Beyond Pipilco

This stark Chilean melodrama concerns itself with the plight of slum dwellers living outside Santiago. For many years they have, with great difficulty, been faithfully paying small sums to a real estate man. This man has said that by doing so they can obtain title to the miniscule plots of land their houses stand on. In fact, he has been swindling them and does not even own the land he has been "selling." One of the aggrieved slum dwellers confronts him about this while he is visiting the slum, and the real estate agent shoots him before everyone's eyes. The question confronting these witnesses is whether testifying against this monster will make their lives even more precarious.

A maid loses all her jobs because her son cries at night, and that bothers her bosses. The play portrays the wandering and desperation of the protagonist to get a job, which ends in her failed attempts due to the "Angelito".

Raised in a repressive era where sexuality was taboo, Ana, Patricia, and Mayela found their understanding of womanhood based on unspoken rules and implicit impositions. Now, their fearless voices incarnate in a single 65-year-old woman, who revisits a kaleidoscopic life of intertwined memories, secrets, and hidden desires.

Submerged on the routine, Andrea escapes her solitude by fantasizing about the men that round her.

Aida doesn't interact with anyone, until one day she happens to meet Michel, a young deaf-mute man who delivers mail on his motorcycle.

A story inspired by real events that took place in the port of Valparaiso. Four poor children have been abandoned because their father, who is out of work, steals cattle to feed them and the police have arrested him. The story takes up the children's point of view and is structured in four episodes that describe their inevitable descent into the world of marginality and crime. Faced with life in a brutal way, from their problematic social situation, they head towards a marginality that is difficult to avoid.

Melodrama that tells the tragedy of a peasant family.

The head of a plumbing and electrical workshop is a victim of bureaucracy in public offices and is unable to pay his debts, so his workshop is closed. With a lot of luck he manages to get a repair job in the house of a minister, then he enters to work in a ministry, also becoming a bureaucrat. Taking advantage of his friendship with the minister, he is promoted to become chief archivist, but he realizes the routine that is filling the job and resigns.

Two shoeshine girls and a newspaper vendor survive in the Mapocho neighborhood of Santiago. While looking for better luck, Maruja becomes involved with a businessman who helps her become a famous singer. Meanwhile, the two shoeshine boys happen to come across some money from a bank robbery, changing their luck.

Cristina has spent her life taking care of her mother Carmen. Single and without a trade or friends, she grows older, year after year in her hometown. A few days from her birth- day, Cristina reconnects with Sandra, a former schoolmate who will show her other ways to live, freely and without prejudice.

Rosita is a young girl suffering from her parents' divorce. Desperate and not knowing where to turn, she finds refuge in a church. The rituals of the Eucharist, the advice of a priest and her faith in God give her back the hope she needs to continue with her life.

The film narrates the problems faced by a small group from the small imaginary town of Tunco that arrives in Santiago to ask their representative in parliament for the construction of a road to improve communication alternatives for the inhabitants of the southern hamlet.

With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.

The story, set at the end of the 19th century, revolves around the rivalry between two families of ancient peasant lineage, the Valladares and the evil Vilches who, out of greed and sentimental revenge, try to dispossess the true owners of their land. The Valladares defend theirs, ending the conflict with a melee between the two main rivals. There are duels, fires, chases, kidnappings, betrayals and deaths. There is also a romantic note, the costumbrista landscape, the laughable moment and the folk songs.

Venezuelan feature film by Julio César Mármol.

Baltasar, a young man in his twenties, is sent by his father to live with his aunt Dolores, an elderly widow and childless widow, on the Las Pataguas farm. There he meets his neighbors, the Araneda family, owners of the El Pantano farm and parents of the beautiful Humilde, with whom Balthazar falls in love. But the girl is "bewitched" by Saúl Araneda, her seductive cousin, whom the locals consider dangerously jealous.

Based on Oscar Castro's novel rtp slot, the film is set in the El Encanto mine, in the interior of Rancagua, where prospectors and barreteros dig the bowels of the earth in search of hidden riches.

Rosita, a poor and naive girl, becomes entangled in a delicate love affair, which forces her to seek the spiritual help of the kind and ingenious Padre Pitillo, a country priest who does not censure the passion that has ruined poor Rosita, but puts things in their place, in his own particular way.