Both a Visit and a Business

The film is about sportsman who tried to avenge to his friend's murder.

A drama about a film crew making a movie in an isolated mountain town famous for its ancient fortress, and what happens when the town is threatened by a modern-day foreign invasion.

The investigator Seyfi Ganiyev runs the case of an illegal mercery shop's head Murad Abiyev, who confessed in embezzlement of one million rubles from public funds. Abiyev is also accused of the murder of an underage girls that occurred in Riga shortly after Abiyev saw her. He denies his guilt, but does not name the perpetrators though he knows them, despite the fact that he is facing the death penalty. The investigator understands that some high-ranking officials stand behind Abiyev, but he has no proof. Ganiyev seeks to obtain from the prisoner the whole truth to bring the criminals to justice.

This lyrical psychological film is about true friendship. The characters in the film are contemporaries in of late 1970s Azerbaijan SSR with differing visions of the world, yet sharing true and lasting friendship.

After many years of effort and patience, she failed to save her family. She watched with pain as her husband, an architect by training, was ruining his life with idleness and melancholy. Unable to bear the boredom of life together, she leaves home...

The film takes place in Baku in 1918-19 and then several years later. The film is based on the opera of the same name by Fikret Amirov. Sevil became the first film opera in the history of Azerbaijani cinema.

Dedicated to the Azerbaijan Democratic Republic.

The film consists of several novels reproducing the most vivid pages of the biography of the first Chairman of the Council of People's Commissars of Azerbaijan Nariman Narimanov (1870-1925).

This Azerbaijani romantic drama depicts the love affair between Zaur, a man from an affluent family, and Tahmina, a divorced woman doing her best to survive in a conservative society.

In a Azerbaijan, in the beginning of this century, the first films made in the history of cinema are shown.The characters meet each other in a room. Three characters who will witness the linking up of their destinies through their common love for this new captivating art.

Story of a painter hiding in the attic claiming to be French and refusing to speak Azerbaijani even with his family. To return him to his roots, his family and in-laws try different methods.

The movie describes the last remaining years of the great Azerbaijani poet, Huseyn Javid who was the victim of 1937-1938 USSR repression.

Suraya, a young milkmaid from a remote mountain village, is searching for her fiancé Seifetdin in the city. She learns that he has long been married and has a son who lives with his elderly, sick grandfather, as Seifetdin is serving a sentence for hooliganism. Surya takes the boy to the village to care for him, but then Seifetdin's wife shows up...

Shot during the Nagorno-Karabakh War, "Fəryad" is only one of its kind. Following the Khojaly Massacre, Ismayil, an officer tasked with collecting the bodies, crosses enemy lines to avenge the brutal murder of a local schoolgirl. There he gets captured by Armenians and waits for the day to be exchanged for an enemy POW.

The film is about village boy who became an enlisment officer and came back to Garabagh and fell in love with bey's daughter.

Political farce. Soviet power is compared to a symbolic "Red Train" without a steering wheel bringing happiness to people.

A lonely old woman remember her youth, the days when she worked as a prostitute because of the poverty during the Second World War.

The film follows the news of the illness of the institute's department head, Professor Abdulla, spreading throughout the institute with lightning speed. Shamil, who hears from Dr. Mamish that his condition is absolutely critical, begins to prepare an obituary for Professor Abdulla, and even appeals to other officials to have himself appointed to his position.

The film is about man and woman who remembered their childhood. The film reflects atmosphere of Baku. It is an adaptation of Anar Rzayev's "Georgian surname" novel.

The film is about a young woman nursing her father, when things don't go to plan.

After fulfilling his duty in Afghan War, Zaur returns to his home Baku. He is trying to clarify the truth when he heard that his father was arrested.

After the novelette of the same name of Anar. The film is about an actor's life and work.

Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.

After the story of the same name of Rustam Ibrahimbeyov.

A soldier recently returned home finds it hard to scrape by, and the girl he loved married.

Made in the tragic comedy genre, this film is about the dysfunctional Soviet management system in Azerbaijan SSR at the end of 1980s and about the decadence and corruption of the Soviet bureaucracy.

The film takes place in Karabakh, where Baku students come to help build a settlement for refugees. Among them are two young lovers, Tural and Gunel. One night, they witness a failed sabotage attempt by Armenian militants, which Tural manages to record on his video camera. The footage shows explosions, armed extremists, and an unmarked helicopter, becoming key evidence. Realizing this, the enemies decide to eliminate the unwanted witness.

The film-novella tells of a group of alpinists climbing a snowy mountain, and how they conduct themselves in the face of a difficult trial.

A young man tells the dream he had about running away with the daughter of chief of police to his grandma. People spread and exaggerate rumors as if it was a real story until it reaches to the chief himself.

A girl named Umai got tired of toys, she threw them aside, and then went to bed. And Umai saw a dream in which the offended toys decided to leave her.

The film tells the story of a dispute between two neighbors over a pumpkin. However, neither the villagers, nor the police, nor other officials are able to resolve this dispute.

In capital city Baku, eminent editor Yusef Abranov and director Mehmet are determined to get their latest movie made by any means necessary, after being shut down by the bankrupt national studio. Following various schemes, the only way left to raise the cash is to marry off Yusef’s son to the daughter of the rich guy who’s bought Yusef’s bizarre, mirror-filled house.