Cotolay

1808. During the Spanish Independence war the city of Zaragoza is besieged by French troops. Spanish forces under General Palafox are scarce. Brave Agustina doesn't hesitate to lead the battle and even fire a cannon to stop the invaders when others run away. Based on historical facts.

When he was eight years old, Ferdinand was chosen to play a supporting role along a famous actress. Today, a producer is asking him to write and direct a film about his childhood memories...

A coffin-dragging gunslinger and a prostitute become embroiled in a bitter feud between a Klan of Southern racists and a band of Mexican Revolutionaries.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Mary dreams of following the footsteps of his mother, Stella Marco, once famous popular singer. Both survive renting rooms to people in show business. Determined to follow the career of her mother, Mary fails in her first attempt to succeed in the theater. But the faintness of the star at the premiere of a play will be her big chance. Mary has an unexpectedly huge success and becomes 'Miss Cuplé'.

Spain 1930s. A troupe of performers travel from city to city entertaining audiences and earning a living. The cast includes a magician, a ventriloquist, muscle men, dancers, singers and a full orchestra. The star of the show is Carmen Soler (Trini Alonso) a celebrated singer, now way past her prime, who refuses to retire gracefully and defends her stardom ruthlessly. On her shadow lives and works Ana Marques (Sara Montiel) a younger singer who dreams of the big time and patiently waits for her break.

Three men plan a jewelry heist abroad the Andalusia express train.

Estrella, a wild young woman, is lusted after by every man and therefore hated by the female community.

Tullio Hermil is a chauvinist aristocrat who flaunts his mistress to his wife, but when he believes she has been unfaithful he becomes enamored of her again.

A Spanish singer, known as "El Ángel", owner of a nightclub, lives a double life as an expert in alarms for gangs of thieves. In his last robbery, he betrays his partners, and his lover is kidnapped and he is blackmailed. Thinking that she has betrayed him, he abandons her to her fate. Finally, she committed suicide. El Ángel reconsiders his life and decides to become a monk. But his former life will meet him within the walls of the monastery.

A tale of the tender relationship between a twelve-year-old boy and the fourteen-year-old upperclassman who is the object of his desire, all set within the rigid atmosphere of a Jesuit-run school.

Twins separated at birth are reunited 12 years later.

During a trip to the mountains with their schoolmates, Arturo, who has just turned fifteen, gets thirteen-year-old Paloma pregnant.

Through a pictoric play, this movie tells the story about the painter Eduardo Miranda who, one night, while he was lokking to a gipsy group that was dancing, discovers a beautifull girl called Carmen. Dazzled by her beauty he decides to paint a picture. This causes roumours in the neighborhood, and it also arouses the jealousy of his wife.

The sailor Quico Carola, alleged war hero of the Francoist side, emigrated to America and amassed a great fortune. Fifteen years later he returns to Ferrera (Asturias), his homeland, in search of a wife who makes him forget his late girlfriend. There he will see his old friends and Armandina, the widow of a Republican shot during the Spanish civil war.

Sixteen-year-old Marisol sings her way across Spain with her father, chasing dreams and survival. On a sunlit campsite in Mallorca, she meets two students and dares to perform at a bullfighting event—hoping to be discovered. When talent scout Mr. Morrison sees her spark, he whisks her into a new world of ambition and refinement, determined to transform her into “a lady with great talent.” But as Marisol rises, she must decide what she's willing to leave behind to become the star she’s always dreamed of being.

Arms dealer Yolaf Peterson aims to make a sale to guerilla Mongo, but the money is locked in a bank safe, the combination known only to Professor Xantos, a prisoner of the Americans. Yolaf agrees to free Xantos, accompanied by reluctant guerilla Basco, but a former business partner of Yolaf's- John 'The Wooden Hand', has other ideas.

Medieval soldier of fortune Ettore is traveling through Europe with his partners looking for a fight where they can earn some money. When they come across a Spanish castle under siege by the French army, Ettore bides his time to determine which side is the winning one. This is at first the French, but the treatment he receives from them is unpleasant enough to make him change his mind and turn to the Spanish side. Somehow, Ettore must rally the weakened Spanish troops to battle their enemy long enough for reinforcements to arrive.

Mario Leyva, famous singer in full glory harassed every day more for his "fans", takes the life that they allow him, dedicated to his art and directed professionally by his "manager". His popularity makes him be mixed in the advertising of a brand of cigarettes by advertising phrases that repeat themselves in all the languages.

A young Cuban man and his uncle find a beautiful white woman in the heart of Africa and take her with them to Cuba.

A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his brother’s fiancée and his father, who have become suspicious. He gets rid of the bodies by taking them to a slaughter house.

A schoolteacher (Robert Dhéry) and his wife (Colette Brosset) use the couple's new car for a class field trip in this routine situation comedy. Soon the children are lost in this story written and directed by Jean L'Hôte taken from his own novel.

Several lives intersect when a middle-aged woman is left by her husband, and she decides to trek him down with the help of her equally troubled sister.

This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.

A middle-aged sales rep drops everything to track down the killers of his cop friend. Two years earlier, an older gambler forms an intense bond with a naive young man, who changes his name to please him.

A young woman, who sells music recordings in the flea market in Madrid, passes herself off as a friend's girlfriend so that he doesn't lose his inheritance.

Philippe Derblay, master of Pont Avesnes ironworks, is an honest and generous young man loved by his workers. He has long been in love with Marchioness Claire de Beaulieu.

Film divided into two stories: 1. Cuando los gorilas hablan por teléfono 2. Una chica de fortuna

Also released as Valley of the Swords, this lugubrious US/Spanish co-production features the usual mid-1960s "tax shelter" international cast. Broderick Crawford plays a despotic 10th century Spanish king who, in cahoots with the invading Moors, has banished handsome Castilian nobleman Spartaco Santoni. With the surreptitious aid of Crawford's daughter Teresa Velasquez, Santoni assembles an army to march against the Moors. In keeping with the 13th century epic poem from which this film was derived ("El Poema de Fernan Gonzales") Santoni's path is smoothed by the celestial intervention of patron saints Milan and Santiago. Among the big names picking up a few tax-free dollars in The Castilian are Cesar Romero, Linda Darnell, Alida Valli and Fernando Rey.

The neighborhood of La Boca, in Buenos Aires, is divided in two sectors: one is where decent people live under the tutelage of Magdalena, in the other, Manuel,ir responsible of a nightclub. Among decent people live Manolo, the milkman, awaiting the arrival of a Spanish woman to marry her. At the same time, the villain of Manuel also hopes for a Spanish nightclub. Women Arrivals weapon confusion.

Hud's parents were murdered, their land stolen and now Hud will dish out justice to the guilty - the three Clark brothers know they are in danger but they don't know from where the blow will come.

A robber decides to hide his loot in a ghost town, helped by his girlfriend and his one remaining man. Keeping it though may be a problem, with the lone inhabitant, an old lady, a mysterious stranger, a recent widow and a former gang member all more or less plotting against the bandits.

The film begins when a stranger arrives in town. He takes quickly to his former mistress, Denise, who is happily married to John, and has an affair with his identiske twin brother Peter. They plan together to drive John crazy. After unsuccessful attempts to blackmail the couple receive the stranger, Gert, to help them with their evil plan.