Berlusconis Aufstieg

In a country where bella figura is a national pastime, Prime Minister Silvio Berlusconi is the maestro of media manipulation. Having risen to political primacy with the aid of his Mediaset empire, he now controls 90% of the bel paese’s television channels including the state-run RAI network. Quantity, it seems, does not equal quality. Fed on a diet of semi-naked dancing girls, inane competitions and rickety reality shows built around the most ridiculous of premises, is it any wonder that Italians are becoming a nation of fame-hungry wannabes?

Viva Zapatero! is a 2005 documentary by Sabina Guzzanti telling her side of the story regarding the conflict with Silvio Berlusconi over a late-night TV political satire show broadcast on RAI-3. The show, RAIot (a play on the name of the Italian state public TV: RAI, and the English word riot), lampooned prime minister Berlusconi. Since it wasn't considered a satirical show, but a political one, it was cancelled after the first episode.

Pierre Carles, the dispenser of justice seen in “Pas vu, pas pris,” is back in the saddle. After attacking French television star reporters, his new target is television critics as represented by Daniel Schneidermann, host of the "Arrêt sur images" show. “Enfin pris ?” analyzes censure at work in television. It is also a thought-provoking look at how power changes people and the intimate forces between ambition and loyalty. A cruel, biting comedy from which no one really comes out unscathed.

This documentary examines the life and work of the late fashion designer Yves Saint-Laurent, recounting how a frail prodigy prone to bouts of depression became an icon of the fashion world. Initially appointed head of the House of Dior in 1957 before growing into a globally recognized designer in his own right, Saint-Laurent overcomes his struggles with substance abuse, accumulating a large art collection alongside his lifelong personal and professional partner, Pierre Bergé.

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

The financial crisis of 2008 was a turning point during which the complexity of our financial system manifested itself. It was a web we had spun for over for more than thirty years ut it turned out to be a giant house of cards. Starting in the US where the Lehman Brothers fell, the crisis spread like wildfire. Only two weeks after Lehman, the crisis infected Europe..

Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.

Documentary in four parts on Latin American cinema. Third episode: from the 1960s, France and Europe showed a real enthusiasm for Latin American cinema, but the latter remained hampered by numerous economic and political obstacles.

Six weeks of exclusive behind-the-scenes access to Lionel Jospin's 2002 presidential campaign, from the strategy rooms to the night everything collapsed. A gripping inside account of France's most shocking political upset.

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.

All the games and behind-the-scenes of Silvio Berlusconi's power, including politics, media and soccer. Citizen Berlusconi is the original version of the documentary written by Andrea Cairola and Susan Gray broadcast on August 21, 2003, during the Wide Angle program of Thirteen/Wnet New York, the major U.S. public TV station Pbs.

France is at the heart of Madonna's life. She is inspired by French culture and its values and has surrounded herself with French artists for many years. To celebrate the 40th anniversary of the Queen of Pop's career, this film revisits the close and unique bond between Madonna and France and features testimonials from close collaborators and French friends who have helped create her unique artistic universe: Maripol, Jean Paul Gaultier, Julien d'Ys, Nicolas Huchard, and Marion Motin. Today's artists such as Florence Foresti, Leïla Slimani, Victor Weinsanto and HollySiz talk about the influence of this emancipating figure, which extends far beyond music.

On April 2, 1995, the television channel Canal+ censored the documentary "Pas vu à la télé" (Not Seen on TV), directed by Pierre Carles, which had been commissioned a few weeks earlier by the program director, Alain de Greef. "Pas vu à la télé" was slated to be featured in Canal+'s "TV Day" segment, under the heading "Television, Power, Morality." Carles recounted this censorship in the feature film "Pas vu pas pris" (Not Seen, Not Caught), released in theaters on November 18, 1998. It drew over 160,000 viewers. Eighteen years later, "Pas vu à la télé" remains unaired on French television. As for "Pas vu, pas pris," it has still not been broadcast on French television. However, it has been shown on television in Belgium, Quebec, and Switzerland. Since then, nine billionaires now control more than 80% of the media in France, while eleven of them account for 57% of the television audience.

In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.

The story of the documentary The Sorrow and the Pity (1971), directed by Marcel Ophüls, which caused a scandal in a France still traumatized by the German occupation during World War II, because it shattered the myth, cultivated by the followers of President Charles de Gaulle (1890-1970), of a united France that had supposedly stood firm in the face of the ruthless invaders.

How did Sarah and Victor get along for more than 45 years? Who was this enigmatic woman living in the shadow of her husband? Love, ambition, betrayals and secrets feed the story of this extraordinary couple, as they experience both the large and small moments of the last century's history.

Everything you always wanted to know about pornography (but were afraid to ask).

A sleazy but affable guard dog trainer is blackmailed to steal a manuscript for a tell-all book from one of his clients.

A slightly self absorbed yuppie takes in his parents including his senile father, after their home burns down. But his personal and professional life fall apart soon after.

Sacha is a real seducer, a man with no ties or emotional or professional. Charlotte is a modern and independent woman, but barely has time to care for their three children. While Sacha and Charlotte are, at first glance, two incompatible beings, when they meet soon discover that they are quite complementary and need each other.

Nanni Moretti once again muses on the ebb and flow of life in April 1996, as he is about to become a father for the first time and finds himself unable to focus on his documentary about the upcoming general elections, where the left is heading into a rematch against Berlusconi.