Berhault

Fifteen years have passed since the spectacular images of Jean-Paul Janssen's "Life at Your Fingertips" introduced the general public to free climbing and its embodiment: Patrick Edlinger. We witnessed the birth of a sporting phenomenon that would leave a lasting mark on generations of climbers. But fifteen years later, in 1997, beyond the myth, where is Patrick Edlinger? Gilles Chappaz found him on some of the most beautiful walls of the Verdon Gorge and other cliffs during the filming of Maurice Rebeix's documentary "Roc'n Wall 97," where he shares his climbing practice and philosophy with the younger generation, including Liv Sansoz and Arnaud Petit.

Climber Patrick Edlinger visits various climbing areas in the American West, including Joshua Tree (routes and bouldering), Yosemite (bouldering), Hueco Tanks (bouldering), and Smith Rock (routes). He is seen climbing alongside Russ Clune, Ron Kauk, Jean-Paul Lemercier, and Todd Skinner in numerous sequences accompanied by Native American-inspired music composed by Benoît Fromanger. Less well-known than his two previous films, "La Vie au bout des doigts" and "Opéra Vertical," it remains a benchmark for all climbing enthusiasts and admirers of Edlinger, the world's most famous climber. His familiar voice provides narration throughout many sequences with iconic phrases that encapsulate the man, such as: "Climbing, this useless thing to which I dedicate my life."

Behind the scenes of the filming of a film on climbing a cliff by Patrick Berhault and Georges Unia on the parishes of the route "La Tête de Chien" in Monaco. Director Laurent Chevallier explains the difficulties of filming at height, the kind of shots that are suitable and the specifications of equipment suitable for filming on a cliff.

"In 1983, a French expedition, led by Yannick Seigneur and including Jean Afanassieff, left for Tibet to climb the western ridge of Everest on the Chinese side in alpine style. Jean Afanassieff films the Tibetan population between tradition, religion and modernity and tells us about this expedition."

Vertical Opera is a documentary film directed by Jean-Paul Janssen, with climbers Patrick Edlinger and Jean-Paul Lemercier in the Gorges du Verdon. The film opens with a training sequence of Patrick Edlinger then he links the routes with Jean-Paul Lemercier "L'Ange en décongelation" (7a), in which he falls voluntarily to demonstrate the usefulness of the rope, then "Le Septième Saut" (7b+). Finally, the final scene, an anthology, consists of a close-up of Edlinger who climbs free solo and barefoot the route "Débiloff", still in the Verdon, above hundreds of meters of void, all to lyrical music. It is "Wie Furchtsam Wankten Meine Schritte", the aria for alto voice from Johann Sebastian Bach's cantata BWV 33, music not unrelated to the subject of the documentary: "How faltering and fearful my steps were".

Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.

A fascinating chronology of 100 years of mountain film history in the Alps. This documentary focuses primarily on films shot on the Matterhorn, the Eiger, and the Grandes Jorasses, considered until the 1930s as the "last problems of the Alps," and shows the evolution of mountain filmmaking through numerous excerpts from documentaries and feature films – notably on the Matterhorn in 1901. The genre, appropriated as a means of mass exaltation by "fascist" regimes during the Second World War, was reinvented in the 1950s by Gaston Rebuffat, Marcel Ichac, and Lionel Terray in the Mont Blanc massif, avant-garde figures of French mountain cinema, who reintroduced, beyond performance, the values ​​of the mountains – and in color – poetry, humor, and sharing among people from all walks of life.

A 2016 film about the Cateissard, a mountain overlooking the Val di Susa near Turin, a laboratory of innovation and evolution in Italian climbing. From the Risveglio route opened by Grassi, Bonelli and Galante in 1974, in the heart of Nuovo Mattino, to Patrick Berhault's visit in 1980 and his legendary climbing demonstration on the Nani Verdi route, to the rediscovery of these rocks by Andrea Giorda who, with Marco Croce, Fabrizio Pennicino, Aldo Tirabeni and Claudio Battezzati, Marco Bernardi, Federica Mingolla, Carlo Giuliberti and others, opened 116 new single-pitch routes, graded from IV to 8b. The success of these climbing sites is undeniable; the cliffs of Profondo Rosso, Falchi Penne and Croci, Neverending Wall, Cateissoft, Sky Wall and Cateisstrong, opened by Giuliberti and Lotito, attract dozens of climbers, even from elsewhere.

African drummer leaves village, makes it big in the world. Great drumming!!

On May 23, 1971, a French expedition led by Robert Paragot successfully climbed Makalu via its west pillar. Makalu is one of the five highest peaks in the world, located in the Himalayas on the Nepalese-Tibetan border. Jean-Pierre Janssen and Lucien Bérardini filmed this expedition, where Robert Paragot spoke about the expedition conditions, life at altitude, and his state of mind as expedition leader. On the return to base camp, Jean-Pierre Janssen interviewed Lucien Berardini, Georges Payot, Jean-Claude Mosca, François Guillot, and Jean-Paul Paris, all of whom played a key role in bringing Bernard Mellet and Yannick Seigneur to the summit. Expedition members: Robert Paragot (expedition leader), Georges Payot, Yannick Seigneur, Claude Jager, Jean-Claude Mosca, François Guillot, Bernard Mellet, Lucien Bérardini, Jean-Paul Paris, Robert Jacob, Jacques Marchal (surgeon).

With the proliferation of private climbing gyms and the sport's inclusion in the Olympic Games, climbing, long a counter-cultural movement, is undergoing a profound transformation and facing a major paradox. On the one hand, private gyms are enjoying increasing popularity, while on the other, natural climbing sites are under serious threat. What vertical legacy will we leave to future generations? Is outdoor climbing destined to disappear? What will the future hold for climbing? Led by Cédric Lachat, a multi-award-winning Swiss climber, the film provides an international overview of this counter-culture, which has recently become a social phenomenon.

The French Alpine Club's film about the French expedition to conquer Makalu (8481m) via the west pillar in Nepal, which began on February 24, 1971. Composed of 11 mountaineers, Robert Paragot (expedition leader), Georges Payot, Lucien Berardini, Yannick Seigneur, Claude Jager, Jean-Paul Paris, Jean-Claude Mosca, François Guillot, Bernard Mellet, Robert Jacob and Jacques Marchal (surgeon), it took twenty-five days of walking on the Himalayan trails with 460 porters and 18 Sherpas to transport 14 tons of equipment to reach the base camp. Finally, it was Mellet and Seigneur who managed to reach the summit on May 23, 1971: 8481 m, temperature - 30°, oxygen 30%, no wind.

In a vertiginous sequence, Claude Lelouch's camera follows Patrick Edlinger climbing with his bare hands one of the routes of the spectacular Cimaï cliff. The action takes place in the Consensus voice (7c+/8a+) at the Cimaï quarry. In a place large enough where Claude Lelouch had been able to take out his crane to make a vertical trip. Later, in 2013, the foot of the Consensus route will experience landslides, the climbing sector has since been prohibited by municipal decree, huge blocks threatening to fall.

“The Conquerors of the Impossible: Group Portrait” is a documentary on free climbing which takes place in the Verdon Gorges and Toulon. It was directed by Bernard Dumont in 1986 and produced by Les Films du Soleil. It is part of the series The Conquerors of the Impossible (3-3). There we find Patrick Berhault, Patrick Edlinger, Eric Escoffier, Christophe Profit, Laurent Chevallier, Jean-Paul Janssen and other pioneers of free climbing.

"Les Compagnons Du Vide" (The Companions of the Void) is a documentary made in 1989 by Claude Andrieux and Gilles Chappaz, broadcast in two parts on the FR3 program "Montagne." The film explores the history of the mountain guide profession through portraits of mountain guides, showcasing the diversity of this high-risk occupation. It also delves into the intimate relationship between the climbing team and the client, using the example of prestigious guides. The documentary follows these teams on major climbs around Chamonix, on Mont Blanc, and on La Meije in the Écrins massif.

The "Lyon Premier 8000-Gasherbrum II 8035m" expedition, organized and led by Jean-Pierre Frésafond in 1975, was sponsored by the Lyon section of the Club Alpin Français and by Louis Pradel, Mayor of Lyon. The film traces the departure from Lyon of Berliet heavy trucks loaded with equipment, daily life in Pakistan, preparation for the expedition and the approach march with the porters, daily life at the base camp and in the camps. altitude of the members of the expedition: L. Audoubert, Marc Batard, F. Bourbousson, A. Chariglione, J. Dupraz, J.J. Forrat, H. and JP. Frésafond, B. Macho, Doctor A. Raymond, Y. Seigneur, J. Soubis, F. Valençot, B. Villaret de Chauvignypuis. Finally On June 18, 1975, Yannick Seigneur and Marc Batard reached the summit by opening a route along the south ridge. Bernard Villaret de Chauvigny, who was killed during the second assault, was the first victim of the Gasherbrum.

Paragot and Bérardini: two climbers who fill all climbing enthusiasts with admiration. In Fontainebleau, Saussois, the Alps, the Andes, the Himalayas, and all over the world, they have left their names attached to the most difficult routes and the most prestigious peaks. Here, they recount only the climbs they completed together: famous expeditions to Aconcagua and Huascarán, firsts in the Alps and the Dolomites. An unwavering friendship, comical and tragic adventures—this is what they share with us in the warm atmosphere of their memories. "La Cordée des Voyous" will be included in Jean Afanassieff's film "La Grande Cordée," which deals with post-war proletarian mountaineering.

Adventure in Bleau is a documentary about bouldering that takes place in Fontainebleau. Directed by Jean-Paul Janssen in 1980 and produced by Antenne 2, it is part of the series "Les Carnets de l'Aventure" and broadcast on the same television channel. It features different generations of the finest free climbing artists of the time: Patrick Edlinger, Catherine Destivelle, Lucien Bérardini, Jean Pierre Bouvier, and Bertrand Roche 'Zébulon'.

La Cordée de Rêve traces the great alpine journey made from August 2000 to February 2001 by Patrick Berhault. His great crossing of the Alps, here told to his daughter, will be done sometimes alone, sometimes surrounded by friends: Patrick Gabarrou, Patrick Edlinger, Ottavio Fassini, Gaël Bouquet des Chaux, Valérie Aumage, Philippe Magnin. During this alpine trip he will find his brother-in-arms Patrick Edlinger for the dolimitic part and will also see the genesis of the "Cordée Magique Berhault/Magnin". For 167 days, in sneakers in the fall, on touring skis in the winter, Patrick Berhault chained 2 to 3 stages of an average hiker daily, swallowing 1,500 to 2,000 meters of vertical drop and up to 45 kilometers per day. , and climbed 22 peaks. It's called that: "La Grande Cordée" but behind this title lies an exceptional human and sporting performance.

Sur le fil des 4000 is a documentary film by Gilles Chapaz, which traces the last rope of the mountaineering duo Patrick Berhault and Philippe Magnin. The objective of the roped party was to climb the 82 peaks over 4000 meters in the Alps, by carrying out the connecting routes on foot, on skis or by bike. All at the end of winter and the beginning of spring. They left on March 1, 2004, from Saint Christophe en Oisans. The film shows us in images this alpine adventure, from which the spirit of competition is excluded, to make way for the simple pleasure of being in the mountains. This posthumous film was edited after the disappearance of Patrick Berhault, which occurred during the expedition on April 28, 2004.

In 1984, climbing virtuoso Patrick Berhault gave a night climbing demonstration with Nico Ivaldo in Finale Ligure, Italy. This close and spontaneous connection with the audience, the silence followed by the cheers of the crowd with each move, amplified the climbers' sensations, creating a powerful feeling that gave them a state of flow. This idea of ​​climbing dance took root and culminated in the film "Star Climber," composed of parodic vignettes retracing the history of climbing through the ages. Berhault, by turns a Cro-Magnon man, a Zulu in a trance, a troubadour climber accompanied on the flute by Catherine Destivelle, a Buster Keaton trying to climb his beautiful woman's wall, as Blues Brothers, Berhault and Robert Cortijo push the dial on rock 'n' roll 10 meters above the ground solo on the facade of a building at the crossroads of West Side Story and a Terry Gilliam film.

Following a climbing accident in the mountains, Pascal loses the use of his legs and is confined to a wheelchair. The film follows his gradual acceptance of this during his stay in a rehabilitation centre and, with the support of fellow residents, the return of his will to live.

With a revived interest in the scores created for Hollywood films in the 1930's and 40's. "Music for the Movies: The Hollywood Sound" explores a segment of that legacy through composers like Max Steiner ("Gone with the Wind"), Franz Waxman ("Bride of Frankenstein") and Erich Korngold ("The Adventures of Robin Hood"), all of whom came from Europe. Steiner was a pupil of Ravel. The American roster includes David Raksin ("Laura") and Alfred Newman ("The Hunchback of Notre Dame"). Host and narrator John Mauceri conducts the BBC National Orchestra of Wales against a backdrop of clips from the various movies.

An American general with highly confidential defence information has been kidnapped by terrorists and is being held in a cliff-top fortress in the Mediterranean.

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.