Common Ground

In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy.

Faced with his own mortality, an ingenious alchemist tried to perfect an invention that would provide him with the key to eternal life. It was called the Cronos device. When he died more than 400 years later, he took the secrets of this remarkable device to the grave with him. Now, an elderly antiques dealer has found the hellish machine hidden in a statue and learns about its incredible powers. The more he uses the device, the younger he becomes...but nothing comes without a price. Life after death is just the beginning as this nerve-shattering thriller unfolds and the fountain of youth turns bloody.

The story focuses on Felipe Mentor, an ambitious and successful entrepreneur forties. Her company, called Mentor, is ascendant, to signing an agreement with a prestigious firm. Personally, Philip is married to a beautiful and charming woman named Luz, who seems to be the perfect woman. She runs her innermost desires and shown to Felipe madly in love and happy. This is because light works for a firm called Hit Life, a company that makes the dreams and aspirations of people from becoming reality.

Spain, 1939. In the last days of the Spanish Civil War, the young Carlos arrives at the Santa Lucía orphanage, where he will make friends and enemies as he follows the quiet footsteps of a mysterious presence eager for revenge.

Raúl learns of the suicide of Marcela, his high school sweetheart. The shock plunges him into the memory of that winter of 1980 in Buenos Aires. The nostalgic memory of their story revives in the present, like a forgotten love wound that never healed.

This adaptation of Goethe's The Sorrows of Young Werther offers a chilly and remote view of love and its passions. The setting is changed to Spain, and Werther (Eusebio Poncela) has taken a job tutoring the son of an estranged husband and wife. The boy's mother is a surgeon and therefore a rather uncommon woman for her society. She and Werther gradually become romantically involved, and his feelings for her begin to run much deeper than is apparent on the surface.

Daniel, an ex-convict, tries to get back at his corrupt father-in-law by kidnapping his own son and hiding him in an abandoned town where they are producing American westerns. Daniel will have to face a vile father-in-law, an ex-wife that stalks him, as well as a falling actor in order to carry out his vengeful plan.

Julia works as a waitress on the night shift of the Comodoro Rivadavia casino. There, she meets Gwynfor, a customer who offers an interesting work opportunity in the oil industry. And so, what starts out as a morning appointment, résumé in hand, becomes a nightmarish journey in the middle of the arid landscape of Patagonia, a space Ulises Rosell uses with the cinematic power of a western, with the inclemency of the sun and the darkness of night ravaging the protagonists. Inspired by the stories of captive women from the 19th century,

Atilio begins a new life when his daughter moves him to a nursing home, where he meets Beto, a clever and resourceful man. Together, they sneak out to visit Atilio’s late wife’s grave and accidentally witness a money laundering operation in the cemetery, involving hidden cash in a coffin. Inspired by the chance to change their lives, Atilio, Beto, and Doña Rosa—a sharp woman from the home—team up to investigate the scheme, hoping to seize the opportunity and find new purpose.

Winter, 1944. Lucía at 21 returns to her small village in the mountains. She again meets Manuel, a young iron-smith who helps "those in the mountain", the "maquis", the anti-Franco resistance. Lucía is attracted to Manual, because of his smile and the bravery of those men who continue fighting for their ideas, even at the cost of their own lives. When Manuel is pursued (by Franco's Civil Guard) he flees to the mountain and Lucía discovers the reality of political repression, the silence, the horror and fear.

A once prominent family fight each other over the inheritance of a run down mansion. Motivated by individual greed, they turn on one another until they unite to subdue a stranger prone to violence. Outwardly the family retains respectability and their name is not sullied, but irreparable harm is done to the unit and mutual trust is shattered in the wake of the events that transpire.

A woman who is 27 weeks pregnant is the victim of an attack and since then she has remained in a coma, hovering between life and death. In such a situation of unconsciousness, bad memories and episodes of violence stir in her mind.

Albert Teixidó (Bert) travels to the island of Mallorca after receiving a mysterious letter from his childhood friend Bernardo, who disappeared months earlier in the Tramontana mountains. On the island, he searches for clues to locate his friend, clues that will lead him to reveal forgotten events from the past and coincidences from the present, provoking Bert's obsession with continuing the search. This all culminates in an obsessive and metaphorical initiatory journey into the unknown.

Sebastián Pagani, a young film director, returns to his hometown to film a story of Haroldo Conti. There he expected a ghost from the past: recently, a childhood friend just committed suicide in mysterious circumstances. Pagani gets to know details about his death only multiply the enigmas. Slowly, he begins to become disenchanted with their own project to become more involved in research on the last day of the suicide. But towards the end, both concerns come together in unexpected ways. The Turn is a sad irony about memory and identity

Los Marziano reconstruye la oportunidad de un reencuentro entre dos hermanos tras un largo período de distanciamiento. Se trata de un relato que trabaja con profunda inteligencia -y con rasgos de comedia- el universo de las relaciones familiares.

The story of Salvador Puig Antich, one of the last political prisoners to be executed under Franco's Fascist State in 1974.

Maxi, a young autistic boy, takes us on a journey through his childhood and adolescence with Laura, the teacher who changed his life.

It tells the story of four Jewish boys during a few summer days at the country club where their parents take them, on the outskirts of Buenos Aires, in 1993. Within the club, the four define themselves as outsiders, since they do not participate in the sports activities that are practiced there, and therefore do not fit into the logic that governs the place, being permanently bothered and mocked by the rest of the children of their age.

Roberto is a Law professor whose life is thrown into chaos when he becomes convinced that one of his best students has committed a brutal murder. Determined to uncover the truth, he begins a personal investigation…

Buenos Aires in the year 2002; the economical depression has caught the country. Elsa keeps her head above water through several badly paid jobs and occasional criminal offenses with her friends Walter, Laura and Toni. She's saving money for a ticket to Rome to get out of her life and visit an Italian with whom she had a one night stand several months ago.

A police officer gets involved in a very peculiar case when he discovers he shares his name with the main suspect.

Infidelities that begin when a couple relates to another for commercial reasons.

A psychoanalyst who's lost faith in traditional therapy crosses every boundary to help a blocked novelist in this cutting Argentine dark comedy.

In a quiet village, charming young Tomás leads a simple life: caring for his mother, working at the video store and town clinic, and collecting dolls. As women begin disappearing, newly arrived Inspector Porter investigates.

Four mathematicians are imprisoned in a shrinking room; with the walls closing in, they must try anything to escape this fatal puzzle.

Silvia Monteferrante, a young literature professor, suddenly finds herself embroiled in the investigation into the death of her ex-husband, a police sub-inspector. His disappearance also leads to the loss of funds belonging to an organization embedded within the police force itself, of which her ex-husband was a member. She must retrace his last movements, unaware that she is being used as bait and the only way to find the location where the organization's funds are physically hidden. But nothing, not even death, is what it seems.

After the funeral of his daughter Ema, Frank Osorio travels for the first time to Buenos Aires to tell his granddaughter Alina about her mother's death. But Frank has to big secrets: the first one is about the identity of Alina's father and the second one is related to a crime.

A paraplegic computer engineer who moves in a wheelchair and works in his basement starts hearing noises and voices of bank-robbers.

A young businessman, owner of a major publishing house, is found shot to the head. Everything suggests a murder, since he was doing a journalistic investigation about a shady business.

Argentina: 1969: Major Molina has been sent to a military outpost in southern Patagonia to investigate the brutal murder of soldier Lito. The harsh weather conditions of Patagonia reflect the strict and cruel way in which the Colonel Hellman and his officers direct the garrison. Gradually comes to light that Lito was drugged by a fellow, Reppeto, and therefore was unable to participate in an unexpected military exercise at night. For his "disobedience", Lito was beaten to death. Molina seeks justice, aided by the deceased's family and the village priest. However, he is forced to abandon the case when the military forces take the power in Buenos Aires. Years later, with democracy finally restored in Argentina, the case will be reopened causing the abolition of military service and the military justice system.

Eva has just turned 50. She’s been married for over 20 years and has two, teenage children. So far, nothing remarkable. But on a business trip to Rome something happens that turns her life upside down. She meets Alex, a scriptwriter who’s spending a few days in the Italian city. The instant attraction she feels for him, the butterflies in her tummy, the seductive hint of possibility… After all this time, she remembers what it feels like to fall in love and it shifts something inside of her. It reignites a fire that had long been extinguished.

In Spain, a couple of days before a collective gay wedding, the lives of five mothers, whose sons will get married, become entwined.

It is the year 1998 in Buenos Aires. Chino just turned 21 years old. He is an introverted young man who lives in a small apartment maintained by his parents. He left his Architecture career a few months ago and since then he has spent his time watching films of any kind in different cinema clubs. He lives with Franco, a young man a few years older than him who works on a supposed science fiction film with which he plans to win a contest. He spends his days filming inside the apartment with his camcorder while acting out scenes from the supposed script in a somewhat ridiculous way.

Ernesto is a journalist in his 40's who comes from a generation which encountered much political persecution and exile; between the memories and unhealed wounds of his past, stands Ernesto. When his good friend Ricardo calls him one day and proposes to get together after 25 years, they decide to gather all the members of the “old gang” in order to revive those old feelings the best way they know how, through some good old rock n' roll. Amongst one of Ernesto's encounters is Ana, an old love who will bring a twisting unexpected turn into his life. The old gang is comprised of Ricardo's depressive, hypochondriac wife Ana and her socially-conscious former lover Ernesto, a journalist who left Ana years ago to pursue his political ideologies in socialist Cuba.

This film explores the perception of Lisandro, a 16-year-old boy who is on the autistic spectrum. His mother, Valentina, an actress, has raised him between backstages and dressing rooms. Is there any difference for him between reality and fiction?

Mariana and Martin have similar lives: the same loneliness, the same neurosis, even the same apartment, but they can’t meet. Their only link is also what separates them: the sidewall.

A young man and a girl meet due to a confusion in the deliveries of a house that provides meals at home.

A reconstruction of the artistic memory of the Biancos, Pelicoris, and Alonsos, a family interwoven with theater, film, and radio drama. Through the intimate puzzle piece that sisters Ingrid Pelicori and Irina Alonso piece together, the film rescues an essential legacy of Argentine cultural heritage and invites us to immerse ourselves in the golden decades of the 1940s through the 1970s.