebellious young woman defies her conservative surroundings and falls in love, setting off a sequence of emotional and social complications. Along the way, she crosses paths with an idealistic doctor suffering from consumption, whose romantic ideals blur the line between healing and heartache. With hints of a "taming the shrew" arc and melodramatic entanglements, Anuradha explores love, agency, and constraint—though much of its story remains lost to time.

Dil-E-Nadaan (The Innocent Heart) is an Indian Hindi film directed by C.V. Sridhar, released in 1982. The film stars Rajesh Khanna in the main lead role as Anand and Shatrughan Sinha as his friend, as the second lead character of the film.[1] This film was remake of the 1978 Tamil film Ilamai Oonjal Aadukirathu, directed by C.V. Sridhar, where Kamal Hassan and Rajnikanth played the lead male roles. After the success of the Tamil version, C.V. Sridhar decided to remake it in Hindi and directed it himself.

Radha is a resolute mother, who strives hard against poverty and a lecherous money lender to feed her two sons who grew up with contrasting temperament.

Courtesan Madame Subbalaxmi heads a household where men are not born, but are welcome. Women are not welcome, but their birth is. Subbalaxmi is thrilled when her pet protege, Sangeeta, gives birth to a baby-girl, who they name Chandra. Shortly thereafter they relocate to a small community. Sangeeta wants Chandra to study, and she is allowed to do so. Chandra meets her neighbor, Kunal, and their family, and is welcomed by them. Problems arise, when Kunal and Chandra fall in love, as neither Kunal's family, nor Chandra's courtesan family will permit this marriage. Only time will tell if Chandra's fate is to be the same as other courtesans.

Geeta, a stage artist in Star Theatre Company, takes a ride in industrialist Sandeep Anand's car and gossip starts making rounds about their love. Sriram, owner of Star Theatre Company, wants to take advantage of the love between Geeta and Sandeep and publicizes that their new play will be sponsored by Sandeep Anand without Sandeep's knowledge. Sandeep goes on to investiglate the mysterious bills he gets for costumes, meets Geeta and falls in love with her. After quite a lot of confusion, things settle down and Sandeep and Geeta finally get married.

A love triangle blossoms amidst class divides when a wealthy young man falls for a poor girl, only for a traditional arranged marriage to disrupt their lives and expose the harsh realities of societal expectations.

A cruel uncle usurps his niece's inheritance, but a kind doctor and his wife help her reclaim it. Their lives intertwine with betrayal, a scheming dancer, and ultimate vindication, proving that providence always intervenes.