Candango: Memoirs from a Festival

August, 1980. Evandro Carreira, a Brazilian senator leaves his party's office in Manaus to visit his constituents in the state of Amazonas. Interviews with farmhands, loggers, explorer Paulo Lucena, Brazilian and Peruvian Indians and a representative of the National Indian Foundation (Funai) were recorded from the city of Benjamin Constant to the village of Cavalo Cocho. A visit to the indigenous village of the Ticunas and the lands of the Maiuruna people culminate with an interview and the actions of José Francisco da Cruz, a member of the Order of the Holy Cross. Throughout the trip, the economic potential of the Amazon and its problems (corruption in the indigenous policies and the pollution produced by factories) are shown.

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

Filmmaker Jorge Bodanzky gives some classes to local communties at Alto Solimões in the Amazom and collect the results.

Documentary on the life and work of José Lins do Rego (1901-1957), one of Brazil's greatest 20th century literary authors, writer of celebrated novels "Menino de Engenho", "Fogo Morto", "Moleque Ricardo", "Riacho Doce" and many more.

Nitrato expresses the ambiguities and contradictions of the Cinemateca Brasileira. The film deals with the richness of its collection, the recognition of international entities, and explores what its relationship to the general public was like. Nitrato also portrays the neglect with which the institution is treated, as seen in how precarious its building infrastructure is, how politicians neglected to communicate with the institution’s staff, and the aftermath of another fire in the building.

Documentary about a region in Northeast Brazil, situated in an area subject to severe drought, and the evolution of its economic activities.

Documentary about the people who came from all over Brazil to work in the construction of the city of Brasilia, their stories, and the abuse and humiliation they suffered in the process.

The documentary follows the trajectory of Ailton Krenak, indigenous leader from Minas Gerais, a descendant of the Krenak ethnic group, formerly called Botocudos. After studying in São Paulo, Ailton was active in the defense of indigenous peoples. While traveling through Brazil and the world, he became a kind of ambassador for the original Brazilian cultures. The film features images and testimonies of Ailton at different times in his life, as well as other characters that are part of his universe.

Darcy Ribeiro was a renowned anthropologist, politician and writer. In this documentary, Maria Maia seeks to expose a bit of his personality with testimonials from friends, collaborators and speeches by Darcy himself.

A collection of testimonies from Brazilian indigenous people about the interests of FUNAI (National Foundation for Indigenous Peoples), multinational corporations, and large landowners behind the disastrous policy of indigenous emancipation in Brazil. Narrated by Fernanda Montenegro.

Vladimir Carvalho's Cinema of Inequality marked the documentary filmmaker's trajectory over decades of activity. Considered one of the most important Brazilian documentary filmmakers in activity, his images influenced the emergence of Cinema Novo and the new Brazilian documentary years later. Quando a Coisa Vira Outra covers the most important films made by Vladimir, revealing where ideas come from to show the true reality of a country.

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

Documentary on the view, testimonies and times of Darcy Ribeiro, since military dictatorship.

Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.

Segment "Prólogo": interviews and scenes with some of the most important filmmakers of the "Boca do Lixo" of São Paulo. Segment "A Badaladíssima dos Trópicos x Os Picaretas do Sexo": shenanigans of a troubled fictional film production. Segment "Amor 69": Actress Maria Vargas is expected to appear nude in a scene, but ultimately refuses to do so.

Documentary about the Minas Gerais photographer Assis Horta, who immortalized the architectural heritage and society of Diamantina. The great impulse of his career came in 1943, with the Consolidation of Labor Laws, promulgated by Getúlio Vargas. By making mandatory a professional card with photo, Vargas gave the push that the working class needed to enter Horta's photographic studio. In the years that followed, the photographer portrayed hundreds of people. In 3x4 or full-length, many took their first portrait.

Based on the life of a classic french cineast Jean Vigo, the story follows his daily struggle with sanity, normal life and uncompromising filmmaking. Story also focuses on his relationship with his supporting wife whom he met in sanatorium.

The affectionate relationship between mentor Alberto and his favorite pupil Polydoro is disturbed by Alberto's marriage to Helena, with life-changing and long-lasting consequences for all of them.

São Paulo, late 30's. Alberto is an intellectual and professor who announces to his friend and pupil Polidoro he won a scholarship to study in Paris. In Paris Polidoro receives a letter in which Alberto announces that he married Helena. Polidoro returns to Brazil in 1945, when there was a strong political agitation against the New State. Alberto invites Polidoro to spend a few days at his home in Campos do Jordão. After reaching the site he is told by Helena that Alberto was forced to travel urgently. She insists he should stay there until the return of her husband and, while waiting, she seduces him. Then, after several days of intense passion, she orders Polidoro to go away and never see her again.

Adaptation of Machado de Assis’s classic novel “Dom Casmurro”. Bentinho and Capitu are friends since childhood and end up marrying. But Bentinho destroys his life when he starts suspecting Capitu has an affair with his best friend and that his son is not really his.