Casi no nos dimos cuenta

Buenos Aires, Argentina, 1971. Carlos Robledo Puch is a 19-year-old boy with an angelic face, but a vocational thief as well, who acts ruthlessly, without remorse. When he meets Ramón, they follow together a dark path of crime and death.

Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.

An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.

It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.

A sudden mourning brings a woman to the edge of madness. Funeral procedures, heat and a neighbor that comes to water the plants, come together in an emotional journey where it is impossible to distinguish the real from the unreal.

Dolores lived the life of a higher-class student until her best friend was found brutally murdered. Two years later, she’s the only indicted suspect for a crime that attracts a lot of media attention and has placed her in the center of the public eye. Dolores spends her days preparing for the trial, secluded in her house as her parents work as a team ready to do anything to defend their daughter. The best lawyer is not enough, they obsessively control around her: how she looks, what she does, eats and who she sees. But as the trial moves forward and pressure grows, suspicion and secrets emerge within the family. Cornered, increasingly isolated and just when any mistake could prove disastrous, Dolores puts the entire strategy at risk.

"Uno" ("One") enjoys his loneliness, but when he falls in love with "Una" ("She") and loses her, he realizes he needs her and tries to get her back.

In a small coastal town, a group of people isolated during the COVID quarantine seek solace and meaning in poetry in the face of death, while clinging to the fantasy of rebuilding their shattered lives. The film intertwines reality and dreams, exploring cinema as a refuge and reflecting on human nature and the power of art to transcend despair.

Five employees submerged in the basement of a large store in Mar del Plata are grotesquely linked to each other, each trying to feel better than the other thanks to miserable advantages.

French Basque Country, year 1609. The men of a small fishing village have gone to sea. Judge Rostegui, who has been charged by the king with ridding the country of the devil's wiles, arrests Ana and her friends and accuses them of witchcraft.

An aging, Argentine, Serge Gainsbourg wannabe struggles to deal with a career he can't seem to get on track, an affair he doesn't want, and a crime he didn't mean to commit.

In the revolted 70's in Argentina, teenage Graciela is an artist and a poet. She and Julio, a charismatic student leader, are brought together by their ideals for social justice. Her poems reach young musician Flecha, who dreams of singing them for a roaring crowd. As the times grow harder and more dangerous, friends are persecuted, Graciela and Julio protect each other, but the dictatorship kidnaps them. Graciela's mother desperate search for her daughter brings her together with the Mothers of the Plaza de Mayo, who's relentless clamor for their missing children is only met with more terror and death from the bloody dictatorship. 35 years later, that mother publishes a book of Graciela's poems, and brings it to Flecha, now an accomplished musician. He turns them into songs that let her words live and fly.

Argentina's turbulent political history is an uncredited but clearly present protagonist in this rather slow-paced story about Ramon (Oscar Martinez) and his search for his brother Pedro in the capital city of Buenos Aires. Pedro has disappeared at a time of upheaval, after a military junta takes over Argentina in 1976, killing thousands of leftists and dissidents. Unlike many others, Ramon's father has political ties that matter, but that may not change Pedro's fate, which could be death -- or like some who have been tortured, worse than death. This film was nominated for a Golden Bear award at the 1985 Berlin Film Festival.

A Swedish journalist in Buenos Aires is about to reveal the circumstances surrounding the young Swedish-Argentine woman Lena Melin's disappearance. The military junta of Argentina is threatening to deport him.

In Buenos Aires, Argentina, Isidoro Vidal and his friends, who are in the transition between maturity and old age, watch in stupefaction and helplessness as gangs of extremely violent young men roam the streets murdering elderly people with absolute impunity.

A story of adventures, solidarity and love for nature for the whole family, with beautiful landscapes of Patagonia Argentina that will lead Carlos and Cristina to find their destiny from an event that will change their lives.

Pep Munné is an aging plastic surgeon who falls for a young female assistant (Mariana Anghileri) while attending a medical conference. Soon he begins inventing new reasons to spend more time with her. His wife Cristina (María Barranco) begins meeting with a psychiatrist (Jean Pierre Noher) in order to figure out what is going on in her marriage.

Film that includes three short films by different authors about love: "O pacto" by Eduardo Coutinho, "Terrible Night" by Rodolfo Kuhn, and "Magic World" by Helvio Soto.

A separated woman faces her future and revises her goals.

An older woman who is caring for her youngest daughter, with physical pain, loneliness, and the support of her hobby of painting.

The disputes between two leaders, set in 1930s Cuidad de Buenos Aires.

Two coworkers decide to blackmail the corrupt demolition company they work for by setting up a fake accident.

The moral conflicts of a conservative politician, his wife and a bully, in the Buenos Aires of the early twentieth century.

The son of a politician who tries to follow the same path as his father, gives up when he discovers his fraudulent dealings.

A chronicle of the life and career of a popular singer: his humble origins, his rise to fame, and his exploitation by the media.

In their search for work, a group of workers face familiar frustrations. Cedrón raises his own conflicts and tries to understand their cause. As in all his other films, the director sets his sight on aspects of reality that are not well observed.

Based on the life of María Salomé Loredo, a figure famous for her healings and assistance to the poor of the late nineteenth and first half of the twentieth century.

A man leaves his job working in the mining industry, falls in love with a girl and succeeds as a singer.

A legend of curses and death in an austere and dry desert where rain will not fall. The story focuses on the experiences and misery of an indigenous man who meets his death in the middle of the film. The dead time and the morosity of the story operate as the stylistic foundation of this indispensable national film that was shot in Patquía, La Rioja.

Small stories linked by a group of children who at night in Buenos Aires wander through the city and mingle with their families in an abandoned building

Cecilia and her son embark on a journey. On the third day, she is found wandering alone, not remembering what happened during this time. She is desperately looking for her son and finds herself wrapped in a brutal hunt, carried out by a religious fanatic, whom she faces off against. To her, he's a lunatic. To him, Cecilia is the enemy.

Ana returns to Buenos Aires to claim her inheritance. She meets her father's close friend Dr. Benedetti, a scientist, where he has discovered a doorway to another dimension which allows Ana to reconvene with the dead.

Teodoro, a Spanish engineer working as a professor in the United States, returns to Spain to enjoy a sabbatical year.

A motel that is open all day specializes in beautiful women, and a couple of men decide to visit their rooms.

A divorced couple fight over a bankrupt company, while a young woman poses naked for a painter as revenge, an actress rejects a businessman and a model kidnaps her captor.

Life is a long way to adapt to fear. Monica, 33, recently separated, waits for the result of a medical examination, but has no courage to break the news to her self-centered relatives.

The film is born on the threshold where the theatre becomes cinema. Without documenting the process, or explaining it, the film invents its own language. Calixto Bieito's radical approach finds a new thrust in the camera of Marcelo Piñeyro. The camera doesn't look in from the outside: it enters, listens, accentuates and reveals details invisible from the stalls. A hybrid experience, suspended between reality and fiction, where the two languages merge to tell a reinvented truth.

Axel, a Spaniard with Asperger syndrome, decides to travel to Buenos Aires in search of his former companions, with whom he formed in the past a music band that was not successful. Axel meets again with Javier, a geography teacher, and Lucas, a health visitor; three estranged friends who reluctantly come together to become the ones they never were: almost legends.

Adriana is a young trans woman, hired by Denise as a domestic worker. Although she isn't fulfilled by the job, it's within the few opportunities society offers for her. Today is the day in which both of their lives fall apart and together they start something new.

A reconstruction of the artistic memory of the Biancos, Pelicoris, and Alonsos, a family interwoven with theater, film, and radio drama. Through the intimate puzzle piece that sisters Ingrid Pelicori and Irina Alonso piece together, the film rescues an essential legacy of Argentine cultural heritage and invites us to immerse ourselves in the golden decades of the 1940s through the 1970s.