Boot Polish

An impressive social story about a poor Clerk and his hard life.. Film director Khalil Kaisar played the title role and famous film poet Khawaja Parvez was also seen in a comedy role.

Shekhar is new to the block and it doesn't take long before the street noise and the children playing nearby push his tolerance to the limit. To the rescue comes Mili, who has the exact opposite disposition. While Shekhar may be at a loss over what to do with her at first, he eventually falls in love.

Directed by S.F. Hasnain, Duniya (1949) is a classic social drama from the golden era of Indian cinema. It explores themes of justice, class struggle, and the moral complexities of the legal system.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

A rich girl marries a doctor. Differences crop up between the two and starts to snowball wherein she returns to her father's house. Months later she returns only to find he is in love with a nurse.

Gul Mirza is a poet who sings ghazals at Shahenshah Arkat-Ul-Daula's palace and wins the heart of his daughter, Sahebzadi Aalam. They agree to marry once he finishes his service in the royal army. But when his widowed mother is murdered one night, Gul Mirza speaks out against Arkat and gets labeled a rebel, perhaps never able to meet Aalam again. Inspired by a famous legend from the Mughal era.

Sulekha is in awe of her brother-in-law Raghavendra for his intelligence. Parimal, her husband, decides to take up the challenge of fooling Raghavendra and goes to work for him as a driver.

Sent to a hostel as a punishment, a rebellious lad leads a revolt and creates havoc in the institution.

In the year 1856, Nawab Wajid Ali Shah is the King of Awadh, one of the last independent kingdoms of India. The British intend to control this rich land and send General Outram to clear way for an annexation. Pressure is mounting amidst intrigue and political maneuvers, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either — noblemen Mir and Mirza ignore all duties and spend their days playing endless games of chess.

Childhood sweethearts Vijay and Rajni are separated when Rajni moves to Calcutta with her grandmother.

In romantic Paris, two Parisians of Indian origin are in love namely Shyam or Sam and Roopa. Mystery and intrigue surround this romance, as Roopa is abducted and held by criminal mastermind Jack and his minions, who will trade her for a hefty ransom. Roopa has a look-alike in the shape and form of Suzy, who is sent in place of Roopa to ensure that the money is received, while the real Roopa is still being held captive. Sam must use all the resources available to in order to set Roopa free, but he will have a difficult time to differentiate between Suzy and Roopa.

Three love stories that take place simultaneously but do not intersect, because the characters do not interact with each other, even though they all live in the same neighborhood. Govinda, a gloomy Airai boy who was cruelly separated from his beloved girlfriend, Chalvi, who was expelled from the village. Johnny Braganza, a waiter who has just been released from prison after being unjustly accused of falsifying the accounts of the hotel owner, Ferrara, who successfully seduces Johnny's girlfriend, Stella. Now he is setting up a car garage at the same intersection.

The film tells, in flashback, the story of Suresh Sinha, a famous film director and his relationship with an aspiring actress.

A ruthless spice merchant in pursuit of ultimate wealth must choose between his fortune and the only woman who knows the true measure of his heart.

Raju becomes very attached to his four elephants after they save his life. His wife, however, fears for her child and tells him that he must choose between the animals and his family.

Masoom (1957) is a Pakistani Urdu-language social film, directed by Sharif Nayyar and produced under the banner of Paramount Films. It is notable for featuring Rattan Kumar in the title child role.

During the reign of Akbar the Great, a young singer sets out to avenge his father's death and challenges the killer to a musical duel.

A woman raises the illegitimate son of her husband along with her own, treating them both equally. But her decision to hand over the property matters to the illegitimate son is met with hostility by her own revenge-minded son.

Bidesiya is a Bhojpuri film based on the play of same name written by Bhikhari Thakur.

This film directed by Hemen Gupta, starring Dev Anand and Geeta Bali in the lead roles.

On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.

Two devoted sisters find themselves in love with the same man, and in an act of sacrifice, one lets the other marry him. Life seems settled until a newcomer—a man with progressive, socialist ideals—arrives, challenging their traditional outlook and stirring emotions long buried. His presence forces both women to confront their feelings, question the choices they’ve made, and navigate the tension between duty, personal happiness, and changing social values, culminating in a quiet yet emotionally charged resolution.

The story is of a family consisting of a mother and her five sons. A relative causes discord. The mother argues they need to stay united like the walls of a room to avoid collapse.

Dr. Madhurika, a career-focused woman, marries Narendra on condition .of no children or interference. Her neglect of home and close ties with colleague Dr. Gaurish spark Narendra's jealousy. However, when Narendra helps Gaurish's wife and a stranger, Madhurika's own jealousy leads her to embrace a domesticated role

A social drama centered on the life and struggles of an orphaned child. The film explore themes of vulnerability, resilience, the search for belonging, or the challenges faced by someone without familial support in society. It aim to evoke empathy and highlight societal responsibilities towards orphans.

An intelligent and charming Indian film.

A social woman-centered film interrogating aspects of feudal patriarchy. The painter Ashok (Surendra) who loves the orphaned Vimala (Bibbo) is distressed to learn that she is due to marry Jagdish (Yakub). He paints Vimala's portraits with a frenzied obsession and becomes a famous artist. Paralleling this love story is the decline in Ashok's family fortunes.

Directed by D.D. Kashyap. With Shekhar, Geeta Bali, Begum Para, Leela Chitnis.

Amidst the vastness of the sea, two souls from radically different worlds find their fates intertwined like the unpredictable tides, only to discover that the ocean of life demands a sacrifice deeper than any love.

Taj Aur Talwar (1961) is a Pakistani Urdu-language costume drama released on May 26, 1961, directed by Riaz Ahmad Raju and produced by Films Hayyat. The film stars Rattan Kumar and featured the debut of actress Razia.

Ravi Kumar, a popular actor, gets framed and accused of killing Mani Babu, a director. He goes on the run and tries to prove his innocence.

Film starring Neelo and Rattan Kumar.

Ijjat Beg comes to India with his caravan and settles in a town in Gujrat. Here, he falls in love with Sohni, who owns a shop of metal pots.

Having been unjustly accused of having an affair, a dutiful and loving wife is thrown out of the house by her husband and forced to abandon her baby. When mother and child are eventually reunited, the mother faces an uphill struggle to regain the love of her daughter.

The only son of the Royal Astrologer, Narsin (Om Prakash) namely Gopal (Bharat Bhushan) is not interested in astrology but in music and songs, much to the dismay of Narsin. Based on the novel Hamsageethe by T. R. Subba Rao.