Clay Dolls

Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters' life stories. An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.

With her abusive husband in jail and a coveted divorce pending, hardworking Noura can almost grasp a happy, new life with lover Lassaad — but when the best-laid plans are upended, Noura must tap her unshakable will to fulfill her dream.

It is early summer, exceptionally hot and humid. Malek is living on the ground floor of an old building by the sea, single with no family ties. She is frequently mocked by her friends, Khaled and Azza, because of her passions for Roman mosaics and for spying on her strange neighbors. It is the day- to- day life she has chosen. But when night falls, the wild violent rowing she hears from behind her neighbors' closed door plunges her into fits of anguish. Dark memories resurface. She is sure there is a Monster living in her building. It sends her messages, enters her apartment when she is away. The day she met Jihène, a new tenant, who she immediately befriends, was the day the monster came knocking at her door.

A gangster known as "Samurai" wants to turn the waterfront of Rome into a new Las Vegas. All the local mob bosses have agreed to work for this common goal. But peace is not to last long.

In 1997, six African women pledged that in the first year of the new millennium they would tell their stories, stories by African women. They called their series "Mama Africa" and drew their tales from the depths of their hearts. The result is a groundbreaking initiative bringing together the incredibly fresh talents of six female directors from the vast and diverse continent of Africa.

Mathieu, a young ambitious actor, struggles to put together his showreel. His friend Ousmane offers him a role in his rap music video, but the shoot doesn't go as planned.

Amira, 5 years old, doesn’t like school. In order to avoid going there she finds an unstoppable idea that goes beyond her expectations…

After a tempest, fishermen do not find only fish in their nets. That is what happens to Jafaar, a poor fisherman who lives poorly in Gaza. And what he hauls in is really upsetting: imagine that, a pig! An unclean animal judged impure not only by the Faith of Islam but also by the Jewish religion. Determined to get rid of the animal, Jafaar tries desperately to sell it, first to a United Nations official, then to a Jewish colony where Yelena raises pigs not for their meat but for security reasons. Of course, going unnoticed in the company of a "forbidden" animal, among his Palestinian brothers, past Israeli soldiers and under the scrutiny of Islamic fundamentalists is no bed of roses and a series of misadventures await Jafaar.

Selim, a handsome and successful writer triggers an elaborate chain of events when he visits police headquarters to report his car stolen. There he runs into the bumbling Sergeant Fathy Abdel Ghafour, an old family friend who now works as a detective. When the meddlesome Sergeant Fathy insists on hiring a live-in housekeeper for his old friend, Selim’s life becomes inextricably intertwined with that of his beautiful new housemaid, her thieving husband and the well-meaning detective.

A sequel to The Treasure (Part 1) - Reality & Fantasy (2017) The movie resumes with the stories of Hatsheput in the Pharaonic era, Ali al-Zaibaq during the Ottoman era and Beshr al-Katatini, head of State Security Investigations Service, who faces new challenges in work and love, whilst pointing his son, Hassan, towards a treasure through his recorded will.

The events revolve around three eras: the Pharaonic era, the Mamluk era, and the first half of the 20th century. The events revolve around corruption and the power of some clerics over the ages to power and false and bad dealings with the people, and how to involve religion in politics in order to obtain positions. That there are clerics deliberately coloring and counterfeiting in this period of time to be the strongest and maintain their positions.

Aïcha is a rebellious village girl in her twenties who works in a clothing factory and dreams of a better life. Her lover, Mourad, had left her and emigrated to Europe, which led her to retreat into isolation. Adam is a young and disillusioned doctor who cannot bear his dull and lifeless daily routine, caught between the suffering of his patients and his own loneliness. On a whim, he decides to leave everything behind and accept a job in a remote, barren village, in search of tranquility and an escape from haunting memories. There, he encounters Aïcha, who brings movement and vitality into his otherwise quiet new life.

Following the events of the first part, Mansour Al-Hefni escapes from prison and reunites with his son Ali and brother to return to the island to recover what they have lost. Mansour must stand against his old love Karima while the leader of the travelers tribe Sheikh Jaafar enters the conflict for rulership

The movie focuses on the fury state that was among the people in synchronization with the main event in Egypt: The 1919 Egyptian Revolution which unites the fates of Kira and El Gen to participate in the struggle against the British occupation.

Young Theo is sent on his first trip with his Maltese sea faring family, but things go terribly wrong when the 'Simshar' sinks, leaving the crew stranded in the Mediterranean... Simultaneously, Alex - a medic reluctantly dispatched onto a Turkish Merchant vessel which has rescued a group of stranded African boat people between Malta and Italy - gets stuck on the boat as the countries wage a bureaucratic war over who should take in the migrants... The stories unravel in parallel and culminate tragically when the fishermen are traced down, but by that time there's only one survivor.

A Christian kid suddenly is forced to go to a public school after his father dies and because of a misunderstanding everyone thinks that he's a Muslim.

A hybrid documentary/drama feature combining a fictional story about a Tunisian community disrupted by an American film crew with the real-life saga of director Ridha Behi's efforts to make a movie with a dying Marlon Brando.

Four women meet at Dar Joued on the eve of Independence. With different ages and social conditions, they are condemned to live together under the authority and injustice of their jailer: "El Jaida". They will share memories of the outside world, joy, emotions and distress of their daily lives.

Hassouna, a Tunisian officer in the French army, is committed to the cause of independence of his country. He transmits information to the independentists activists' networks. Once he discovers a list of Tunisian betrayers, he faces rejection and persecution.

Salma is a 37 years old paramedic nurse working in private and public hospitals in Tunisia. When her only son, Murad, go to Syria to join the terrorist movement Al-Nusra Front, Salma infiltrate the jihadists with the aim to bring her son back to Tunisia.

A notorious French ex-felon becomes an informant and infiltrates a Mexican drug cartel.

Ghassra, an Arab taxi driver faces difficulties answering nature’s call. He wants to relieve himself by a tree, but is challenged by the election candidate, the soccer fan, the extremist and the policeman.

Annabì has a fear of flying, which holds back her life and acting career. When her daughter decides to study abroad, Annabì sets out to conquer her fear by taking a course designed specifically for those who are afraid of flying.

It’s a revelation conjuring heated debate: According to a recently translated ancient text called the Gospel of Judas, the disciple infamous for betraying Jesus may well have been Christ’s most faithful servant and—because the Savior asked him to—accepted perpetual disgrace to bring about Jesus' death. Explore the mysticism of early Gnostic thought expressed in words written on a 1,700-year-old leather-bound papyrus. Hear the interpretations of four biblical scholars. Follow this fragile document from its discovery in Egypt to its translation and ultimate presentation to the world. And share your thoughts on the Gospel of Judas.

In exchange for a few watermelons he loves so much, an Imam organises emergency funerals. His ex-jihadist assistant suspects a conspiracy... A cutting and witty story.

The arrival of an attractive young teacher in a small town in the Po valley disturbs the drowsy life of the place, leading eventually to a murder.

Ahlem and Najwa, two young women from a poor neighbourhood who work in an elegant pastry shop in Tunis, still dream of their Prince Charming as the only way out of poverty. When a rich client asks her to meet him, Ahlem ventures alone into the city centre and waits for him in vain. A woman walking alone in the streets in the evening cannot be respected…

Amel is a young photographer. When she loses her husband, her life changes. Encouraged by her father-in-law, she takes a taste of life by photographing street boys. Without fear of being scandalous, she makes the choice to look at men as men look at women.

Following the arrival of the New Year, Slimane's wife, Zeineb, suggests spending New Year's Eve in a hotel. Meanwhile, his mother Douja, desperate to have her date canceled, makes a plan with Slimane's mother, Fadhila, to leave with them. The couple then meets for this evening with their mothers, as well as Sboui, his wife Azza and his children. Sboui, Slimane's brother, continues to do stupid things at the hotel which makes the stay unpleasant for the couple. Remaining in Tunis, Fouchika finds himself alone with Béji. He had planned this evening with his friend Sboui but finds himself with his former boss because he is having marital problems. However, Béji receives a phone call from his wife and reconciles with her. Shortly after, Béji leaves to join his wife at her in-laws, leaving Fouchika alone.