Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she's kidnapped he's consumed by fury and will stop at nothing to save her life.
Shares a lead actor
When Peter Bowman, an American engineer working in a South American country, is captured by anti-government forces, the rebels learn his identity and demand $5 million for his safe return. However, his US employer is on the verge of insolvency and will not provide the ransom. Peter's wife Alice is forced to deal with the matter on her own and she retains the services of freelance professional hostage negotiator Terry Thorne.
Shares a lead actor
In the last days of 2012 everyone is talking about the end of the world. This doesn't seem to affect the routine of Wachi, a grumpy watchman. However the arrival of Tesla, an impulsive fifteen year-old girl, does. Tesla, Wachi, an a lively 80 year old called Trini, spend the last days of 2012 together, sharing a bond despite, their differences.
Shares 2 cast members
A writer secludes himself in the mountains and falls in lust with local Berta. After realizing the oddities of the rural community the author starts to question the lines between reality and fiction.
Shares a lead actor
An ambitious black comedy that tells three loosely related stories: a couple of elderly landowners, laid low by economic conditions and reformist politics, are trying to gather enough money to build themselves a marble tomb that would keep their remains in the style to which they still aspire; they give their now blind former housekeeper a pig that proves to be more trouble than it's worth as the effort to fatten it up destroys what little family the woman has; and one of the couple's tenants, who is presenter of a relentlessly optimistic radio self-help show, tries to put his own counsel into effect when he saves a young woman from suicide.
Shares a lead actor
A family longs to be on a TV show which does in-depth exposés of different real families every week. When they are finally selected they decide to change their lives completely so that the audience sees them as they want to be seen, not as they really are.
Shares a lead actor
Trip to Timbuktu is the story of Ana and Lucho, two teenagers who live in Peru. Their story of love, which starts in childhood, reveals the changes which took place in this country during the 80's. For them, the only way to survive in the middle of violence, poverty and lack of opportunities is through their love, a sort of refuge which has as its homeland an imaginary country called Timbuktu. Nevertheless, the reality will stand in their way and collapse their utopia.
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Following the crazy advice of two shamans, an aspiring chef appeals to an incredible resource to win a national cooking competition: he publicly commits to personally dive to the bottom of the sea, find a sleeping shark, wake it up and turn it into a ceviche.
Shares a lead actor
Pilar shares his quiet home in the country of Peru with Consuelo, Milagro and Tuna. The daily routine of this house is interrupted by a call from his daughter who will visit her along with her granddaughter and newborn great granddaughter. For one night these three generations of mothers have to live under the same roof.
Shares a lead actor
Shares a lead actor
Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she's kidnapped he's consumed by fury and will stop at nothing to save her life.
When Peter Bowman, an American engineer working in a South American country, is captured by anti-government forces, the rebels learn his identity and demand $5 million for his safe return. However, his US employer is on the verge of insolvency and will not provide the ransom. Peter's wife Alice is forced to deal with the matter on her own and she retains the services of freelance professional hostage negotiator Terry Thorne.
Maria visits her mother's apartment for the first time after her death, intending to put it up for sale. Once inside, she encounters objects from her childhood that remind her of a significant event from her past.
A writer secludes himself in the mountains and falls in lust with local Berta. After realizing the oddities of the rural community the author starts to question the lines between reality and fiction.
Julia inherited her mother Asunta’s job as a domestic worker in the wealthy De la Puente household, where she was raised alongside the family’s daughters. Asunta, an Andean woman who migrated to Lima after Peru’s 1970 earthquake, carried a life shaped by displacement, silence, and sacrifice. Over the years, affection and inequality became inseparably intertwined within the household. Now, as illness and old age expose long-buried secrets, Julia is forced to confront the invisible social order that has defined her existence. Torn between loyalty and freedom, she must decide whether to remain in the role imposed on her or finally reclaim her own identity.
It's Christmas, and in a desolate clinic, a nurse (Norma Martinez) prepares to attend to a patient. With the nursing technician (Stephie Jacobs), she cares for a young man (Nacho Elías) who has suffered a heart attack and is unconscious in the intensive care unit. Ten minutes before midnight, he dies, and a dance begins between the three of them. As the clock strikes twelve, everything freezes until seconds before the young man's death, and the story rewinds to the moment the nurse (Martínez) leaves to attend to the patient.
Pilar shares his quiet home in the country of Peru with Consuelo, Milagro and Tuna. The daily routine of this house is interrupted by a call from his daughter who will visit her along with her granddaughter and newborn great granddaughter. For one night these three generations of mothers have to live under the same roof.
In the last days of 2012 everyone is talking about the end of the world. This doesn't seem to affect the routine of Wachi, a grumpy watchman. However the arrival of Tesla, an impulsive fifteen year-old girl, does. Tesla, Wachi, an a lively 80 year old called Trini, spend the last days of 2012 together, sharing a bond despite, their differences.
Today, after not seeing his beloved Zulen in years, Dora comes face to face with him.
Trip to Timbuktu is the story of Ana and Lucho, two teenagers who live in Peru. Their story of love, which starts in childhood, reveals the changes which took place in this country during the 80's. For them, the only way to survive in the middle of violence, poverty and lack of opportunities is through their love, a sort of refuge which has as its homeland an imaginary country called Timbuktu. Nevertheless, the reality will stand in their way and collapse their utopia.
An ambitious black comedy that tells three loosely related stories: a couple of elderly landowners, laid low by economic conditions and reformist politics, are trying to gather enough money to build themselves a marble tomb that would keep their remains in the style to which they still aspire; they give their now blind former housekeeper a pig that proves to be more trouble than it's worth as the effort to fatten it up destroys what little family the woman has; and one of the couple's tenants, who is presenter of a relentlessly optimistic radio self-help show, tries to put his own counsel into effect when he saves a young woman from suicide.
Short film directed by Augusto Tamayo, restored by Emilio Moscoso with the support of the Audiovisual Direction, Phonography and New Media - DAFO. Women of different ages meet in the bathroom of a nightclub and make intimate revelations.
Following the crazy advice of two shamans, an aspiring chef appeals to an incredible resource to win a national cooking competition: he publicly commits to personally dive to the bottom of the sea, find a sleeping shark, wake it up and turn it into a ceviche.
A family longs to be on a TV show which does in-depth exposés of different real families every week. When they are finally selected they decide to change their lives completely so that the audience sees them as they want to be seen, not as they really are.
