Away from Home

Giulia is an independent young woman who is prepared to offer her body and her spirit against all the religious taboos.

The story takes place in the small town of Hakkari in Turkey at the beginning of the '70s. The time has come to bring technology to that small town. The first Television (called Visiontele by the citizens) arrives and the chaos begins.

The film tells the story of a man who loses his memory. Murat is a famous and successful racing driver. He also owns a tyre factory. Before participating in the Turkish Rally, Kenan, Murat's cousin, plants a bomb in Murat's car. His aim is to kill Murat and take his fortune. In the accident, Murat's car explodes. As his body is not found, it is assumed that Murat is dead. However, after the accident, Murat has lost his memory and started a new life. But an event he experiences brings him back to his old life.

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.

Gül is a beautiful girl who lives with her mother by making carpets in Isparta. When her mother dies, she becomes derelict and decides to go to Istanbul. She is envied for her beauty and is attacked wherever she goes.

Based on Güner Sümer's play, Bozuk düzen tells the story of four children (Erol Keskin, Nedret Güvenç. Ekrem Bora and Salih Güney) trying to survive difficult relationships and situations they are involved in.

A matriarch and her grandson forge a special bond during family picnics every two months, until her health causes a conflict among the relatives.

Hacer recently joined a factory where Hasan works and brings hope to her life. The two get married. Hacer is worried about the working conditions in the factory; she has a relationship with Hasan after she establishes a relationship with the union. Because of their disagreements, they are driven towards disaster.

Retired criminal court judge Sezgin loses his faith in justice and his profession after his daughter Belgin, who was his lifeline, is murdered and his son-in-law İlker, who was tried as the defendant, is acquitted. He moves away from the city he lives in and settles in a coastal town. Although İlker was acquitted in court, Sezgin believes that his son-in-law killed his daughter. Determined to seek justice in his own way, Sezgin kidnaps İlker and imprisons him in a cell he had built in the basement of his villa. He decides that his son-in-law will remain there until he dies. His retired judge friends Fuat, Nedim, Erdal, and his wife, prosecutor Nazan, visit him a few times a month to keep him company. Sezgin's decision to close his daughter's case file, his sudden move from Istanbul, and his son-in-law's disappearance around the same time raise suspicions among his friends.

Huriye Bacı, a poor peasant woman, moves to Istanbul to educate her daughter Ayşe. She struggles to educate her daughter despite financial difficulties. Ayşe, who has grown up with pure feelings, begins to stray from the right path due to her friends, leading to rebellion against her mother. The suffering mother returns to her village in a state of despair. As events unfold, Ayşe finds the right path, realizes her mother's righteousness, and they all strive together for a happy life.

Obsession, sex, and illusion are depicted in a series of parallel stories. The Lost Door opens while Kristina is being interrogated in a psychiatric hospital where she has been committed. Catherine, a young psychiatrist has been assigned by the court to discover what goes on in the deranged yet intriguing mind of this suspected murderer, haunted by ghosts and strange sexual situations. After a long confrontation, it's the mysterious Kristina who opens up the young psychiatrists mind to her own repressed desires.

Suna, who attracts attention with her beauty and personality, goes on vacation with her friend Ayla, who has severed her ties with romantic relationships. This vacation brings out their sexual desires and drags them into an unwanted predicament.

The bus driver who has been working on the same line for years has retired. Therefore, the people of the district will meet with Lütfü, a new driver. Lütfü who tries to get used to the district is in a contention with Sadenaz, who grows on the end of the bus every morning. Although the bus's departure time has already passed, this sympathetic girl runs on the bus like a storm, before Lütfü's annoyance. However, in the course of time, a friendship between Sadenaz and Lütfü is formed. Lütfü does not move every morning before Sadenaz arrives. One day, grace runs the timepiece to measure the speed of the Sadenaz. The speed of the Sadenaz corresponds to a speed that national athletes can run. The idea of ​​being a runner for Sadenaz who loves running is interesting. Because it is possible to draw the attention of Berk in this way.

A soldier who supports the War of Independence in occupied Istanbul falls in love with the daughter of the occupying commander.

Tinto Brass. Erotic Short Films Vol. 4 A collection of short films by the master of erotic cinema, Tinto Brass. These films were shot at different times, but they share a common thread: a passion for eroticism. They never descend into vulgarity but remain consistently sensual and refined, as is typical of Brass’s films

The film deals with the bleeding wound of smuggling in the Southeast.

An orphaned Kurdish child (Hêjar) and a Turkish pensioner (Rıfat) are thrown together by circumstance. Rıfat, a widowed retired judge, refuses to get involved in politics. He is forced out of his solitude, when Hêjar the only survivor of a police raid on his Kurdish neighbors, takes refuge at his home. Gradually, he warms up to the kid and decides to reunite her with her family.

Car mechanic Şemsi separated from his wife years ago and lives alone, far away from his only child. Celal is a disciplined retired colonel married to Zarife. İsmet is an introverted film buff who has spent his life on the island, while Galip is a faithful platonic lover who has lived a strange "love" with Rosa, a Cuban woman he saw only once, and has never betrayed this woman with whom he has been corresponding for years. Unable to afford to go to Cuba or bring Rosa there, Galip falls ill and learns he has cancer. His friends do everything they can to make him happy before he dies, even putting their homes up for sale. But when the money still isn't enough, there's only one thing left to do: To obtain the money needed to send Galip to Cuba, they decide to rob five charming elderly bankers!

During the 1922 Turkish Civil War, two Americans and a group of foreign mercenaries offer their services to a local Turkish governor who hires them as guards for a secret transport.

Kalender runs a small restaurant, inherited from his father. Ten years ago, after the death of his wife, he became increasingly withdrawn. He's averse to innovation and averse to taking risks, and his shop is struggling. The recent opening of a new-generation restaurant, Pidburger, only makes things worse. However, with the arrival of Öcü, a transformation begins, and they embark on numerous adventures to save the shop.

Tekin and retired traffic police deputy Ismail, to find a girl who lost their lives at the expense of any kind of danger afford. An ordinary story that started in pursuit of the missing girl case, reckoning, game turns into an adventure game in which the arrival. Who is to blame innocent who is confused. Our sleuth has a single error, then use their own methods.

Suzan died 25 years ago. But after seeing his son's loneliness and despair in the world, he had to return to the world at the end of these 25 years. The world he left is completely different from the world he finds. Suzan suffers from a deep adaptation to this change. After a while, he realizes that he must adopt such a fit.

A beggar woman has to pretend to be a society woman to fool her daughter's wealthy prospective in-laws.

Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!

The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.

A struggling, suicidal young comedian meets a car thief who is willing to teach him a few things about his profession.

Selim, a minibus driver, moves to a new neighborhood. After a while, he falls in love with Zeynep, who lives in the neighborhood, and proposes to her. She accepts on the condition that he convinces her brother. Selim will try to convince her brother Halim, a bully, so that he can marry Zeynep.

When an old fling shows up with their infant child, a dallying man-child must take on the role of father and create a fairytale world for his daughter.

“Anlatacaklarım var! Vaaz vermek değil niyetim, duyduğumu söylemek. Söylemeye değer şeyler duyuyorum zira. Belki hayatı daha yaşanır kılmak için ya da belki sade, ama sade anlatmak için... Sen anlat dedi Tanrı bana, anlaşılsın diye değil, hiçbir mükafat istemeden anlat... Çünkü bir mükafattır artık bir anlatıcıya doğru düzgün anlaşılmak! Sen anlat dedi... Sen sade anlat! Umudu hatırlatsın diye umutsuzluğu, çareye yol açsın diye çaresizliği anlat... Ders verme dedi kimseye, çünkü hoca denmez öğrenmesini bitirene. Çırakları olan bir çıraktır usta, olsa olsa... Sen anlat dedi bana Tanrı, sen sade anlat.... “ Yılmaz Erdoğan, “Bana Bir Şeyhler Oluyor” oyununun kahramanı Hilmi Duran’a söylettiği bu sözlerle, yazar olarak neden böyle bir oyun yazmak zorunda kaldığını açıklamakla kalmıyor, aynı zamanda kahramanının da kimliğini ele veriyor.

Third documentary video of Roy Stuart's photobook productions.

This 5th video documentary of Roy Stuart's photobooks focuses on the beauty of the female body, and female masturbation, with some urination displayed from time to time. Unlike most of his other video documentaries, male nudity is scarce, with only one instance of fellatio (with the lovely Anna Bielska), and no depictions of intercourse.

Fascinating Tommi, the young boy who transforms to a ravishing girl before your eyes, starred in August's "Worm To Butterfly". Cruel, voluptuous Marissa from January's "Two Dog Night" carries the competition of her two well hung slaves far further on tape.Elizabeth from November reveals her astonishing perfection, and Anna, Roy's own special collaborator, masturbates to a gushing, shocking climax you won't doubt, or forget.

The first of several video documentaries by Roy Stuart, featuring nude models engaging in various sexual and fetish acts.

Roy Stuart started as photographer, but later made documentary movies as well, such as “Glimpse”. His photographs often deal with the female body. In The Fourth Body we apparently see him at work. Not that we see much of the photographers, the movie concentrates on females. Sometimes they are dressed, usually they are undressed. We see a few hardcore scenes being recorded, but usually we see females on the set. Many of these sets are either artsy, weird or fascinating. There are also shorts scenes of the changing of the guard in Copenhagen. This movie is not a movie in the traditional sense, for no real story is told. In fact it is more or less a collage of moving photographs.

With this eleventh Glimpse Roy Stuart is at the top of his art as he ushers in a new decade with a sublime two and a half hours of pure sensuality. Under the watchful eye of his magic camera, emanating from a diabolical edit, over a dozen lovely, totally natural creatures share with us their most intimate pleasures.