Cosquín, amor y folklore

A parallel police group attends a scientific conference and goes into action. Their mission: disrupt a gang of criminals that rob a memory bank.

A cabaret in Buenos Aires on Christmas night.

Consists of musical performances, mostly Argentine folklore, many of which are accompanied by dancing. Several sequences were filmed in scenic locations throughout the country.

When a marriage separates, a teenage girl chooses to move in with her father.

The vicissitudes of six different couples who arrive at a hostel in Buenos Aires called La Cigarra and are quarantined because of a supposed bubonic plague, causing all kinds of inconveniences and entanglements as a result of this forced coexistence.

An intelligent look at the absurdity of love, prostitution and money.

A very nice young singer wants to succeed in Cosquín.

A comedy in which several couples indulge in passion inside their cars while parked in the area of Palermo baptized as "Villa Cariño".

Argentinísima II is a film filmed in Argentine colors directed by Fernando Ayala and Héctor Olivera according to their own script that premiered on June 21, 1973 and whose main actors were Ginamaría Hidalgo, Eduardo Falú, Jaime Dávalos and Raúl Barboza. The continuation was planned for 1974 as Argentinísima III with a plot by Jaime Dávalos, but since problems with the title and intellectual property could not be overcome, it was not made.

Different stories that take place in a hotel for a temporary shelter for couples.

Sample of diverse folk songs interpreted by well-known figures of the genre.

A parade of musical paintings that includes fragments of Argentine films and a Proartel television program that Channel 13 broadcast in 1965.

Documentary that offers a great overview of the history of Bolivia, their misery, the popular indomitable spirit and repressions that occur without pause.

Five women whose lives revolve around an absent man constantly battle each other in their decaying old mansion.

A university student comes to stay with a bedridden woman and her four children. Helping out around the house, she soon grows fond of the mother and children. An attorney falls for the student, but the couple experiences problems when she declines to leave what he refers to as "that lunatic asylum."

Stories about a group of young people who spend a week at a coastal resort.

The nephew of a sexologist must take care of his uncle's clients.

This documentary takes us back to the events surrounding 1958 when the University Organic Law was passed. We hear the testimony of three university teachers who took part in the debates and the student activism at that time: the experiences of people who were young “back then”, the cultural context of the period and the connection between the students and the worker's movement.

The dwarfs of the Carnaval Catamarqueño party (La Chaya) and their actions over the muleteers.

Atahualpa Yupanqui established himself as a key figure of Latin American identity through travel. Archives, music and personal records of a transhumance aimed at deciphering the dialogue between people and their territory.

In Cerro Bayo, a mountainous region of Patagonia on the Chilean border, a Kolla Indian falls in love with a girl from another village. His mother disapproves the relationship and hates the woman. When the girl becomes pregnant with his baby, he must travel to find better work, leaving her alone with the mother's wrath.

The film begins with a part of the title disappearing through a cut in its center, cutting through the middle and producing a movement from right to left, revealing a room occupied by a child and her black maid. This is followed by an uninterrupted series of animated images, a kind of fleeting moment or painting that continually transforms, until it becomes a copy of Edouard Manet’s Olympia (1863). The second part begins with the title’s next part, which disappears just like the first one, setting in motion a reverse movement, from left to right, where images related to the first part, out of focus or from other points of view, arrive, ending with the reproduction of Félix Vallotton’s La Blanche et la Noire (1913).

Aspects of the life of General Manuel Belgrano since he took command of the Army of the North until, together with his men, he defeated the enemy in the battle of Salta in February 1813.

Never released film made by the plastic artist Nicolás Rubió

A comic strip detective and a superhero are hired to investigate separatedly the successive murders of CEOs within a real life corporation symbolizing a nation, while subversive groups and members of the establishment lead a war for power.

Argentine filmmaker Gerardo Vallejo, exiled in Spain, visits the Salamanca village of Cespedosa de Tormes, where his grandfather was born, and reconstructs the memories of his time with the locals.