Be-In

Follows the story of the groundbreaking Texas-based art-punk band founded by frontman Gibby Haynes and guitarist Paul Leary.

Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Bob Dylan, Joni Mitchell, Van Morrison, Eric Clapton, and other rock legends.

Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s.

An exploration of the seminal and transformative 18 months that one of music’s most famous couples — John Lennon and Yoko Ono — spent living in Greenwich Village, New York City, in the early 1970s.

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

East Village, New York, 1978. William Burroughs, Patti Smith, Frank Zappa, Allen Ginsberg, and other brilliant minds come together in an explosion of ideas, art, and rebellion.

Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

The 1960's and 1970's were a time of change, a time of revolution, a time of the Hippies. Hippies reached across the nation and their effects are still felt today.

Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.

An exposé on how Hollywood and the mainstream media manipulate the multitudes by spreading propaganda throughout their content.

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.

A look at the life and work of American publisher Barney Rosset, who struggled to bring controversial works like "Tropic of Cancer" and "Naked Lunch" to publication.

Jim Morrison considered himself first a Poet, and subsequently a Rock Star and sex symbol. “ROCK POET” tells his story. He was far more than the hell-raiser, infamous for his arrest in Miami for exposing himself on stage, another rock casualty- dead by the age of just 27. “Classic Artists” meets with legendary Beat Poets Michael Horovitz, Michael McClure, Pete Brown of “Cream” fame, about the movement and what it meant to the burgeoning tide of Rock and Roll, more specifically, to Jim Morrison, and finds the admiration and respect for his talent as a poet and writer amongst his Beat Poet predecessors and also contemporaries to be unquestionable. This film includes revelations from those that were present in the final days and final hours of Jim Morrison, including an eye witness . A vigorously captivating insight of a time in rock history , a time in the life of the man, both rock star and poet.

Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min

Sepia toning lends a romantic (even wistful) quality to Larry Jordan's film Visions of a City, which he shot in San Francisco in 1957 and edited in 1978. The pace is un-irritating, in contrast to the San Francisco of today; but unlike the equal weight Helen Levill gives to all her subjects, there is an internal evolutionary development in the Jordan film that ultimately delivers a story. Until the introduction of the human protagonist, poet Michael McClure, we are treated to an extravagant display of visual delights.

A blending of documentary and experimental narrative strategies, combining stunning 16mm landscape cinematography with a bold, lyrical voice-over to share two San Francisco stories: the history of the Golden Gate Bridge as “suicide landmark,” and the story of a butch dyke in San Francisco searching for love and self-discovery. The Joy of Life is a film about landscapes, both physical and emotional.

Will Hunting is a headstrong, working-class genius who is failing the lessons of life. After one too many run-ins with the law, Will's last chance is a psychology professor, who might be the only man who can reach him.

About to be electrocuted for a catalog of heinous crimes, the unrepentant Horace Pinker transforms into a terrifying energy source. Only young athlete Jonathan Parker, with an uncanny connection to him through bizarre dreams, can fight the powerful demon.

After botching the capture of a notorious serial killer, idiosyncratic detective Michael Burrows loses his job with the San Francisco Police. He becomes an investigator for an insurance company and joins forces with a cynical field agent to probe suspicious and unusual deaths.

Nice Dreams - it rhymes with ice creams. And that's what Cheech and Chong are selling in this thoroughly wacky comedy. The outrageous, permanently spaced-out duo sells enough of their "specially mixed" ice cream to take the cash and realize their fondest dreams: new guitars, islands in the sun and beautiful women. But, of course, not everything goes as planned. While celebrating their wealth in a new wave Chinese restaurant, Cheech meets his long-lost love Donna, and promptly escorts her to her posh penthouse. He soon learns, however, that Donna's boyfriend, an ex-con named Animal, is on his way to her boudoir. Meanwhile, Chong has unwittingly exchanged all their money for a worthless bank check - and the only way to get it back is to escape into a nearby insane asylum.

Jonas Mekas’s intimate diary film spans 1963 to 1990, capturing Andy Warhol alongside friends and collaborators from the New York avant-garde. Featuring figures such as Allen Ginsberg, John Lennon, Yoko Ono, and George Maciunas—as well as rare footage of the Velvet Underground’s first performance—it offers a personal portrait of Warhol’s world and his intersections with art, music, and counterculture.

A group of anarchists use their public-access TV show to satirize the government until a right-wing preacher attempts to shut them down.

It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.

"CITYSCRAPES" takes you on a 24-hour voyeuristic journey through the bedrooms, bathrooms, bars, cars, clubs, restaurants and back alleys of the lives of the young and hip in post modern Los Angeles. Ten intertwined stories follow eighteen main characters as they deal with the twists and turns of everyday life in the mega-metropolis.

Three actors in Hollywood live and love together. A director comes from New York to make a movie about actors and Hollywood.

"Human qualities migrate through light and shadow... Like flames and waves, the dead and the living course through this world... without weight through space and time."

Harry Collings returns home to his farm after drifting with his friend, Arch. His wife, who had given up on him, reluctantly allows him to stay, and soon believes that all will be well again. But then Harry has to make a difficult decision regarding his loyalties and priorities.

Covering the second half of Anger's career, from his legendary SCORPIO RISING to his breathtaking phantasmagoria LUCIFER RISING, Fantoma is very proud to complete the cycle with this long-awaited final volume of films by this revolutionary and groundbreaking maverick, painstakingly restored and presented on DVD for the first time anywhere in the world. Contains the films: Scorpio Rising (1964) Kustom Kar Kommandos (1965) Invocation of My Demon Brother (1969) Rabbit's Moon (1979 version) Lucifer Rising (1981)

Two portraits in relation to each other, the first of Robert Creeley, the second of Michael McClure. Preserved by the Academy Film Archive in 2007.

Takes place over the course of one feverish night in a Manhattan police precinct and neighboring bar.

The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.

Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.