Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
Hallam Foe
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In this live recording for 2009, Saint-Saëns' Samson et Dalila - a story of doomed love set against the backdrop of cultural conflict between Hebrews and Philistines - is reinterpreted to relate with the conflicts in today's Middle East. "In our approach to this opera we tried to move away fromthe quasi-biblical interpretation, and to place the story in a contemporary context to explain its political meaning in today's world," say the two directors, Israeli Omri Nitzan and Palestinian Amir Nizar Zuabi. In this production by Vlaamse Opera, the dramatic story of Saint-Saëns' greatest opera is unfolded in all its tragic beauty.
Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
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A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.
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Romeo Montague and Juliet Capulet fall in love against the wishes of their feuding families. Driven by their passion, the young lovers defy their destiny and elope, only to suffer the ultimate tragedy.
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Ari Ben Canaan, a passionate member of the Jewish paramilitary group Haganah, attempts to transport 600 Jewish refugees on a dangerous voyage from Cyprus to Palestine on a ship named the Exodus. He faces obstruction from British forces, who will not grant the ship passage to its destination.
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In the Holy Land, the Roman occupation has produced a cauldron of oppression, anxiety and excessive taxes levied upon the Jewish people. Fearing the wrath of Roman governor Pontius Pilate , Jewish high priest Caiaphas tries to keep control of his people. That control is threatened when Jesus arrives in Jerusalem, performing miracles and spreading messages of love and hope. Those who fear that Jesus will inspire a revolution decide that he must die.
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The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
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Four men from different parts of the globe, all hiding from their pasts in the same remote South American town, agree to risk their lives transporting several cases of dynamite (which is so old that it is dripping unstable nitroglycerin) across dangerous jungle terrain.
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In ancient Judea, a Jewish aristocrat opposing Roman occupation of his homeland reunites with his childhood friend, now a Roman commander — setting in motion a saga of betrayal, adventure, tragedy, revenge, and faith.
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The story picks up at the point where "The Robe" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula wants it back to benefit from its powers. Marcellus' former slave Demetrius seeks to prevent this, and catches the eye of Messalina, wife to Caligula's uncle Claudius. Messalina tempts Demetrius, he winds up fighting in the arena, and wavers in his faith.
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In this contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
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