Baksa Badal

Snehmoy and Miyage are pen friends who exchange wedding vows through letters. Fifteen years pass but they never meet. Yet the bond of marriage is strong between them. This unusual relationship comes under a cloud when a young widow, Sandhya, comes to stay with Snehmoy along with her eight-year-old son Poltu. Snehmoy and the little boy bond and the arithmetic teacher discovers the joy of palpable bonds and fatherhood. There develops an inexplicable thread of understanding with Sandhya too. But Snehmoy remained loyal to his unseen Japanese wife.

Four friends from Calcutta who have very different personalities make a holiday excursion into the country, to a tiny village in the state of Bihar where they set themselves up in a bungalow. A series of minor events, all connected to their respective reactions to their new environment, reveals their characters more deeply.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

Sagina a factory laborer,an aggressive, honest and lovable character who was the first to fight against the tyranny of the British bosses in the Tea gardens of North-Eastern India.

Whenever love leaves, it leaves traces. Those traces cling on to old times and familiar spaces.

Three stories with three central female characters linking the stories together. The first one concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. The second one is a supernatural tale about a woman obsessed with the jewels her husband buys for her. The final one follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family.

Suddenly a thief named "Nidhiram Sardar" totally changed the life of Kolkata police. He theft from the dishonest businessman and distributed them to the poor. Mr. Gangaram an importer-exporter also faced the same at Hotel Love Bird. The owner of the hotel Sitesh Pyne a whimsical, high profile criminal become very anxious about the incident. On the other side Jamini, a young, smart girl is the only earning member of a middle class family suddenly faces some problem. Some unknown antisocial follows her regularly. In such a situation, she asks for help from Ram Prasad Singha. Ram Prasad who is a reputed singer as well as a bold man with his own values tries to reveal the problem. He puts his every effort and solves the case with the help of his relative Mallik and old friend Sanjay.

A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.

Raj Badhu is a comical family drama that is based on a traditional Bengali joint-family life. It tells the story of family relations, of love and family values and the importance of society in our lives. It shows the complex story of different love relations and how its complications adversely affect the people involved. It shows the nature of man and how all things work out for the best in the end.

The scion of a wealthy landowner family turns to alcohol and self-pity and slowly self-destructs after class differences force him to break off his relationship with his childhood sweetheart.

Hathat Dekha is a 1967 Bengali comedy-drama film directed by Nityananda Datta. The film featured Soumitra Chatterjee, Sandhya Roy, and Jahor Roy in the lead roles.

Darpa, a cunning man, asks Rajkumari to pretend to be Princess Rajkanya Chandralekha so that he can keep all her riches for himself. However, when she realises the truth, she ensures all his plans fail.

Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.

Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.

Allan is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen which includes his wife, Indira and daughter Gayatri. Gayatri and Allan become romantically involved leading to tragedy.

Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.

Arati takes a job as a door-to-door saleswoman in Calcutta's wealthy neighbourhoods, in defiance of her traditionally-minded husband, Subrata, and his live-in parents. Emulating her Anglo-Indian friend Edith, who speaks equal to the men she encounters on the job, Arati quickly becomes her firm's top salesperson. When Subrata loses his job, the power dynamic begins to shift.

Life for a shy young Indian student slowly falls to pieces during a family road trip.

A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her.

A family gets alienated in a mountain forest villa after an earthquake. After 3 days of starvation, the true nature of each character begins to reveal.

When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.

Jadi Jantem (English: If I Knew) is a 1974 Indian Bengali-language drama thriller film directed by Tarun Majumdar as Yatrik. This movie was released under the banner of Chitrajug. Uttam Kumar played the role of main protagonist of the movie, Mr. P. K. Basu, Bar-at-law. This movie was based on the thriller novel Nagchampa of Narayan Sanyal.

Mrs. Iyer and her infant son are traveling to Kolkata with the help of photographer Rajah. When religious tensions flare up and the bus travelers become stranded under martial law, she makes a choice to save him that entwines their lives.

When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golap Colony, he decides to probe into the case with the help of his close aide, Ajit.

Narsingh, a North Indian taxi driver, attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business.

Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.

After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.

A pre-teen servant boy dies of suspected carbon monoxide poisoning on a cold winter night in the kitchen. The household is suddenly plunged into psychological turmoil, torn between guilt and fear of a police investigation and the resulting scandal. As events unfold, the employer and his wife reveal their petty, hypocritical selves.

Indian film starring Dipankar Dey, Soma Dey and Anil Chatterjee

The sole dream of Ramu, eldest son a family of migrants, and Uma to build a happy life together is burdened by a pile of obstacles on their way due to economic upheaval in post-partition Calcutta.

A man mistakenly invites a family, whose girl was (and is still) betrothed to the groom. It was he who set up the cousin's alliance, would the girl forgive him, whom he had fallen in love? How to prevent her from attending the marriage?

Swapna Niye is a 1966 Indian Bengali film, directed by Purnendu Patri.

Set in 1950s Calcutta against the partition of India, the plot follows two rival factions born out of the divided leadership of the radical IPTA theater movement. Amidst their intense creative differences, a romance develops between two uprooted refugees, Bhrigu and Anusuya.

Difficulties erupt between a couple when their relationship gets hit by societal pressures, norms, and deep-rooted patriarchy.

Anustup Chhanda is a Bengali movie released on 1 July 1964. The movie is directed by Pijush Bose and features Basanta Choudhury in the lead role.

Ghetu, a young woman with a dark complexion, is always compared to her beautiful sister (Sharmila Tagore). Her life changes for the worse after her lover dies and she has to face society's disdain.

Another call on "I Married a Dead Man" but with a change- the family hated the DIL and didn't want her, but wanted the child, the heir. The woman and the child had been attacked and couldn't live apart. Aditya's grandparents mistake Kanak for being the other woman in his life and blame her for his death. Kanak develops a strong bond with Aditya's son and everyone accepts her in the family.