Basu Paribaar

Narsingh, a North Indian taxi driver, attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business.

In the year 2898 AD, around 6000 years after Kurukshetra war, Ashwatthama gears up for his final battle of redemption at the sign of hope in a dystopian world and Bhairava, a wisecracking and self-interested bounty hunter, tired of the perilous life becomes the hurdle in the process.

Snehmoy and Miyage are pen friends who exchange wedding vows through letters. Fifteen years pass but they never meet. Yet the bond of marriage is strong between them. This unusual relationship comes under a cloud when a young widow, Sandhya, comes to stay with Snehmoy along with her eight-year-old son Poltu. Snehmoy and the little boy bond and the arithmetic teacher discovers the joy of palpable bonds and fatherhood. There develops an inexplicable thread of understanding with Sandhya too. But Snehmoy remained loyal to his unseen Japanese wife.

Life for a shy young Indian student slowly falls to pieces during a family road trip.

Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.

Kizie and Manny, two ordinary people brought together by a tragic twist, embark on a bittersweet and extraordinary journey into the heart of that crazy little thing called 'life'.

Gauri: The Unborn is a 2007 Hindi film directed by Akku Akbar, starring Atul Kulkarni and Rituparna Sen Gupta. It received great critical acclaim, but commercially was an average grosser. The film was produced by Shogun Films. [1] It was remade as a Malayalam film, Kana Kanmani (2009) directed by Akku Akbar.

Allan is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen which includes his wife, Indira and daughter Gayatri. Gayatri and Allan become romantically involved leading to tragedy.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

When all hope died, Akhanda arrived. He saved his family, protected his people, killed the wrongdoers, and retreated into isolation. But years later, new threats emerge putting the world in danger. And as the world burns, Akhanda returns.

A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her.

Four famous directors and old friends are reunited together by an unknown producer to make a film. They have to make four short story in this film with one common theme: Death.

Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative.

An older woman's unique friendship with a young boy inspires her to examine the strained relationship she shares with her married son.

Follows interconnected stories of several different couples, each facing a crossroads at different stages in their lives and relationships.

The Bengali-language biopic looks back on Hiralal Sen, who is credited with making India’s first advertising film and political documentary.

Four friends from Calcutta who have very different personalities make a holiday excursion into the country, to a tiny village in the state of Bihar where they set themselves up in a bungalow. A series of minor events, all connected to their respective reactions to their new environment, reveals their characters more deeply.

Mrs. Iyer and her infant son are traveling to Kolkata with the help of photographer Rajah. When religious tensions flare up and the bus travelers become stranded under martial law, she makes a choice to save him that entwines their lives.

When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.

The film is a taut thriller, set in the backdrop of a jail. It is a modern story of reformation. The film provokes thoughts about the nature of human being while infusing hope that it is good in every human being. When a reluctant Jyotsna, an artist with her assistant Ragini arrive in Calapor Central Jail to conduct an art program for prison inmates, initiated by a very sincere and committed reformist Jail Superintendent, Karunakar, the agonizing part of a criminal husband who cheated her and a delinquent son who ran away, returns to torment her. With adversity comes an opportunity; a second chance that Jyotsna as a mother cannot afford to lose or fail to succeed.

Ghawre Bairey Aaj is inspired by Rabindranath Tagore's novel 'Ghawre Bairey' (Home and the World) and is a contemporary retelling of love triangle involving Tagore's characters Nikhilesh, Sandip and Bimala.

This film is a complex family drama based on the theme of a mother's immense love and sacrifice. The plot is about a woman who is ill-treated by her husband and in-laws and is forced to abandon her newborn son. The son is adopted by a wealthy family and grows up to be a handsome young man (Prosenjit Chatterjee). The film explores the journey of the separated family members, the hardships the mother faces, and their eventual reunion, highlighting the profound bond between a mother and her child

A group of ghosts are rendered homeless as all the old haunted buildings in Kolkata have been converted into multi-storied buildings, malls and multiplexes. Some of them, from varied social-economic background, take shelter in an abandoned, dilapidated single-screen theatre, planning to make themselves relevant and fit for the future as contemporary ghosts.

In 1997, University Exam Controller Moushumi Sen disappeared amid a 50-crore scam. She fled to London, according to headlines, but a silenced police officer suspected a more sinister political conspiracy. Two decades later, journalist Anupam reopens the case, unearthing a labyrinth of institutional rot. Is she dead or hidden?

Gangacharan is the new Brahmin of a village, where he assumes various duties: teaching, organizing religious events, and trying to prevent epidemics. But in that year 1943, war is raging (as reminded by the planes occasionally heard flying over the countryside), and a major famine is under way. As food shortages reach catastrophic proportions, Gangacharan attempts to preserve his privileged situation, while his generous wife, Ananga, conversely tries to help and support the community.

Communication gaps surface when a man returns home after a 14 year prison term and is finally forced to take his tormentor head on

Farhaz, a top chef from Bangladesh, and Basundhara, a middle-class Indian woman who runs a home catering service, come together as they share a common passion—food.

Arshinagar is a Bengali musical romance drama film directed by Aparna Sen. The screenplay is an adaptation of Shakespeare's Romeo and Juliet.

A young reporter and her reluctant cameraman chase a story, only to get entangled in an illegal sand-mining racket run by a ruthless syndicate.

Three ordinary air hostesses from Mumbai embark on a journey to pursue their dreams but find themselves caught up in unexpected misfortunes.

Pregnant and alone in the city of Kolkata, a woman begins a relentless search for her missing husband, only to find that nothing is what it seems.

A retired judge, Mr. Sen, living in a farming colony on the outskirts of Calcutta, contacts Byomkesh Bakshi to investigate an attempt to blackmail him. One day, the judge is found dead under mysterious circumstances, and Byomkesh takes up the case.

A gifted teenage detective searches for his missing father with his ladylove assistant.

Lalmohan Ganguly, alias Jatayu − a sidekick of Feluda − gets invited to Mumbai (previously Bombay) to watch the shooting of a film based on a novel written by him. Once in Mumbai, he, along with Feluda and Topshe gets embroiled with underworld kingpins. He seems to have transported the Nana Sahib's necklace. But fortunately because of Feluda the real thief is caught and convicted. Although the original story was written in the 1970s, the movie is set in more recent times and depict the real problem of underworld involvement in Bollywood.

While Northern India’s 100-year-old film industry is best known for flamboyant dance sequences and romantic plot lines, its directors have begun to step outside established formulas and explore grittier subject matter. This program surveys the world of Bollywood filmmaking, examining the personalities as well as the commercial and thematic concerns that drive central Asia’s answer to Tinseltown. Interviews with directors Karan Johar, Ashutosh Gowariker, and Yash Chopra are included, along with commentary from choreographers, musical directors, and Cinemaya Magazine editor Aruna Vasudev. The industry’s newfound attention to poverty, homelessness, and other social concerns is examined. Several film excerpts are included.

Rituparna Sengupta will be seen playing the role of Abha, who is a school teacher. Ittar will show how Abha meets Dipak Tijori's character.

A young woman comes to the United States from India to complete the legal formalities of her scientist sister's accidental death. However, as she tries to wrap things up, to her horror she discovers that perhaps her sister's death was not accidental. Caught in a web of conspiracy in a foreign land she struggles to get behind the truth, determined to unravel the mystery behind her sister's untimely death.

Story of a orphan he comes across a widow whose son have ditch her and gone to London. How hero manages to take the old lady to London and teach her cunning son a big lesson.

Bob Biswas, a hitman-for-hire, comes out of a prolonged coma and struggles to recall his identity but suffers a moral dilemma when the memories of his past resurface.

A nondescript man weds the woman of his dreams, but his insecurities kick into high gear when her charismatic childhood friend arrives.

Feluda and his gang gets invited to North Bengal by a wealthy Zamindar to solve a piece of a puzzle supposedly leading to buried "treasure", but things take a turn for the unexpected with a mysterious death and rumors about a man-eating tiger in the jungles.

Three nights waited a hundred years… to give birth to the Trighori and Three lives are ensnared in this Vicious cycle. When Reality begins to blur one question remains: is this a perfectly crafted trap… or is something far more sinister at play?

Two disappearances unsettle Kolkata’s Prafullanagar: Totoro, the young son of Sub-Inspector Sanjay Konar, and Sara Nilson, a Swedish researcher studying shamans. Their fates intertwine around one enigmatic man, Trilokdarshi Baba. Once known as Tilu, a boy haunted by violence and visions of death, Trilok grows into a mystic who seems to perceive the boundaries between the living and the beyond. As Sanjay’s search unfolds, the line between truth and faith begins to dissolve.

Ka Kha Ga Gha will see a power packed family entertainment, comedy and a deep message through a ballot of multi-casts.