The sexual relationship between a successful woman and her brother, an introvert, hypochondriacal youth, who is also a pornophile.
Shares 2 cast members · Same director
After World War II, Anita, a young survivor of Auschwitz, becomes involved in an intense and passionate affair that almost shatters her until she gains the strength to start a new life.
Shares 2 cast members · Same director
Laura and Fabrizio have been meeting every summer in the forest by her parent's summer home. Fabrizio is a solitary boy with only his dog for company; Laura a sweet but unconfident child. This summer new aspects enter into their story as both are growing up. Laura is falling in love with Fabrizio, while he displays a new sexual awareness of her masked by his malice. Things develop further when they meet Sylvia who, unlike the innocent Laura, is confident and assertive. Fabrizio develops a fascination with her, eventually bribing Laura to fetch her to the forest to join them in play.
Shares a lead actor · Same director
Best friends Peppe and Mario are thieves, but they're not very good at it. Still, Peppe thinks that he's finally devised a master heist that will make them rich. With the help of some fellow criminals, he plans to dig a tunnel from a rented apartment to the pawnshop next door, where they can rob the safe. But his plan is far from foolproof, and the fact that no one in the group has any experience digging tunnels proves to be the least of their problems.
Shares a lead actor · Same director
Shares 2 cast members · Same director
"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.
Shares 2 cast members · Same director
Shares a lead actor · Same director
Donne e soldati was an example of a ‘decentralised’ production, far from Rome, something that for the most part Italian cinema didn’t fully succeed in achieving until the 1990s. . In many ways the film, which is both Picaresque and anti-heroic, was too far ahead of its time, and it is often considered the precursor to Monicelli’s L’armata brancaleone. This time out, Ferreri takes the reins as producer of the ill-fated undertaking (the two directors will never make another film); however, Donne e soldati, apart from marking Ferreri’s estrangement from Italian cinema for a number of years, today appears to display earthy and carnivalesque elements that will subsequently influence certain aspects of the Milanese director’s vision.
Shares a lead actor
Shares a lead actor
The life and work of Giuseppe Bertolucci, as told by his father and brother, friends and colleagues.
Shares a lead actor
Laura and Fabrizio have been meeting every summer in the forest by her parent's summer home. Fabrizio is a solitary boy with only his dog for company; Laura a sweet but unconfident child. This summer new aspects enter into their story as both are growing up. Laura is falling in love with Fabrizio, while he displays a new sexual awareness of her masked by his malice. Things develop further when they meet Sylvia who, unlike the innocent Laura, is confident and assertive. Fabrizio develops a fascination with her, eventually bribing Laura to fetch her to the forest to join them in play.
Best friends Peppe and Mario are thieves, but they're not very good at it. Still, Peppe thinks that he's finally devised a master heist that will make them rich. With the help of some fellow criminals, he plans to dig a tunnel from a rented apartment to the pawnshop next door, where they can rob the safe. But his plan is far from foolproof, and the fact that no one in the group has any experience digging tunnels proves to be the least of their problems.
"In Search of Marcel Proust" is a 1962 literary documentary directed by the Italian poet Attilio Bertolucci. It serves as a biographical and critical journey into the world of Marcel Proust, blending readings from his masterpiece, In Search of Lost Time, with rare filmed testimonies from those who knew him personally, including his housekeeper Céleste Albaret and friends like Jean Cocteau and François Mauriac.
After World War II, Anita, a young survivor of Auschwitz, becomes involved in an intense and passionate affair that almost shatters her until she gains the strength to start a new life.
The sexual relationship between a successful woman and her brother, an introvert, hypochondriacal youth, who is also a pornophile.
The life and work of Giuseppe Bertolucci, as told by his father and brother, friends and colleagues.
Donne e soldati was an example of a ‘decentralised’ production, far from Rome, something that for the most part Italian cinema didn’t fully succeed in achieving until the 1990s. . In many ways the film, which is both Picaresque and anti-heroic, was too far ahead of its time, and it is often considered the precursor to Monicelli’s L’armata brancaleone. This time out, Ferreri takes the reins as producer of the ill-fated undertaking (the two directors will never make another film); however, Donne e soldati, apart from marking Ferreri’s estrangement from Italian cinema for a number of years, today appears to display earthy and carnivalesque elements that will subsequently influence certain aspects of the Milanese director’s vision.
"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.
