Buffalo Dance

From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.

Strong-man Eugene Sandow flexes his muscles and strikes a few poses in front of a black background. This was a short film shot by William K.L. Dickson for the American Mutoscope Company and is not the 1894 Edison film shot at the Black Maria.

Lee Martin, one of the cowboy stars in 'Buffalo Bill's Wild West', rides a bronco as a crowd looks on. While the horse is trying to throw Martin off its back, another cowboy stands on top of a fence rail and occasionally fires his six-shooter, to spur on both horse and rider.

A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the second motion picture to be copyrighted in the United States.

This fight consists of six rounds, each round on a film 150 feet long. It's an actual contest between James J. Corbett, former champion of the world, and Peter Courtney. The films are listed as "1st Round", "2nd Round", "3rd Round", "4th Round", "5th Round", and "6th Round".

A scene from Charles Hoyt's 'A Milk White Flag': A brass band marches out, led by bandmaster Steele Ayers. When Ayers reaches his position, he turns around and directs the musicians as they take up their own positions.

King of the slack wire. His daring feats of balancing as he performs his thrilling feats in midair show that he is perfectly at home.

Hadji Cheriff, a performer known for a variety of unusual abilities, demonstrates part of his act in the Thomas Edison studio. He has a large knife in his hand at the opening of the act. He then hurls the knife away and begins a rapid series of dance-like motions, executing numerous cartwheels and whirling movements.

The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic style trying to contend with an opponent who uses a very unorthodox approach.

In 1825, English peer Lord John Morgan is cast adrift in the American West. Captured by Sioux Indians, Morgan is at first targeted for quick extinction, but the tribesmen sense that he is worthy of survival. He eventually passes the many necessary tests that will permit him to become a member of the tribe.

Lord John Morgan has returned to civilized life in England, but finds he has nothing but disdain for that life. Yearning to embrace the simplicity of the American West, and the Sioux tribe he left behind, Morgan returns to the their land only to discover that they've been decimated by ruthless, government-backed fur traders. Led by Horse, they fight to repossess their land.

Ben Reilly, an aging and down on his luck private investigator in 1930s New York, is forced to grapple with his past life as the city's one and only superhero.

A grifter in 1960s New York is hired to convince a wealthy man's son to return home from Italy and begins a life of deceit, fraud and murder.

When the South loses the war, Confederate veteran O'Meara goes West, joins the Sioux, takes a wife and refuses to be an American but he must choose a side when the Sioux go to war against the U.S. Army.

A seemingly ordinary British couple become the focus of an extraordinary investigation when two dead bodies are discovered in the back garden of a house in Nottingham.

Fantasy and reality collide when a surprisingly diverse group of online video-game addicts struggle to balance the game with personal relationships.

Shunka Wakan, formerly Lord John, helps his Dakota son defend their tribe against gold rushers.

Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.

A short Edison Black Maria studio film featuring famed sharpshooter Annie Oakley, known as “Little Sure Shot.” Born Phoebe Ann Oakley Mozee in Ohio in 1860, she rose to global fame performing with Buffalo Bill’s Wild West show. Accompanied (likely) by her husband and fellow marksman Frank Butler, Oakley’s diminutive stature belied her legendary marksmanship.

In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.

Witness the never-before-seen footage and true story behind the John Wick phenomenon – from independent film to billion-dollar franchise.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.

"A glove contest between trained cats. A very comical and amusing subject, and is sure to create a great laugh." (by Edison Films)

Years spent recording footage of creatures from every corner of the globe is bound to produce a bit of drama. Here's a behind-the-scenes look.

A nature documentary centered on a family of chimps living in the Ivory Coast and Ugandan rain forests. Through Oscar, a little chimpanzee, we discover learning about life in the heart of the African tropical forest and follow his first steps in this world with humor, emotion and anguish. Following a tragedy, he finds himself separated from his mother and left alone to face the hostility of the jungle. Until he is picked up by an older chimpanzee, who will take him under her protection.

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.