Cinta Segi Tiga

Suzzanna is determined to exact revenge on Bisman, the cruel village ruler who killed her father with black magic. To achieve this, she learns black magic, but realizes Bisman's power is immense. In the midst of her efforts, Suzzanna falls in love with Pramuja, a religious man who doesn't know her secret, forcing her to choose between pursuing her revenge or sacrificing him for love.

In a desperate act to get quick money, Ijal and friends embark on a high-stakes operation: pickpocketing at Indonesia's biggest music festival, Pestapora.

To save her daughter, Fatima agrees to be sent to Malaya to work as a sex slave for Japanese soldiers. There, she joins with the resistance to help destroy a Japanese base, but finds herself taken prisoner and turned into a sex slave a second time after being captured by Dutch Indies officers.

Betrayed by the Dutch colonial forces, Arana manages to escape along with his nephews Jamar and Suwo, the newborn sons of Hamza, one of the last Indonesian sultans fighting against foreign tyranny. In 1860, after wandering for years on the plains of the American Wild West, Arana and the two brothers return to Indonesia to avenge their dead loved ones and punish the evil man who caused their misfortune.

A study of middle class life in Jakarta.

The film is a "reconstruction" of the real event of Sum Kuning’s rape that happened 10 years before, and sums up the lack of justice in the Indonesian courts. Sumirah, is raped by four vandals but during the investigation, the event is given a ridiculous interpretation when Sum is forced to confess that she was trying to gain popularity for herself. During the trial, the true facts are revealed gradually and this ranks as one of the best courtroom films ever made complete with spirited and lively dialogue.

It tells the story of an Indonesian revolutionary who falls in love with one of his Dutch prisoners.

A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.

This first Indonesian international award winning film is about a story about a woman with her unhappy life who seeks for something.

After hearing the mandate of Sukarno during the Second Asian-African Conference, an author named Suromo searches an art form to express the people’s hardship. Together with a failed painter named Rutaf and a film director named Kadjiman, these artists meet a man who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.

This time Ateng and friends are dressed in costumes recalling Baghdad’s sultanate. The story is similar to Ali Baba and the 40 Thieves. The poor Ali Baba becomes suddenly rich after finding a treasure in a cave that actually belongs to the King of Robbers. After hearing about the treasure, Ali’s brother goes into the cave to take some but forgets the magic password and is trapped inside. When the King of Robbers arrives, he learns that Ali Baba has found out their secret. So a duel ensues between Ali Baba and the King of Robbers, and in the end the police apprehends them. Ateng and friends are hilarious and the Baghdad set and costumes bring back the nostalgia of old stage performances.

Lestari stops teaching when she marries Rama who has returned from abroad. Lestari, who is an only child and an orphan, is infertile. One day she meets Shinta, her favorite student who cannot stand living with her stepmother, especially since her father, a drunken truck driver, died in an accident. Lestari invites Shanti to live with her. Then Rama’s parents bring Lestari to Tokyo for treatment as they still wish to have a grandchild. Rama and Shinta are left at home and begin to be intimate. Lestari is furious when she returns but she finally gives them her blessings as she cannot conceive. But due to a misunderstanding, Shinta runs away. Then Rama finds Shinta as a singer in a nightclub. Without Lestari’s knowledge, they consummate their love. Then Rama accuses Shinta of adultery and refuses to acknowledge the baby as theirs.

After her graduation as a doctor, Siti Pertiwi is sent to the Menggala area in Lampung. She has to deal with many problems, such as the corrupt paramedics who assist her and the villagers’ fear of the shaman – Atuk Raja – and his men. These problems have complicated her role as the local doctor. Then she receives help from a student who interns in the area. Unfortunately, the assistance invites gossip.

The story of Almayer, a Dutch trader struggling to survive in Malaysia at the turn of the 19th Century. His dream of finding a mythical gold mountain is challenged by his scheming wife, the colonial authorities, the political machinations of the local chief and Arab traders, and his daughter's love for a freedom-fighting Malay prince.

Two businessmen, Burhan and Benny, are rivals and Burhan hires Joko, an ex-convict who is trying to reform. Joko is asked to investigate Benny, through Leila, a hostess that Benny usually goes to. But then Joko and Leila fall in love and things do not go as planned. A accident happens and Leila is shot by Joko. Burhan dies in a car accident while Benny runs away out of the country. The reason of enmity between Burhan and Benny is unclear, nor that of Leila’s role, who knows so much about Benny’s secrets.

In a neverland, King Wasit Aron organises forces to reclaim his throne that was seized by Abu Garin. The greedy Abu Garin is not satisfied, as he still wants to marry Wasit's daughter, Tirza, and get Wasit’s sacred stone. The battle between their two forces continues to go on. Then, King Wasit meets Rhoma, a wanderer who is always carrying a guitar. After the wanderer shows his power in fighting and his skill in healing the wounds of the King's daughter, Tirzah, King Wasit and his followers are successfully persuaded by Rhoma to convert to Islam.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

Rhoma Irama and his girlfriend, Kartika (Yatie Octavia), are affected by a disaster. Rhoma accidentally kills a woman with his car. Apparently, the woman is the sister of Ikang Fawzi, a rock star. The tension between Rhoma and Ikang intensifies.

Even though he has become successful with many fans, Rhoma remains modest, is still religious and listens to his parents. But Ida, a fan of his, has been sending more than 100 letters to him. Rhoma sympathises with her and falls in love. Meanwhile, Ida’s mother is a poor widow who sells gado-gado (traditional Indonesian salad). Rhoma’s mother wants him to marry another girl, Mira, who has a higher social standing. Rhoma rejects his mother’s choice and both mother and Mira, mock Ida and even tries to consult a shaman. Rhoma does not like Mira’s "modern" attitude. When Mira has an accident and Ida helps her, her attitude changes, and Ida and Rhoma end up marrying each other.

Rhoma and Rika have a steady relationship. But it is hard for Rika to refuse her father’s request for her to study abroad. Rika and her best friend, Ani, both hide each other’s respective boyfriends as Ani had a bad relationship experience in the past. On Ani’s birthday party, something unexpected happens when both, Rike and Ani, discover that they have the same boyfriend. Rika then concedes that Ani is the one for Rhoma so she fulfils her parent’s expectation to continue her studies abroad.

Rhoma finds Camelia, a desperate girl attempting suicide, as she can no longer bear the physical and emotional torture from her stepmother, Joice, who accuses her of stealing a diamond. After being saved, she becomes good friends with Rhoma. Rhoma invites her to live with him by disguising her as a mute boy. But Rhoma’s mother sees through this disguise and throws her out of the house. Rhoma returns home after signing a contract for a show. He manages to convince his mother to accept her back. Then he searches everywhere for Camelia but he cannot find her. Sadly, Camelia has been tricked by Joice’s friends into being a prostitute. In the brothel, Camelia sees her stepmother. Rhoma reports Joice to Camelia’s father, who then informs the police. Joice is arrested and Camelia goes home with Rhoma’s mother.

If there is a typical Rhoma Irama formula, it’s a film with a love story, fights, six dangdut songs written by him and also a religious sermon.

While driving his car, Rhoma sees some car robbers in action. He notifies the police through radio and directly confronts the robbers. Shortly after, the police arrive and arrest the robbers. As a result, Rhoma and his wife are persecuted. Their son, Dedi, is kidnapped and they are asked for ransom. Rhoma does not inform the police for fear of his son’s safety. He carries the ransom by himself which they consider too small. They demand that Rhoma robs a bank. This incident shocks the public, especially when several newspapers label Rhoma as the ringleader. Rhoma is furious. He cooperates with the police to apprehend the gang of robbers.

Rhoma is too preoccupied with his music, which makes his wife, Ani, feel neglected. Then Ani falls ill and suffers from blindness. Concerned for his wife’s condition, Rhoma leaves his music and starts to look after livestock in the village instead. Pursuing a business that he knows little about is difficult. Then other farmers dislike the competition he represents that leads to disputes and fights. Finally, Rhoma decides to return to the music world.

In a small village, a woman's decomposed corpse turns up showing signs of having been defiled post mortem. A series of other vicious murders occur, with some of the victims' bodies being dumped in a well. Police begin to suspect a necrophiliac is responsible.

About hard life in Jakarta City.

Rhoma Irama and his Soneta Group visit various regions to preach religion. He receives both warm welcomes and accusations of commercialising religion. This challenge becomes Rhoma’s struggle. He tries to persuade his fellow professionals to avoid drinking and women. He also manages to help his future father-in-law who almost rapes Laila, his own daughter, in a drunken state. Despite opposition from the Al Muthainah college, Rhoma manages to convince them that music can be used as a means of preaching. Rhoma sings no less than seven preachy dangdut songs in this film.

Balung Wesi was defeated in battle and is seeking revenge on Ki Sapu Angin, the teacher of Jaka Sembung, The Warrior. In mobilizing power to fight the Dutch, The Warrior makes the acquaintance of Bajing Ireng (Black Ninja).

Several thieves, a psycho, a murder victim's son and others head to Ghost Mountain in search of a precious blue diamond. There, they face a cave-dwelling black magician and killer snakes among other things.

A gang of assassins murder Wendy’s husband, Johan, during their honeymoon. Handoko, the gang leader orders his girlfriend, Hany, who is actually Windy’s friend, to capture her. Later, we see Windy becoming a disciple of Harun the cleric, who is also her father’s teacher. After the tutelage, Windy returns to find her husband’s murderer. She disguises as a taxi driver and helps the police arrest many criminals. Hany, who is actually a police undercover in Handoko’s gang, shows up once again. Both infiltrate Handoko’s headquarters but are captured. When they finally escape, they release Handoko’s prisoners.

A middle aged man tries to find a cure for his impotency while his young and sexy wife has an affair. It's a comedy.

Jamal, a law student researching the tradition of carok, finds himself caught in a cycle of violence that has long divided his family and community. As a feud fueled by honor, revenge, and personal ambition escalates, Jamal is forced to confront the very tradition he has sought to understand and resist.

Wealthy hedonist Budiman turns an inherited property into a brothel, where he rapes girls and turns them into prostitutes when he isn't bartering their services for drugs. An abortion forced upon one of the girls unleashes the spirit of her unborn child, who begins to haunt the establishment.