A Thanksgiving Ritual
Like a ghost from the future, "El Mad Mex’" narrates this hybrid-genre video, which envisions a queue of mojados who re-conquer lost Mexican territory to establish the new U.S. of Aztlan.
Shares a lead actor · Same director
Border Brujo is a ritual-linguistic journey across the U.S./Mexico border written and performed by artist Guillermo Gómez-Peña. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. The personas are symbolic of the borders between North and South, Anglo and Latino; myth and reality; legality and illegality; art and life. Border Brujo assaults and exorcises the demons of dominant cultures. He articulates fear, desire, trauma sublimation, anger and misplacement embodying ruptured and defiant communities with multilingual dexterity and humor.
Shares a lead actor · Same director
A dysfunctional family gathers together for their first Christmas since the death of their matriarch.
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Erik Blake has gathered three generations of his Pennsylvania family to celebrate Thanksgiving at his daughter’s apartment in lower Manhattan. As darkness falls outside and eerie things start to go bump in the night, the group’s deepest fears are laid bare.
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In a search for the mythological Cities of Cibola, a horseman finds himself in a race against another rogue seeking the valuable metals of the New Mexican desert. Spurred by the justification of moralistic 'dichos', the rival explorers come to learn about what truly brought them to this land, understanding their true identities, and finding they were only stealing from themselves.
Shares a lead actor · Same director
When Krisha returns to her estranged family for Thanksgiving dinner, past demons threaten to ruin the festivities.
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I talk. Therefore I am.
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In a small Midwestern town, a deadly annual ritual unfolds when the mythical nightmare, Sawtooth Jack, rises from the cornfields and challenges the town’s teenage boys in a bloody battle of survival.
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After losing her job, making out with her soon-to-be former boss, and finding out that her daughter plans to spend Thanksgiving with her boyfriend, Claudia Larson faces spending the holiday with her unhinged family.
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A witty satire about cultural stereotyping. In a series of 1992 performances, Coco Fusco and performance co-creator Guillermo Gómez-Peña decked themselves out in primitive costumes and appeared before the public as "undiscovered AmerIndians" locked in a golden cage - an exercise in faux anthropology based on racist images of natives. Presented eight times in four different countries, these simple performances evoked various responses, the most startling being the huge numbers of people who didn't find the idea of "natives" locked in a cage objectionable. This provocative video, directed and produced by Coco Fusco and Paula Heredia, suggests that the "primitive" is nothing more than a construction of the West, and uses comic fiction to address historical truths and tragedies.
Shares a lead actor · Same director
From the creators of the first queer environmental documentary feature films comes a hot new offering. The third chapter is their most epic and daring yet — fusing art, activism, and intimate storytelling in a touching journey through crisis, change, and renewal. When a firestorm rips through their redwood forest home, two artist-activists — Beth Stephens & Annie Sprinkle —emerge with a powerful message of love, resilience, and ecological hope, guided by a relationship with their magical peacock.
Border Brujo is a ritual-linguistic journey across the U.S./Mexico border written and performed by artist Guillermo Gómez-Peña. In the guise of a cross-cultural shaman, Gómez Peña shifts into 15 different personas, each speaking a different language. The personas are symbolic of the borders between North and South, Anglo and Latino; myth and reality; legality and illegality; art and life. Border Brujo assaults and exorcises the demons of dominant cultures. He articulates fear, desire, trauma sublimation, anger and misplacement embodying ruptured and defiant communities with multilingual dexterity and humor.
This DVD examines the multiple points of cultural contact between the United States and Mexico. From the Santa Barbara Fiestas and South Carolina's kitschy "South of the Border" tourist complex, to a Mexican Beatles cover band and Chicano rap, this film reveals the borderlands as a laboratory of hybridity that continues to ignite the popular imagination of each nation. Working at the boundaries of experimental film and documentary travelogue, this film weaves together found footage, interviews, performance art, and music video, producing a masterful commentary that is at once poetic, disturbing and hilarious. Includes appearances by Guillermo Gómez-Peña and Aztlán Underground, among others.
A witty satire about cultural stereotyping. In a series of 1992 performances, Coco Fusco and performance co-creator Guillermo Gómez-Peña decked themselves out in primitive costumes and appeared before the public as "undiscovered AmerIndians" locked in a golden cage - an exercise in faux anthropology based on racist images of natives. Presented eight times in four different countries, these simple performances evoked various responses, the most startling being the huge numbers of people who didn't find the idea of "natives" locked in a cage objectionable. This provocative video, directed and produced by Coco Fusco and Paula Heredia, suggests that the "primitive" is nothing more than a construction of the West, and uses comic fiction to address historical truths and tragedies.
Like a ghost from the future, "El Mad Mex’" narrates this hybrid-genre video, which envisions a queue of mojados who re-conquer lost Mexican territory to establish the new U.S. of Aztlan.
In a search for the mythological Cities of Cibola, a horseman finds himself in a race against another rogue seeking the valuable metals of the New Mexican desert. Spurred by the justification of moralistic 'dichos', the rival explorers come to learn about what truly brought them to this land, understanding their true identities, and finding they were only stealing from themselves.
I talk. Therefore I am.
