Chet's Romance

Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.

Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.

Documentary about the birth of bossa-nova, in Brazil, and the major stars of this musical style.

Chet Baker plows a uniquely individual furrow in the field of jazz. His trumpet playing is beautifully delicate and takes standard ballads into hitherto unexplored emotional territories. Here Chet is accompanied by Michel Grailler on piano and Riccardo del Fra on bass. Two of Chet's admirers also guest star here: Van Morrison and Elvis Costello.

Follows the adventures of a group of friends, teddy boys and rock and roll chicks whose crazy, fun-loving habits inspire jiving from some of Rome's citizens, and bitter complants from others which inspire a group of corrupt officials determined to a bring the group down.

A framed man escapes prison and takes a wealthy woman's Jaguar with her in it. After she tries to escape numerous times, they begin to develop feelings for each other, and enter a road race that ends in Mexico.

Michel and Juliette have just broken up over Michel's affair with the much younger Romance. Alice and Nicolas are still together, but maybe this is because Nicolas does not know of Alice's affair with handsome sports photographer Gaspard. This sly sex comedy, the sophomore effort of Belgian filmmaker Lucas Belvaux, follows the covert sexual misadventures of the troubled foursome.

A French crime potboiler starring Verner and Kalfon as rival gang leaders who clash over control of the narcotics trade. Parisian drug gangs are battling over turf, leading to kidnappings, beatings, murders, betrayals, and other intrigues. Featuring Chet Baker's marvelous free-jazz Score, (rivaling Miles Davis's for "Ascenseur pour l'echafaud") and the most beautiful French Babes the World has ever seen. It pricks the Conscience, probes the libido, and excites the senses!

The final installment in director Lucas Belvaux's trilogy follows Pascal, a cop who sees a return to credibility in the capture of escaped convict Bruno--who in turn is harbored by Pascal's morphine-addicted wife Agnes. Pascal's already precarious ties to Agnes are strained further when he meets and falls for her fellow schoolteacher friend Cecile. With Pascal focused on Bruno and Cecile, Agnes is forced to find a fix on her own.

The pilot, co-pilot, and crew of a bomber try to hit a Korean bridge in bad weather.

A woman, concerned by her husband's eccentric behavior, hires a detective to follow his every move -- which yields unexpected results.

A rich industrialist is brutally kidnapped. While he physically and mentally degenerates in imprisonment, the kidnappers, police and the board of the company of which he is director negotiate about the ransom of 50 million euro.

In the Belgian town of Liege, in order to buy a moped for the wife of their friend Patrick, three men decide to organise a large-scale hold-up. As expected, nothing goes to plan.

Après quinze ans passés derrière les barreaux, Bruno, qui prône la révolution prolétarienne, s'évade. Ce dernier veut continuer la lutte, faire sortir ses camarades de prison, libérer les masses du joug capitaliste. Tous ses anciens alliés n'y croient plus, même Jeanne qui s'est mariée et a maintenant des enfants.

In order to make some much-needed cash for himself, 65-year-old Portuguese prison inmate Eugenio impersonates a young woman and begins a romantic correspondence with a lonely Portuguese truck-driver living in Boston, convincing him that her tragic life has culminated in financial dire straits so he will send money. At first Eugenio's sister Idalina assists him in creating the character of Maria da Luz. Touched by her sweetness and apparent loving nature, the trucker willingly sends her money. When Idalina starts fearing they will be caught, she backs out of her arrangement with Eugenio who then convinces his young cellmate Vasco to help write the letters and even sends a picture of himself at age seven to "prove" that Maria has a young son. As prison life exacts an increasingly heavy toll upon Eugenio's health, his feminine alter-ego helps sustain him.