Daniel Takes a Train

In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival trying to save from the flames the body of a boy he takes for his son, seeking to give him a proper Jewish burial.

13 year old Lili fights to protect her dog Hagen, and is devastated when her father sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to save her dog. Failing in his desperate efforts to find his beloved owner, Hagen joins a canine revolt leading a revolution against their human abusers.

The fate of a Hungarian Jewish family throughout the 20th century.

A young boy after the Hungarian uprising of 1956, raised by his mother with the tale of an idealized dead father, has his world turned upside down when a brutish man appears, claiming to be his true parent.

A lawyer defends her father accused of war crimes, but there is more to the case than she suspects.

1866. The Habsburg monarchy fight a war against the Italians and the Prussians. General Klapka, who emigrated to England after the fall of the 1848-49 freedom fight of Hungary, exploits the situation and organises a Hungarian legion with the help of the Prussians, then attacking the Austrians in their back sets out to return to Hungary.

In 1913, an orphaned young woman arrives in Budapest to take up employment as a milliner at the hat store that belonged to her late parents but becomes mired in a search for a brother she had never known of.

This Hungarian film chronicles the slow deterioration in the life of Juli, a farmer's wife. As the countryside grows ever more deserted because people are moving to towns or large collective farms, she spends more and more time alone. Despite her best efforts to appreciate her situation, her despair grows. The loneliness is briefly interrupted when she and her husband take in an old woman and care for her, but the woman dies. Shortly after her son visits, she is killed in an accident which may have been a suicide. ~ Clarke Fountain, Rovi

This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

In turn-of-the-century Budapest, teenage gangs the Paul Street Boys and the Red Shirts have been skirmishing over a vacant lot. When the Red Shirts decide to drive the Paul Street Boys out, they appoint small, sickly Nemescek to spy on their opponents.

Mocorgó, the well-meaning worker boy, is a tough guy. In his 40s he is still a mechanic's apprentice, but he is disappointed by his family, women and friends, and becomes a criminal. He goes to prison several times and tells the story of his life to the writer, who follows his story until 1956, until Mocorgó's death.

The protagonists of a comic Romeo and Juliet story full of gags are two widowed pensioners. Nádor and Mrs. Komáromi meet in the cemetery while mourning their dead spouses and they fall in love.

On a single day the fate of three couples are joined and some of them sealed.

1946. Borok Vince, party secretary, and Holló Döme, former landowner, arrive in Nagybökény the same day at Easter. The latter wants to get back his castle and land with the help of his attorney. Albert József, the police-chief, wants to strengthen Communist power with tough actions. His R-guards disperse the clerical torch march.

The story of 10-year-old boy and his family against the backdrop of the bloody events of 1956, in Budapest. Children do not yet understand what is going on, but they're happy because the schools are closed. But gradually, to adults and children comes the understanding that something terrible is happening. Disappearing relatives, friends, and even killed some. Tips sent an army to put down the counterrevolutionary rebellion.

Lili's brother is released from prison, and she tries to get him out of the country as quickly as possible so that he can start a new life. The film tries to portray the helplessness and helplessness of the young people of the 80s who don't know what to do with themselves.

After her husband's death, Hanna Szendroy, the former primadonna, is caught in the claws of the real estate mafia. She looses her lavish home and ends up homeless at the Keleti train station. When she returns to her house, now full of homeless people moved in by the real estate mafia, an unexpected relationship brings hope into her life again.

Ede (Dezso Garas) is in his sixties, and he is full of uncertainty about how he and his wife Kati (Mari Torocsik) will fare in the new post-communist regime in Hungary. At least before, he had some idea what he needed to do to get by, and even if he never made much money with his myriad schemes, they got by. Kati has got a real bug in her ear about their livelihood, and is hounding him to get into the spirit of the new system. This is troubling enough for the old gent, but when he runs into an old mistress (Kati Lazar) and discovers that he has a grown son he has never met or knew about, his life becomes even more confusing. His slimy ex big-shot brother-in-law (Istvan Avar) is a major player in the new entrepeneurial risk-taking, and he beseiges poor Ede with advice as well. In this topical comedy, all these worrisome things, and more, come to a head at a big family celebrtion.

The film, depicting life in the tenement houses of Angyalföld in the thirties joins the neorealist currents of Hungarian film. Ambrus Pista, the good humoured, attractive tram conductor is loved by women for his excellent job as well. With his lover, the street-walker Terus they spy upon the neighbour as he beats his wife in jealousy.

Between 1993 and 1999, one man robbed 29 financial institutions in Budapest. Banks, post offices and even travel agencies fell victim to his crime spree. The police had no leads and no hope of finding him during his six-year stint. The only clue left behind at the crime scenes was the distinct aroma of whiskey. The media christened him the “Whiskey Bandit”. Never physically harming anyone, many began to eagerly follow his escapades through the media. A Transylvanian immigrant, who also happened to be a goalie for one of the city's largest hockey teams, named Attila Ambrus, was finally identified as the “Whiskey Bandit”. The police had finally captured him... or so they thought.

Based on true events, Mayflies is the story of a famous Hungarian assassin from the 1930s – Pipás Pista. It starts with his arrest, and it is revealed that he was born as a woman but lived with a male identity. In prison, while waiting for execution, he forms a relationship with Irma, a pastor’s daughter, who teaches him to read and write. Their relationship develops into a strong bond that results in clemency being granted for Pista. However, Irma must pay the price for it. Their ambiguous love story is still relevant 100 years later, when manipulation and corruption still affect our choices.

The story setup in the late Communist era. Two school boys are best friends. One's Father is a mighty communist party secretary, the other is an anti-communist rebel.

The film takes place the Budapest Amusement Park in 1919, just before and during the proletarian dictatorship. After the outbreak of the proletarian dictatorship, both the former employee who returns from Russian captivity as a communist and the domestic philosopher spreading Marxists ideology regard the nationalisation of the Fun Fair vitally urgent. In this, the daughter of the owner of Orpheum Blau, Ilona, assisting most enthusiastically.

This sour satire records how narrow-minded, perishable and prejudiced human relations are. Lili, an open, good-hearted, but clumsy girl gets a rusty Renault Gordini from her uncle living in France. She wants to learn driving, but makes horrible and perilous mistakes behind the wheel.

Jeanne's beautiful breasts spill out from her torn clothes, and her gouged internal organs lie beneath. The contrast between death and eroticism is captured in a profound image. The opera that unfolds in the underground ward comes to a powerful catastrophe with jazz-like dissonance. Are they the living or the dead, shedding blood and singing in high spirits? The director comments, "This film will be the beginning of a new contemporary opera film“.