Changak

Doniyor has the supernatural power to heal seriously ill people with incurable pain. Thanks to his ability, not a single sick person remained in his village. Shuhrat Shodmonov, a big businessman from Tashkent, comes to him and asks him to treat his granddaughter.

Jamol, after being released from prison, starts working at a businesswoman’s household and takes care of the children while their mother is constantly busy with work.

An honest craftsman sacrifices years of savings meant for Hajj with his wife to help his late friend’s homeless family. His selfless act leads to envy, false accusations, and tests his faith and integrity.

Is it possible to escape from fate if you live quietly and unnoticed, without causing harm to anyone? It turns out it's impossible. Thus, the arrival of a famous singer and a popular TV journalist entails fatal and unpredictable events.

Forty-year-old opera chorister Pulat Mukhamedzhanov, stuck in the elevator of a multi-storey building, remembers his family and friends, the best and worst qualities that he inherited from them and, of course, hopes for salvation...

Russian poet, singer and actor Vladimir Vysotsky was an idol of the 1970s and ’80s. In 1980, at the age of 42, he passed away during the Moscow Olympic Games. This is the story of his last great love as handed down to his son from a family friend. Written by nitorch.

The film features several important aspects of changing the human's nature: behind the prison walls, in society and in the family.

This picture of Alisher Khamdamov is constructed as a legend of Bakhshi, who pulls his endless song about the brave defender of all the disadvantaged Namaz, thereby brightening up the halt of Russian officers who are serving a dull service in the Turkestan region.

The plot is based on the story of a former teacher who became one of the leaders of the party leadership of Uzbekistan, involved in the "cotton business". He is accidentally killed by his own son in a shootout with assassins of party mafiosi.

The continuation of a story started by Alexander Stolper epic movie "The Alive and the Dead".

About the struggle of Uzbek women against the reactionary clergy in the 1920s.

After returning from the army, Rustam easily and naturally fits into the environment of workers from a petrochemical plant. The almost boyish carelessness and irresponsible pastime is replaced by an understanding of one's own need for a common cause, and a sense of inner dignity arises. This is what makes Rustam not reconcile himself to the fact that the brigade in which he works is among the laggards and is characterized by indiscipline. Having become a foreman, Rustam tries to create a healthy working atmosphere, takes part in the fate of Sagat, who recently returned from prison, rejects the attempts of the head of the shop to bribe the trust of the brigade with a "fake" salary. And outside the factory, he acts from a position of active kindness, although sometimes, helping others, he forgets about himself, does not have time to sort out the relationship with his girlfriend Lucy...

1925. Soviet power arrives in the remote Karakalpak villages. During this time, the dzhigit Turumbet and the beautiful Jumagul fall in love with each other. However, after the wedding, the young wife leaves her husband’s home, unwilling to accept the Old Testament way of life of her husband's family. Turumbet, who participates in bandit raids, does not immediately understand the revolutionary changes taking place.

A film about the friendship between the workers of the Uzbek collective farm 'Leningrad' and the city of Lenin. This friendship has grown stronger and developed over more than four decades. The film takes us back to the distant and difficult 1920s, when the farmers of Fergana sent a wagon of fruits to the workers of the Putilov factory. In return, the workers gifted the collective farm two tractors and sent their representatives to help set up the new machinery.

A young doctor serving cotton growers goes to the city. On the highway, when trying to overtake a motorcade, the traffic police stops the car. The events that take place next are an accurate and witty model of a life permeated through and through with absurd relationships, ridiculous demands and inexplicable prohibitions...

A Soviet cargo ship carrying medical opium gets attacked by pirates of an unknown nationality. The crew is left to die on a sinking ship but they manage to escape and now must fight the pirates for survival.

An Afghan officer, discharged from service due to injury, enters into a fight against the mafia and, in the end, exposes the criminals at the cost of his own life...

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

About how a resident of one village suddenly found a bomb in his yard. The excited inhabitants of the village at first long determine what it is, and then what to do with it.

Tashkent, 1942. At this time, the hospitable city became a refuge for tens of thousands of people tired of hunger and cold war years. In urban stores, warehouses and markets in abundance of food and other goods. All this attracts the attention of criminals of different stripes, who in search of easy money gathered in Tashkent from all over the vast country. There are several criminal groups here. At the beginning of summer in the city there is a new gang operating with special impudence and cruelty…

Crowded alleys of the evening park, music, laughter, festive fireworks. And the two are talking about murder or suicide, about the syringe found in the dead woman's hands, about the time when death occurred. These two are employees of the criminal investigation department. They will have to find criminals in a large, busy business city who stole, cheated, and, if necessary, did not stop at murder, removing unintended witnesses or unreliable accomplices from their path.

Erkin, a construction foreman, strives for quality in his work and becomes an authority on the construction site, but his love for Nazira, who has a child from a previous marriage, jeopardizes their happiness due to his uncompromising nature.

In a Karakalpak town, an old movie theater is living out its last days. Once upon a time, this was the shore of the Aral Sea, where life was vibrant and the theater flourished. However, with the drying up of the Aral Sea, the country has also changed. The current owner of the theater, a projectionist nicknamed Fellini, is deeply devoted to cinema. His wife, however, does not understand or support his unprofitable passion. One day, a film crew arrives in the town, and Fellini helps them in any way he can, even appearing in an episode.

” Cho'liq " — meaning Shepherd's disciple, the plot of the film illuminates the delicate relationship between man and nature through the life of shepherds and the problems they face.