A thesis on the history, the successes and failures of Venezuelan and Latin American cinema as a whole; demonstrating how little interaction there is between Ibero-American cinema
Documentary in four parts on Latin American cinema. Third episode: from the 1960s, France and Europe showed a real enthusiasm for Latin American cinema, but the latter remained hampered by numerous economic and political obstacles.
El afinque de Marín (1979) is an iconic Venezuelan documentary directed by Jacobo Penzo that explores the life, culture, and popular music of the Caracas neighborhood of Marín. Far from being merely a film about music, it delves into the social roots and collective identity of the barrio, using rhythm and everyday life as a lens to reveal the bonds, struggles, and shared histories of its inhabitants. Through its intimate portrayal of people, sounds, and spaces, the film becomes a vivid testament to popular culture as a living expression of community and belonging.
This revealing documentary honors the legendary Sidney Poitier—iconic actor, filmmaker, and civil rights activist. Featuring interviews with Denzel Washington, Spike Lee, Halle Berry, and more.
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A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
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From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
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A documentary on why 'Money Heist' sparked a wave of enthusiasm around the world for a lovable group of thieves and their professor.
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Documentary by Mateo Gutiérrez about the life of his father, Héctor "Toba" Gutiérrez Ruiz (1934-1976), which includes interviews with people who witnessed moments in the life of the former president of the House of Representatives, assassinated by the Uruguayan dictatorship
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After the high-profile killing of Damilola Taylor, Cornelius' family move out of London. But when they discover their new town is run by racists, Cornelius takes a drastic step to survive.
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Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
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A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
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The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.
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A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
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An eccentric millionaire gives a party for his birthday. With his friends, gamblers and collectors , they play games in their own way. One of them, a woman, suggests this: since they're all gamblers they should play a fortune on the life of one of them.
Venezuelan comedy directed by Víctor Urruchúa.
Luisa cheats on Guillermo with Sebastian, who cheats on Ximena. When Luisa goes missing after both couples return from a double date night, the whole house of cards starts tumbling down.
Ten years after General Antonio José de Sucre - Grand Marshal of Ayacucho- was murdered in the Berruecos jungle, Colombia. The inquiry into his death is reopened, Captain Alejandro Godoy take charge as prosecutor. Several political motives mean that the case must definitively be drawn to a close. Godoy discovers that a large part of the documentation produced during the original inquiry has been destroyed. With his own life in danger, Godoy discovers a highly intricate plot that put an end to Sucre's life.
The film tells the story of Fernando Quintero (Gustavo Camacho), revolutionary leader who, after the fall of the dictatorship of Marcos Perez Jimenez, ascends to power, betraying their ideals to become an accomplice of repression against whom he fought.
Reel 21 of Gérard Courant’s on-going Cinematon series.
When misfits Barry and Evan design their ideal woman as a robot, they realize a fortune could be made if they had the money to mass produce their prototype. A wealthy prince soon finds out about their invention and the three hatch a plan to rule the world and change sex and the future! If life were that simple…
During a bus ride through the Andes, two seminarians encounter with a woman named Manon. Immediately, one of them falls in love and the attraction is mutual, so they decide to flee to capital city to start a new life. But the love of Manon ambitious drags this man to leave his vocation and commit criminal acts to maintain a life of luxury and extravagance.
The intent of novice director Solveig Hoogesteijn to make a drama about two Venezuelans from opposite sides of the economic and social tracks wobbles and weakens in the telling. Although the two compatriots both live in the capital, Caracas, and both love music, they have a need to go out into the rest of the country and discover their roots. As big-city dwellers, they are limited in their perspectives, though this excursion into other areas of Venezuela may prove more illuminating to them than to a foreign audience.
Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a black man. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.
Andres (Jean Pierre Agostini) it's a fan of Los Leones del Caracas one of the principal baseball teams of Venezuela. Julissa (Juliette Pardau) it's a fan of Los Navegantes del Magallanes, the rival team. One day Andres gets tickets to see the game in Magallanes VIP Zone. He meets Julissa and her dad who is not only fan but one of the team's managers. Andres and Julissa will fall in love and will have to pretend to be fan of the other's team. But soon trouble will arise.
Andrés and Julissa now parents to a seven year old Carlitos struggle to live happily as a family despite being fervent fans of rival teams and of Vicente's (Julissa's father) disapproval.
A hazardous encounter leads América and Juan Pedro to recognize in each other the unsuspicious emotion of the first love. Young and innocent identified with their artistic devotion -he is a composer, she a dancer- they overstep the bound of their shared feeling, joyful and without great fears. They never imagined that their openhearted and pure love could hide a stain: that of racial prejudice.
The film reproduces the historical moment when Cipriano Castro, then president of Venezuela, proclaimed: "The insolent plant of the foreigner has desecrated the sacred soil of the fatherland!" While the coasts were invaded by imperial forces in 1902.
Film by Julio Neri.
A wife suspects that the building she lives in hides a secret out of this world.
Salserín, la primera vez, candidly recounts a story of teenage love framed in the genesis of a salsa band that was once a musical phenomenon in the mid-nineties.
El Cholo, a Peruvian taxi driver, flees from justice in his country and comes to Venezuela in search for a better future. After running into a gang of con-men who leave him penniless, he meets a peculiar group of Latin Americans who work for a gangster known as The Russian as hitmen. El Cholo is quickly trapped in a world of blood and ambition that makes him realize the true cost of life and death.
This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.
In a coastal town with no name and desolated by poverty, the sea suddenly begins to exhale a scent of roses that transforms the lives of all the villagers.
Venezuela, the mid-nineteenth century. The polarization between liberals and conservatives marked the political agenda. Inequalities of colonial society kept farmers and slaves under the yoke of the oligarchy. Ezequiel Zamora mobilized by deep ideals of liberty is leading a fight to try to erase social inequalities and distribute land equitably.
In 1996, Ricardo returns home to Caracas after a year of exchange in New York. On a trip through the beautiful coasts of Venezuela, reconcating with his friends, Ricardo suffers a strong pain that transforms his life and that of his family forever.
The obsession of The Mother for The Negro causes her sick relationship with The Daughter. Mother and daughter perform a daily routine of rites to conjure The Negro's soul. It pushes them into the dolorous tragedy which will consume them.
