Chor Bazar

Pushpanjali (An Offering of Flowers) is a 1970 Hindi, romantic drama film, produced and directed by Kishore Sahu. The film was made under the "Kishore Sahu Productions" banner. Dinesh Khanna, his wife, Lata, and their son, Pappu, lead a harmonious and happy upper-middle class life in Bombay, India. Despite of their happiness, they know that Lata's heart is weak, and unable to withstand shock or over-excitement. While on a outing, Pappu starts having health problems, and must be admitted in hospital, so that various tests can be carried out to isolate and treat the problem. A few days later, Dinesh is at work, and the phone rings in the Khanna household. Lata answers the phone, and what she is told the shocking truth - a truth so devastating that it may take her life, and change the lives of her husband and child forever.

College student Janardhan is a simpleton who desperately seeks inspiration for the musician inside him. Although heartbreak helps him reach his goal, it also leads him to self-destruction.

Amidst the fall of princely states in post-independence India, the friendship between Vikram, who comes from an aristocratic family, and a peasant is tested. Vikram turns vengeful after his brother is killed in a peasant colony.

When Sunder loses everything, he seeks refuge in a graveyard, where he befriends a ghost.

Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."

A rich girl marries a doctor. Differences crop up between the two and starts to snowball wherein she returns to her father's house. Months later she returns only to find he is in love with a nurse.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.

When a Police inspector is killed by a band of thugs, his grieving father Samsher Singh seeks justice. Pratap Singh has left behind a pregnant widow, who dies in chidbirth, leaving Samsher to bring up the child Kunal. The transformation of Samsher Singh (a locomotive engine driver) into Sobhraj, multi millionaire and owner of a vast network of business. Kunal is brought up by Abu Baba, a servant of Sobhraj to be honest, upright, and very independent minded. Durga, the daughter of a former employee of Sobhraj, who is serving time and Kunal fall in love. This not acceptable to his grandfather, though Abu Baba approves of the relationship. Disaster strikes when an attempt is made to separate the lovers. The life of Samsher Singh alias Sobhraj begins to unravel from here. How Kunal's ethical upbringing by his foster-father, and his financial and business circumstances of his grandfather meet in a titanic conscience clash and how he resolves matters is at the nexus of the plot.

Shahjada Ijjat Beg comes to India with his caravan and settles in a town in Gujrat. Here he falls in love with Sohani, who keeps a shop in metal pots. Ijjat Beg buys pot from her with whatever money he had and they were attracted to each other. Sohni dispensed with her servant and kept Ijjat Beg instead. This gave them more opportunity to meet. This was a scandal in the town and Sohni was perforce married to Rehaman who was slightly off his head. Sohni continued her meeting Ijjat Beg who went out fishing. When the atmosphere became to hot for them they jointly took a water grave for their love.

The Kumar family consists of Ramprasad, his wife, Durga; their married son, Vijay, his wife, Sharda, their daughter, Pinky; a married daughter who lives with them, Kanchan, her husband, Bajrangi, and a son; an unmarried and unemployed son, Amar. Save for Bajrangi and Amar everyone else likes to bully and abuse Sharda and make her do all the house-work, especially Kanchan and Durga who don't even need an excuse to beat, slap her, and even burn her arm in scalding hot water. Amar finds a job with Dwarkaprasad, and falls in love with his daughter, Seema. One day Amar has to be go to Delhi, and four days later when he returns home he finds that Sharda and Pinky are missing, and Sharda's mom, Devki, is dead. He frantically searches for them and comes across their dead bodies. The question remains how did Devki die, and how were Sharda and Pinky killed?

A policeman adopts the son of a bandit. A misunderstanding leads the officer's own biological son to believe he is the bandit's son and he takes up a secret life of crime; meanwhile, the adopted son becomes an officer of the law.

Two rival burglars end up at the same school with the intent of abducting a rich man's son for a large ransom.

Harish lives happily with his sister Geeta and his father Radhe Mohan. Radhe Mohan is the titular "khazanchi" (treasurer) at the Northern India Bank. Harish and Usha fall in love with each other. However, they face obstacles in their love life due to Usha's stepmother and Harish's father's death.

A 1951 Bengali Thriller Film directed by Naresh Mitra.

Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.

Famous British author Joan Davis goes to India with her boyfriend and encounters Ranjit Singh, a game hunter, in the jungles of India. They fall in love but Joan discovers that Ranjit is married. They meet again in Jaipur at Ranjit's palace, during Ranjit's sister's wedding and Joan meets his wife Shanti. They immediately start liking each other. Ranjit's father is a mining baron and Joan's boyfriend a mining engineer. Both of them strike a deal and Ranjit has to go to England with them. Ranjit's heart wavers and he is undecided as to which love to follow, but he eventually decides.

Set against the backdrop of WW II in Calcutta, "Meri Bahen" is the story of a schoolteacher and his young sister. The film followed his rise to fame as a singer and the changes in his relationships following a bomb-raid.

The film explores the tragic fall of feudalism in Bengal during the British Raj. The title of the movie and the story is a reference to the plot simultaneously exploring a platonic relationship between a beautiful, forlorn wife of an aristocrat and a career-driven clerk.

Life changes drastically for Lala Gokulchand (Om Prakash), a lowly shopkeeper, when a rich relative dies and he becomes an overnight millionaire. But his lucky break has a flip side in that it makes him a target for a scheming con artist (Pran) with plans to ruin him. Devendra Goel directs this classic Bollywood family drama with a supporting cast that includes Sanjay Khan, Babita Kapoor, Helen, Manorama and Baby Sonia.

Kishinchand has taken to a life of crime, namely that of forging passports, and for that is under surveillance by the police. Upon his wife, Shanti's, and son, Pyarelal's insistence, he decides to give up all criminal activity and become honest. Then Shyamlal approaches him to make a fake passport, which he does, for a suitcase full of gold bars. Shyamlal escapes, but Inspector Shinde confronts Kishinchand and in the scuffle that follows, Shinde gets killed. Kishinchand re-locates to London, England, where he is now known as underworld Don, King.

Somen, a rich boy, loves Kajri, a village belle. The lovers get separated and Somen tries to find his lost love.

"Living Legend - Raj Kapoor" is a revealing portrait of Raj Kapoor, a charismatic personality who held centre-stage in the Indian film industry for more than four decades! In a highly personalized interview, Raj Kapoor talks to the film's director, Simi Garewal, about his emotional evolution.. his regrets.. his love.. his music.. his films and his philosophies. The viewers are also treated to glimpses of haunting scenes and songs from his films.

A young prince named Ashok falls in love with a girl named Lali whom he encounters for the first time while hunting in a forest. Later on he learns that Lali belongs to a nomadic community that is at present, inhabiting his region. Ashok meets Lali again and both confess that they are in love with each other. In the meantime Lali's father, who is the head of his community, sends a man named Phulwa to look for her.

Bansari Bala is a movie released in 1957.

Bhagwan Shri Bajrangbali has had super-natural powers at a very young age which includes swallowing the sun, lifting mountains, just to name a few. Bajrangbali has always regarded the skies and universe as his playground and could leap and fly around at will. Bajrangbali makes it his duty to serve Bhagwan Shri Ram all days in his life. He will make this comes to light when Ram's wife, Devi Maa Sita, has been kidnapped by Shivbakht Ravan, and is being held captive in far off Lanka.

A young woman begins her married life with preconceived notions about harassment at the hands of her mother-in-law, leading to a souring of her relationship with her husband.

Satyendra, the scion of a wealthy Bengali zamindar family, is married by family duty to an eleven‑year‑old girl, Radharani. Emotionally detached, he grows closer to Bijli, a mature, self‑sacrificing courtesan.

A special effects/fantasy/adventure film based on a folk tale