Dear Jimmy

Austrian mountaineer Heinrich Harrer journeys to the Himalayas without his family to head an expedition in 1939. But when World War II breaks out, the arrogant Harrer falls into Allied forces' hands as a prisoner of war. He escapes with a fellow detainee and makes his way to Lhasa, Tibet, where he meets the 14-year-old Dalai Lama, whose friendship ultimately transforms his outlook on life.

When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel the family legacy and triggers a reckless spiral of betrayal, decadence, revenge, and ultimately… murder.

A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.

A story of a man who fakes his own death and assumes a new identity in order to escape his life, who then moves in with a woman who is also trying to leave her past behind.

The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.

The Offenders is a raucous punk satire of the teenager-leaves-home genre. As in the detached and aloof manner of Andy Warhol's underground films, it tells an amusingly deadpan story centred on the kidnapping of a young woman named Laura and her abusive, controlling father. An out-of-control gang of punk hoodlums flesh out the cast.

A thoughtful portrait of a renowned artist, this documentary shines the spotlight on New York City painter Jean-Michel Basquiat. Featuring extensive interviews conducted by Basquiat's friend, filmmaker Tamra Davis, the production reveals how he dealt with being a black artist in a predominantly white field. The film also explores Basquiat's rise in the art world, which led to a close relationship with Andy Warhol, and looks at how the young painter coped with acclaim, scrutiny and fame.

A documentary highlighting the 20 year history of influential indie record store Other Music in Manhattan's East Village.

This film tells Jean-Michel's story through exclusive interviews with his two sisters Lisane and Jeanine, who have never before agreed to be interviewed for a TV documentary. With striking candour, Basquiat's art dealers - including Larry Gagosian, Mary Boone and Bruno Bischofberger - as well as his most intimate friends, lovers and fellow artists, expose the cash, the drugs and the pernicious racism which Basquiat confronted on a daily basis. As historical tableaux, visual diaries of defiance or surfaces covered with hidden meanings, Basquiat's art remains the beating heart of this story.

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

Looks like an alien, sings like a diva - Klaus Nomi was one of the 1980s' most profoundly bizarre characters to emerge through rock music: a counter tenor who sang pop music like opera and brought opera to club audiences and made them like it. The Nomi Song is a film about fame, death, friendship, betrayal, opera, and the greatest New Wave rock star that never was!

This experimental short consists of eight unedited rolls of super-8 film, each of which profiles an individual woman in real time. The women engage in everyday behaviour, such as playing pinball or reading a letter aloud.

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

When Isobel Hetherington and her three young daughters take up their seaside residence in the hot summer of 1887, life seems idyllic. But the arrival of Phillip Wilson Steer for his annual painting visit launches a chain of events that will change their lives forever.

A French special op suffers an existential crisis as he wanders New York City in search of a mission and the requisite connections.

An investigation of Edward Brezinski, an ambitious, charismatic Lower East Side painter hell-bent on sucess, who thwarted his own career with antics that roiled NYC’s art elite. Brezinski’s quest for fame gives an intimate portrait of the art world’s attitude towards success and failure, fame and fortune, notoriety and erasure.

At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Nossiter's camera follows Crisp about the streets of Manhattan, where Crisp seems very much at home, wearing eye shadow, appearing on a makeshift stage, making and repeating wry observations, talking to John Hurt (who played Crisp in the autobiographical TV movie, "The Naked Civil Servant"), and dining with friends. Others who know Crisp comment on him, on his life as an openly gay man with an effeminate manner, and on his place in the history of gays' social struggle. The portrait that emerges is of one wit and of suffering.

Nares mocks up Ancient Rome by shooting in faux-classical sites including Tribeca's American Thread Building, where a decrepit penthouse loft with a peeling-paint dome serves as an echoey stand-in for the imperial palace. The latter location required ingenuity: Posing as potential renters, Nares and associates asked the manager to show them the apartment, then unlocked the windows on the way out; a few hours later, they broke back into the space, full cast and crew in tow, to shoot the necessary scenes.

Taking the City By Storm: The Birth of Milwaukee's Punk Scene is a documentary focusing on the progression of Milwaukee's Protopunk, Punk, New Wave, and Alternative music scene from 1975-1985.

"Sax Maniac: The Life and Times of James Chance" delves into the groundbreaking career of James Siegfried, better known as James Chance or James White, a seminal figure in the late 1970s and early 1980s New York City "No Wave" music scene. Produced and directed by his brother, David Siegfried, the documentary chronicles James's journey from his early days in Milwaukee, Wisconsin, where he first explored jazz and protopunk.

Eric Mitchell's debut film, shot in Super 8, stars Mitchell, Anya Phillips, Patti Astor, and Duncan Smith among a crowd of hip "poseurs," talking sex, manners, and politics.

Two friends from Miami are in the French Riviera enjoying life by scamming money off of rich women. One day, they read about a young woman set to inherit $50 million from her father. At first, Tricky has Christopher Tracy talked into romancing her for her money, but in getting to know her, Christopher falls in love with her. This love comes between the brothers, and Tricky tells about the plan.

A young couple who collect rare folk ballads discover the dark side of love when they surreptitiously record and translate an ancient, taboo folk song from the deep, forgotten past.

A gay man is about to be married. He thinks back to when he was a kissing virgin, waiting for the right person with whom to have that first kiss.

England, during World War II. A girl from a very religious background comes to work as a kitchen maid in a girls' school. She meets another maid comes from London, who is much more sophisticated.

Documents performances of DNA, James Chance and the Contortions, and Boris Policeband in NYC at a benefit concert for X Motion Picture Magazine and artists’ group Collaborative Projects Inc. It was shot in black and white super 8 and edited on video. It was filmed in 1978 but not completed until 2009.