Cavalo Amarelo

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

The daily lives of a typical Brazilian middle-class family, that are always very close and tries, in their way, to survive the financial and relationship difficulties.

Paloma is a willful woman whose newborn baby is kidnapped by her own brother, Félix, who plans to become sole heir to the family’s fortune. Bruno is an honest man who, during the same night, loses his wife and son in childbirth and miraculously finds Paloma’s child in a dumpster. Destiny will unite their lives in a plot of secrets, revelations, and disputes, with the unpredictable consequences of lives based on a dangerous and surprising network of lies.

In Europe, at the end of the 19th century, social policies sent thousands of immigrants out of their countries. A Spaniard, a Portuguese, and an Italian seek new opportunities in the new country, without imagining the difficulties along the way.

The search for a successor provokes the beginning of a clash between two young and talented executives of his group: Daniel Bastos, a lad of simple origins and excellent character, who is not only handsome and charming, but also intelligent and skilled, and Olavo Novaes, an ambitious and unscrupulous man who is ready to fight for the position, at any cost. To fight against Olavo‘s treacherous plans, Daniel will have the help of the sweet and sensitive Paula, a young lady raised as an only child who founds, on the eve of her mother‘s death, that she is adopted and has a family. What Paula does not know is that she has an identical twin sister, the wicked Taís, who is as ambitious and unscrupulous as the man who becomes her main ally, Olavo Novaes. Antenor, for his part, decides on having an heir when he meets the headstrong and honest Lúcia, a woman who will make this cold businessman find true love is and a real reason to live.

A young woman is fated to relive the love of an earlier life. Separated by time, young Serena and botanist Rafael surmount all obstacles as they live a love that is stronger than fate itself. These challenges include the lovely but ambitious Cristina, who is obsessed by the rich botanist and driven nearly mad by her attempts to shatter their great love. A romantic comedy set in the 1940s, Soul Mate underscores the importance of love, family values and the ties of affection with a light touch and plenty of humor.

A young law student starts to work as a detective, decided to uncover the identity behind a series of murders, as well as who is next.

A story about people who succeed in life thanks to nothing but their own efforts. Maria do Carmo is the main character of the telenovela; a mother of five who struggle to be successful in life, but whose most important will be recovering the love of her daughter who was kidnapped when she was just months old.

This is the story of a young couple, Dafne and Gabriel, who are separated by her grandfather Jaques, a millionaire who couldn’t handle that his granddaughter was in love with a poor guy. After an accident, Jacques is presumed dead and leaves his business to Dafne, but on the sole condition that she marries. Judith, her grandfather‘s stepdaughter, takes over the business temporarily and schemes to pair Dafne with her brother Nicholas in order to consolidate her claim. Dafne and Gabriel meet again when his unkown daughter decides to find her father, but discover that a passion is only completed when one fulfills the other‘s dream.

Ana Francisca is a poor and ugly girl who, after being humiliated by the entire town, becomes a beautiful, stylish and rich woman who wants revenge. During this trajectory, this romantic comedy also shows the true love of Ana Francisca and Danilo that survives throughout the years, the distance and the traps of destiny. They will be part of a love triangle with Olga, a snobbish girl who is going to do anything to steal Danilo from Ana Francisca.

Inspired on Jorge Amado's romance "Tieta do Agreste", the plot is set on the fictional city of Santana do Agreste, at Brazil's northwest, and has as main theme Tieta's life turnarounds. Twenty-five years after being chased out of town by her father Zé Esteves, she returns to her home town seeking revenge against everyone who mistreated her and laugh at her face in the past.

In the tiny poor town of Asa Branca, in the middle of Brazilian Northeast, Roque Santeiro is worshiped as a saint. He was supposedly killed by a bandit, 18 years ago, trying to save the local church. After his disappearance, local leaderships such as landowner Sinhozinho Malta and mayor Florindo, took profit on that to control the humble population. They even make up a widow, Porcina, who should have married Roque secretly before his death. What they don't expect is that Roque is alive, and he's back to, allegedly, "save his people". Now Malta, Florindo, Porcina, and others must hold him down and explain the "truth" to their commoners, in a desperate attempt to save their own bottoms. Meanwhile, mysterious facts surround Asa Branca, such as a Werewolf, a film crew who are trying to shoot a movie about Roque's story, and violent murderers.

Fisherman Guma confronts Félix's corruption amidst passions, social struggles, and the power of Iemanjá, in a city divided between the docks and the elite.

Casseta & Planeta is a Brazilian group of comedians who run a TV show named Casseta & Planeta Urgente, broadcast by Rede Globo. The humour featured on the show is mostly satirical, relating to religious or ethical groups, and minorities. The group founded a company called Toviassu Produções Artísticas, whose name is an acronym composed of syllables from the phrase "Todo viado é surdo" – "Every gay is deaf"; which is the ending of a widely known Brazilian practical joke. Each one of the seven members has a specific function within the company. They present their TV show at Rede Globo and publish a website and many books, among other products, for example the "Machobol". Originally a magazine named Casseta Popular and a humour newspaper called O Planeta Diário, the two teams joined forces and were hired by Rede Globo to become writers for the network's comedy shows, starting with TV Pirata in 1988. A few years later, they starred in their own show.

Waldomiro Cerqueira is a powerful businessman who built his empire exploiting mineral deposits and suddenly finds himself under threat of losing it due to family conflicts.

The hypochondriac lawyer Arthur, the model Maria, the religious Elizabeth, the hardworking Guinevere, and the womanizing personal trainer Lancelotti reunite after 25 years in the fictional town of Deus me Livre, in the interior of São Paulo. Determined to correct past mistakes and start their lives anew, they end up rekindling old flames. This is the main plot of Pé na Jaca, which, starting with the reunion of the five childhood friends, shows a frantic hunt for fortune, seasoned with hilarious romantic entanglements.

After losing custody of her daughter, Claudia tries to rebuild her life and meets the brothers Lucas, with whom she falls in love, and the villainous Jorge, who wants to win her over.

Nonô Corrêa, a character inspired by Molière's "The Miser", is the story's protagonist. The orphan Zezinho crosses paths with Nonô and wins the neurotic gentleman's heart.

Millionaire Ingrid Von Herbert comes to Brazil to search for her missing son, who was taken from her in Italy by the child's father during World War II. Here, she meets and falls in love with mechanic Fran, but resists this love because she suspects he might be her son. There are other suspicions, but this mystery persists throughout the plot. An unusual event changes the course of the story: Fran's father, Sandro, has his car sabotaged and dies in an accident.

The plot tells the story of Celestina, an angel responsible for Brazil. When threatened by God with being sent to the country she was supposed to help grow, she despairs and seeks out her friend, the angel Gabriel. To help Celestina, Gabriel asks the Almighty to let her stay in heaven for another six months. God, however, imposes a condition: Celestina must make a Brazilian citizen more honest, dignified, and compassionate, without disrespecting the free will that every human being should have. To fulfill her mission, Celestina chooses the swindler Maria Escandalosa, a charismatic, beautiful, and kind-hearted young woman, daughter of the equally swindler Tomás Euclides. Convinced that she will transform the girl's character, Celestina disobeys divine laws and saves her from an explosion, then begins to watch over the young woman's life on Earth.

It follows the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.

The traditional Taques Penteado clan is intimately linked to the history of São Paulo itself and is considered a significant representative of the São Paulo business world. Ill, Cândido Taques, brother of the matriarch Guilhermina Taques Penteado, lived isolated from everyone on the third floor of the family mansion in the elegant Jardim Europa neighborhood. Cândido's death puts the clan members on alert, awaiting his inheritance: a large fortune in cash, jewels, and stocks. The dispute over the inheritance, in an environment dominated by Guilhermina, and the game of interests among heirs unleash several conflicts, generating an atmosphere of oppression. The characters reveal themselves through their greater or lesser commitment to gaining access to the fortune. Some show no scruples whatsoever in obtaining it, while others, more skillful and diplomatic, resort to less petty means: they seek, for example, to take advantage of a close relationship with the matriarch.

Four teenagers, each facing a major conflict. Majô, the daughter of separated parents, has fallen in love with her mother Raquel’s husband, the teacher Túlio. Caíto, who is gay, lives in a dysfunctional home where his parents' marriage—Dirceu and Marilu’s—is going from bad to worse. Doca is a drug addict, and his sister Bia has become pregnant by her boyfriend, Michel. Their parents, Odilon and Paula, are deeply unhappy as well. Interwoven with their stories is that of Túlio—a former addict turned upstanding teacher—who encounters a haunting figure from his past: his ex-sister-in-law, Fernanda.

With new debts, the comedic Dulcinéa is struggling to save her theater once again when she meets the street children Caco, Minga, Cristina, Márcia, and Mico and gets the idea to put on a children's show to turn things around, but taming the little rascals is an arduous task. The new owner of the building, the Count of Castelnuovo, can't wait for the theater to close to build a commercial building, plotting to ruin Dulcinéa's plans and counting on the help of social worker Helena to get rid of the children. The Count also prevents his daughter, Jerusa, from dating the humble Thales because he wants her to marry the wealthy old man Camilo Batateira, putting the housekeeper Murcia to watch over her. There's also the romance between Carolina and Marcelo, thwarted by the wicked Ludmila, and the comical messes created by Lucrécia to prevent her son Mateus from marrying Mariana and leaving home.