Cuida da Mim

Raúl, a computer programmer believes that the world as we know it is doomed and that the project he is developing will change the lives of many people.

Álvaro and Jaime, two childhood friends in their twenties, share a particularly critical view of the functioning of society in all its dimensions. Spending much of the day as a video club clerk in order to get some financial income and get around the difficulty they feel in entering into the game of professional careers and status - a refusal that is a personal commitment for them - the two main characters they are plotting a suburb diary. While they understand the nonsense of the existence of a videoclub, at a time when the proliferation of the Internet facilitates access to the contents available there, the two main characters engage in a parallel business selling the herb, using the establishment like facade. The process passes without the knowledge of the owner of the video club, an individual at the end of middle age with a total disinterest for cinema.

In a small Portuguese village in the late 1960s, a young priest sides with the population in their struggle for better living and working conditions. Following complaints from the industrialist who employs most of the village's population, the bishop decides to transfer the priest to another parish. When the people learn of his forced departure, they revolt and unite to prevent the priest from leaving the village.

A TV movie inspired by the work of renowned writer Luísa Costa Gomes. The story of Maria do Carmo, a successful woman in advertising and communications, with a carefully constructed life that crumbles when she is unexpectedly summoned to the Logical Surveillance Center. Without any explanation, Maria do Carmo finds herself trapped in an indefinite wait, confronted with others who have been there for years, with no clear reason and no visible way out. Her professional and personal responsibilities drive her to despair and protest, as she seeks to anticipate the solution to her problems, even if it forces her to go beyond all limits. But the system provides no answers and punishes those who demand them.

Eva and Sónia, orphans in their twenties, with very different backgrounds from each other, are in a romantic relationship held only by a van in which they live in and travel across the country.

Portuguese short-film.

An aristocratic Sicilian family living in the 1950s. Count Villafratti has sex one night with his nymphomaniac daughter because he thinks she is his wife.

Set in the Lisbon during the festivities of Saint Anthony, the patron saint of lovers and the old town. The story is about Cato, a nationalist politician who is charismatic and unscrupulous. He obsessively pursues Silvia, a mystical and mysterious young transvestite whom he meets at the festival. When Silvia runs into Vicente, a policeman who arrests transvestites and threatens them, Silvia must look towards blackmail to save herself. Compromising photos of Cato start to emerge among opposition parties and he must do all in his power to save his political career.

Egas Moniz, a man marked by perseverance and ambition. Audacious and in dissonance with a country full of “narrow-minded” people, Egas Moniz faced everyone so as to impose his scientific ideas, for which he was awarded, at a quite advanced stage of his life, the much-desired Nobel Prize for Medicine in 1949.

A child prodigy, a talented pianist, who fears the gift he was born with. A father persecuted and tormented by the infernal memory of the colonial war and a luminous mother afflicted by an incurable disease. A grandfather and grandmother in exile on a small village and an anti-Salazarist, an unrepentant traveller who settles in Buenos Aires. A music teacher who teaches his students that being a musician is not a fate of guaranteed happiness and that there is a lot of pain in the human heart. The story of a Portuguese family that lived through dictatorship, colonial war and democratic revolution - the improbable and surprising threads with which individual destinies weave the collective destiny.

And only the Man remains immune. Consumed by desperation, in an attempt to save the Woman and protect his Son, the Man goes looking for help and travels through the village where nothing is as it seems. During a surreal and hallucinating night, the Man, haunted by memories of another life, begins to lose track of reality.

Documentary short about the April’s Captains and the Carnation Revolution from the point of view of the MFA (Armed Forces Movement)- a coalition of Military officers – namely Captains and Majors – who banded together to overthrow the Authoritarian regime that ruled Portugal for over 40 years.

Olívia is a film student. Newcomer to a new reality, she has an affair with a stranger. This turns to be Cesar, her Filmology teacher, who also requires her to complete a short about Manoel de Oliveira.

In 1989, Miguel is a child fascinated with the world of video games and the heroes of film and television. In the early hours of playing console, he comes across a message on his television that alerts him to the danger his mother is in. Miguel's efforts to warn her are in vain because she does not hear him and is in an accident.

Uncertain whether his bus will arrive, a hesitant and anxious young man begins to question the point of waiting. As he stands at the bus stop, his interactions with those who arrive lead him to reflect on the passing of time and how he should face it.

The protagonists of this classic are Anabela, in the role of “Eliza Doolitle”, and Carlos Quintas, who plays the demanding professor “Henry Higgins”, at the head of a luxury cast of more than 70 actors, singers, dancers and musicians.

Burlesque history, which summons various references to cinematographic genres, much in vogue in the 50s and 60s, such as comedy, horror film, police, war film, among others. Two detectives and a special agent try to solve a difficult case, but in the end they are "swallowed" by the intrigue itself.

Inspired in the Play "Auto da Barca do Inferno" by Gil Vicente, the only Portuguese playwright recognized in the universal history of theater, the story of "When The Angel And The Devil Cooperate" talks about a bet: if the world ended, where would most of the humans end up? In Heaven? Or in Hell? On Earth, the Angel and the Devil come across with the story of a father, Parvo, who blames his daughter's death on Onzeneiro. While Parvo looks to get his revenge on Onzeneiro, this one tries to get rid of the murder charges by paying of the judge. They both gather with their accomplices at the same place, a brothel, without knowing about each other's presence. Here alliances are formed and broken with the help of peculiar friendships, represented by the characters of "Auto da Barca do Inferno".