A football prodigy rises to fame, battling prejudice and inner turmoil on his quest for greatness. Based on the life of Turkish legend, Lefter.
The life of Nazan, who runs the small town bakery "Tatlı Maya" (Bread of Hope) all on her own, changes when a young Syrian woman named Rana walks through her door. Already in labor, Rana gives birth to her baby inside the bakery. Having lost her husband, been evicted from her home, and left with nowhere else to go, Rana is taken in by Nazan—first into her own home, and later into the bakery. As a quiet bond forms between the two women amidst the rhythms of daily life, rumors begin to spread and intensify throughout the town. Fueled in part by Sami—a man who has long harbored an interest in Nazan—these prejudices lead customers to abandon the bakery, eventually resulting in the authorities sealing off "Tatlı Maya" on the grounds that Rana was being employed there illegally. Nazan begins to pay a heavy price for the decision she made.
A football prodigy rises to fame, battling prejudice and inner turmoil on his quest for greatness. Based on the life of Turkish legend, Lefter.
At thirty, and in prison Murat can’t shake his memories and nightmares. He has internalized his mom’s childhood traumas as if his own. His mom expected him to grow up and to save her, while his father, married to another woman, wanted to make a man out of him at age seven. His circumcision festivity, a night supposedly organized for his joy became his hell.
A biopic about the Turkish vocal artist Müslüm Gürses. Born into a poor household, Muslum found his redemption in music from the initial trauma that lingered over his musical and personal life as internalizing the grief. He rose through his ashes of shattered dreams like a phoenix. He walked in darkness, sang songs filled with sorrow which stirred people's souls and created a cult following. They were calling him "Baba" (The Father).
When German-raised Mavi learns she belongs to a superrich Turkish dynasty, new family expectations quickly turn her world and love life upside down.
At 2 Ela lost her ability of seeing and hearing because of a severe illness. And then she became a total disappointment of her family due to her untamed behaviors. But everything changed after an unorthodox teacher stepped into their lives to educate Ela while healing himself.
13-year-old Fidan learns that she has earned the right to attend the country’s most prestigious high school. However, it is not easy for her to leave behind her father, who has disappeared under the shadow of tragic events, and her little brother, to move to the big city. Fidan finds herself at a crossroads, driven by the spirit of sacrifice so characteristic of the noble women of Anatolia. The decision she makes will shape her future. Should she go to the school her mother has dreamed of for her, one that promises to open the doors to a bright future? This is the story of one sapling among the millions of trees in a land where some of the world’s strongest women have lived and where, despite everything, miracles can still happen.
The film is about a love triangle between two women and a man. In the movie, Cansu Tosun plays Yasemin, a cheerful woman who guides others, while Tolga Güleç plays Emre, who is left alone after his dad dies and has to move to a small town even though he's never lived outside Istanbul before.
Ejder specialized in gravedigging in Germany, where he went to work in order to build a new life. He earns his living through this profession. However, Ejder's life in Germany is shaken by the death of his father. Upon returning to his hometown of Dalaman Şerefler Village, Ejder encounters the million-dollar living spaces created by both locals and foreigners in the village and decides to use his expertise in funeral services to make money. Guided by the philosophy that "a lion is known by its lair," Ejder sets out to offer the deceased wealthy individuals a resting place under olive trees, symbolizing immortality, instead of the village cemetery. As Ejder begins designing personalized graves with the slogan, "Horizontal burial—something that will be with you even after death," his business starts to thrive. However, the traumatic story of Bektaş, who recently settled in the town, will deeply affect Ejder...
The images reflected on the screen come from a camera that Namik is carrying, a camera that is forgotten. The young man running in a hospital corridor is looking for his wife Nurcan, a nurse. He finds her and takes the trigger of his gun. Then he decides on his own life and all this is recorded in the camera.
Vural, a husband and a father who was raised in faith, leads a seemingly pious and conformist life. But everything takes a sudden dark turn when he finds out a truth about his personal life.
The film tells the tale of a man who gets involved in smuggling. Hasan works as a steward on a ship. During their trip to Marseilles, he makes a deal with an Armenian man to smuggle goods into İstanbul. He brings the goods with his friend Yakup to İstanbul without being caught at customs. Several times, he calls furrier Nubar who is to receive the goods, yet he cannot reach him. This worries Hasan and Yakup who want to deliver the goods without being caught. Unable to contact Nubar, Hasan goes to the shop of the other partner, Leon. He learns that Nubar has been arrested after a tip off was made. Leon is also afraid and tells Hasan to take the goods back. Wanting to get the job done, Hasan will make the deal he wants with Leon. (Meltem İşler Sevindi)
The story of Masoud, who is trying to emigrate to Europe to make a better life for himself, his mother and his fiancé. After embarking on a difficult and dangerous immigration journey with his best friend, Masoud meets a pregnant doctor and an old man on the way and they band together. Having to flee because of war and terror, Masoud tries to reach his goal with a hopeful but painful journey.
A family migrates to the city after a tragic loss. When they reunite in their hometown 30 years later, buried emotions and painful secrets resurface.
Unable to cope with the psychological burden of an unwanted pregnancy, Bahar decides to commit suicide. The first stop on her last journey is her university friend Mahir. The world of Mahir, who is crippled after being attacked during a march he participated in, and his father Cemal, who avoids facing what he has been through, cause Bahar to question her decision again.
During the years when World War I began to turn the Ottoman Empire's territories into a war zone, the pain of a great love story that unfolded in southeastern Anatolia and present-day Syria burned as fiercely as the war itself in the hearts of those involved. Mahmut leaves his home, abandoning everything—including the person he loves—because he refuses to commit murder. After being caught up in the relentless war raging across Anatolian lands and fighting for years in the struggle for liberation, he sets out to return home. His sole desire is to reunite with the one he was forced to leave behind and to seek revenge for the injustice he suffered years ago.
Mirza, who works as a security guard at a site, embarks on a relentless battle with the mafia after a murder is committed at the site and the only eyewitness, a young girl, is kidnapped. At first, neither the police nor the mafia take Mirza seriously, but as he swiftly dismantles the mafia, the situation grows increasingly complex. As the mystery unravels, it becomes clear that everyone is not what they seem, and the twisted nature of their relationships is exposed.
The story of Gülseren's revenge after her brother was murdered in a crime of passion.
Hüsrev, a famous playwright, is drawn into a harrowing inner struggle as the events of his latest play begin to dangerously intertwine with his own life; in this struggle, he questions humanity’s helplessness in the face of divine destiny—amidst his mental health, fate, and the fear of death—and explores the limits of his creative passion.
The action takes place in Aegean region. Melek is the most beautiful woman in the village. She is liked by more men. She get divorce with her husband and this annoys the rest of the villagers. They both want her and hate her. Melek is liked by the most rich man in the village Dönek Husam even though he is married. He wants only to sleep with her but she doesn't love him. He starts to pressure Melek more and more and by the end he hates her and even organize her murder. Melek's daughter's ex-fıancè Yaman has a sexual interest in Melek. He has just returned from the army and he needs sex with a mature and experienced woman. Yaman attacks Melek and tries to rape her but she hits him. Melek starts an avanture with Mert. Dönek Husam campaigning Melek for a witch and he and the other men decide they have to kill her. Melek tries to escape from the village but the men attacks her and kill her with stones.
The film tells the tale of a man who gets involved in smuggling. Hasan works as a steward on a ship. During their trip to Marseilles, he makes a deal with an Armenian man to smuggle goods into İstanbul. He brings the goods with his friend Yakup to İstanbul without being caught at customs. Several times, he calls furrier Nubar who is to receive the goods, yet he cannot reach him. This worries Hasan and Yakup who want to deliver the goods without being caught. Unable to contact Nubar, Hasan goes to the shop of the other partner, Leon. He learns that Nubar has been arrested after a tip off was made. Leon is also afraid and tells Hasan to take the goods back. Wanting to get the job done, Hasan will make the deal he wants with Leon. (Meltem İşler Sevindi)
Shares a lead actor · Same director
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