BiBici Story

A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his brother’s fiancée and his father, who have become suspicious. He gets rid of the bodies by taking them to a slaughter house.

A young girl marries the wealthy father of one of her male friends at college, but she soon finds herself falling for her new husband’s son. The husband finds out about the two, and comes up with what he believes to be a foolproof plan: he will frame his wife and his son for his own murder, then have the pair locked in a room in his remote, isolated estate–with his own dead body.

The Iniesta-Galván family is a theatre company that goes from town to town offering its performances. Over the years, its members will have to adapt to changes and make decisions, like that of whether or not to continue performing. One day, unexpectedly, a son that he has fathered on his travels presents himself to Carlos Galván.

A group of ruthless convicts is led to prison through an inhospitable mountain range by a small cavalry detachment commanded by Sergeant Brown, who is accompanied by his young and beautiful daughter.

Antonio, a young man with a modest job in a small town, leads a monotonous existence until he is transferred to Barcelona to work in an architecture studio. From that moment, a new life opens before his eyes. He befriends Lorenzo, one of his classmates. Lorenzo is more experienced than Antonio and shows him a new, more sophisticated life in which Antonio feels out of place. Also, Antonio falls in love with Lorenzo's sister.

A mental patient in a psychiatric hospital is escorted into an operating room, where electrodes are attached to her scalp. The doctors dissect his brain and we enter the brain with a loud, jarring cry. In this space detached from reality, a group of actors perform elaborate interpretive dances. They jump, land on top of each other, place their hands on their bodies and form various shapes.

Outlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.

A faithful adaptation of the classic tale portrays Dracula as an old man who grows younger whenever he dines on the blood of young maidens.

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

Architectural hallucination is a tour of the spectacular shapes of the first buildings designed by the Architecture Workshop. Serena's interpretation and the ideas of the voice-over explore the close relationship that exists between an architectural space and its inhabitant.

Onion Jack has bought a piece of land on which to settle, but the property is still in possession of the orphans of the original owner and is coveted by the local oil baron.

In Medieval France a warlock is beheaded and his wife is tortured and executed. Hundreds of years later, an isolated group of people discover his head buried on their property. Soon it comes back to life, possessing people and using them to commit sacrifices and to search for the rest of his body.

Daniel has as the only fortune a stud bull named Celedonio, which he rents for living.

The geometry of circles and ellipses is explored using the Roman Colosseum as an example. Using the Pantheon as another practical example, this program explores the concepts of central and intercepted angles, arc segments and chords. The Etude du Cinéma de l’Ecole de Barcelona (a short-lived group that appeared in Spain in the 1960s) offers the opportunity to consider the distrust of the avant-gardes with regard to narrative. The lacunar narration whose principle the School of Barcelona adopts goes against the traditional narrative and its quest for coherence and continuity. She invites the viewer to make the disconcerting experience of unbinding and emptiness. Such an approach involves an ethical posture. The Barcelona School follows in the footsteps of a modernity that intends to move away from an alienating authoritarian discourse and claims to make the spectator a partner in creation.

Paco and Lisa flee to Barcelona in a stolen car with the intention of building a future in show business. After unsuccessfully looking for work, the two youngsters will be immersed in crime and prostitution.

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.

An itinerary through the great creations of Catalan art: Romanesque, Gothic, Modernist and Contemporary; with interviews to Catalan creators such as architect Ricardo Bofill, poet Pere Gimferrer, sculptor Susana Solano, and painter Antoni Tàpies.

This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.

A gripping action thriller about a reporter who steals a murdered colleague's news story, and becomes an unwitting pawn in a conspiracy that could cost him his life.

There are houses, and then there’s Ricardo Bofill’s house: a brutalist former cement factory of epic proportions on the outskirts of Barcelona, Spain. A grandiose monument to industrial architecture in the Catalonian town of Sant Just Desvern, La Fabrica is a poetic and personal space that redefines the notion of the conventional home. “Nowadays we want everyone who comes through our door to feel comfortable, but that's not Bofill’s idea here,” says filmmaker Albert Moya, who directed latest installment of In Residence. “It goes much further, you connect with the space in a more spiritual way.” Rising above lush gardens that mask the grounds’ unglamorous roots, the eight remaining silos that once hosted an endless stream of workmen and heavy machinery now house both Bofill’s private life, and his award-winning architecture and urban design practice.

Documentary by Joaquím Jordá, part of the Barcelona School.

Carlos, prince of a Central European crown, arrives on the Costa Brava intending to spend a few weeks relaxing. María, who works at her father's veterinary clinic, meets Charles by chance. The two hide their true identities and establish a very special relationship. Their lies about each other are soon revealed.

Veteran actor Pablo Thevenet has no luck: His daughter has been murdered, his wife has left him, he finds no job and his agent wants to leave him - current directors will never give him a role. He hates current talentless stars on TV talk shows. Suddenly, he finds some job - as a living sculpture in a whore house working for a Mr. Reficul and his transsexual assistant Dora Grizzel. Pablo becomes an artistic murderer, searching for those he thinks responsible of his current state. He also meets job partner Tic-Tac, an ex-prostitute who will sympathize with Pablo. Pablo also attracts the attention of unusual producer Ambrose Fuch, who wants him to act and direct movies. Everybody seems to have something to hide - including serial killer Pablo.