Bajo el sur

Leo and Pedro are childhood friends. Rhey work under the orders of "El Jefe", a thug, owner of the neighbourhood and the lives of its inhabitants. One day, Leo receives news that will change his life forever, Gloria, Pedro's sister and the love of his life, returns to the city. Leo and Gloria will walk through their memories, in an attempt to recover their lost love.

This stark Chilean melodrama concerns itself with the plight of slum dwellers living outside Santiago. For many years they have, with great difficulty, been faithfully paying small sums to a real estate man. This man has said that by doing so they can obtain title to the miniscule plots of land their houses stand on. In fact, he has been swindling them and does not even own the land he has been "selling." One of the aggrieved slum dwellers confronts him about this while he is visiting the slum, and the real estate agent shoots him before everyone's eyes. The question confronting these witnesses is whether testifying against this monster will make their lives even more precarious.

The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.

Set in the early 1900s, this film charts the rule of a Latin American dictator as he moves from being a charming despot to a tyrannical ruler before he is finally ousted, only to die in obscurity in Paris. Early in his regime, the resources and agricultural products his country sells command high prices, and he is a reasonably confident, even gentle, ruler who likes to take long vacations with his daughter in Paris. After World War I, with falling prices and a number of coup attempts behind him, his rule becomes quite cruel.

Four drunken literary bohemians write a short story about a pact with the Devil just as that very story is happening to them.

The story of the Santa María School massacre of miners in 1907.

Two hit men are sent to kill the same woman not knowing that they are competing to assassinate her.

In this documentary poem, Cecilia Vicuña returns to Con Con, the birthplace of her art in Chile, where the sea is dying and an ancient tradition is being destroyed.

Pedro Chaskel, director, editor and post-producer. Based on domestic memories, and accompanied by representative fragments,tries to reconstruct the most important works of his career and motivations.

A musical journey through the poetry of the Mapuche poet Elicura Chihuailaf, in a project that proposes a Trawvn, a meeting between the Kalfu group and the compositive collaboration of renowned musicians, such as Francisca Valenzuela, Nano Stern, Joe Vasconcellos, Manuel García, Juanito Ayala , Tata Barahona and Pancho Sazo