Bella Ciao

The people independent from each other coming from the four corners of Turkey meet, they walked 1400 kilometers for the peace walk from Roboski to Ankara, the film is being on the road and the road.

A timeless spa town, a 1940s hotel, a place that transports the present to who knows where. Not the past, Ornella Vanoni's life, but the revelation—current—of her intimacy, exhibited through a relationship: her relationship with the director. The energy, the character, the music, the confrontations, the heat, the fatigue. Everything is filmed without sparing anything, not even the arguments between Ornella and Elisa. The film goes along with what Ornella naturally generates and bends to the unexpected, to the present. And then there are the encounters with friends, musicians, Vinicio Capossela, Samuele Bersani, Paolo Fresu's trumpet resounding in the empty spaces of the grand hotel where, between identical days marked by care and treatment, the story, the memory, but also the future take shape as Ornella prepares to become a fantastic creature made of voice and dreams, destined for eternity.

An odyssey across the places of origin of Western civilization: Greece, subsumed by economic crisis; where the mind, the soul, and the music of its people lie, specially the Rebetes, the Rebetiko singers, considered as the Hellenic equivalent to blues; this music against the establishment was born among refugees who arrived to Greece from Asia Minor and proliferated in poor urban neighborhoods. In the journey of composer and musician Vinicio Capossela through the taverns of Athens and Thessalonica, this film records his music, his wandering life, and his travel journal, revealing at the same time the collective scars the crisis has left in a place where everything seems to have lost its value.

What would Jesus preach in the 21st century? Who would his disciples be? And how would today's society respond to the return of the Son of God? With The New Gospel, Milo Rau is staging a "Revolt of Dignity". Led by political activist Yvan Sagnet, the movement is fighting for the rights of migrants who came to Europe across the Mediterranean to be enslaved on the tomato fields in southern Italy and to live in ghettos under inhumane conditions.

Shut away in his home, at the top of a very steep staircase of thirty steps, Enzo Del Re manages—though not without effort—to bend the world to himself rather than be bent by it. A Puglian storyteller of extraordinary evocative power, Enzo Del Re is also a musician of remarkable innovative ability in musical production and in the use of humble, makeshift instruments. An icon of Apulian music, little known yet overwhelming once discovered. Through his story, three important decades of the Italian cultural scene are retraced, from Nanni Ricordi to Dario Fo, all the way to Nuova Scena and the Circoli Ottobre. Then darkness, and today the rediscovery of Del Re at the May Day concert in 2010 alongside Vinicio Capossela. Today he claims that he “did not fight for a pension, but for the revolution.”

Born of a chance meeting in Venice, Silvestro and Camilla's rocky romance unfolds over 10 winters as new lovers come and go but they are eternally thrust back into one another's arms.

Documentary follows the life and work of Italian singer and composer Paolo Conte.

Ten years after Mondovino, his analysis of the increasingly standardised wine production in France, wine expert Jonathan Nossiter picks up the thread again and shows what it means to be rooted in the soil you're working on. During walks through the vineyards and relaxed gatherings with a group of alternative Italian wine growers, he trades experiences and arguments. What looks like a bucolic paradise, where intelligent people produce wine according to time-honoured and organic methods, is actually revealed to be a battleground. The DOC association, which is supposed to look after the interest of independent vintners, promotes winemakers who produce vast amounts in a standardised quality; and the agricultural industry with its hygiene regulations excludes traditional methods of production. The only thing saving the landscape from being totally destroyed is affluent foreigners using the old vineyards as summer holiday homes.