Atlıkarınca

Newly divorced Nilgün, a doctor from Istanbul, is sent to a remote small town to practice; where she meets up with long lost friend Havva while treating local prostitutes.

Seniha lives with her brother Halit and his wife Mükerrem. When Nüzhet, the handsome son of the richest family in town, sets his eyes on the married Mükerrem, she is at first disgusted with Nüzhet’s overt sexual innuendo. However, it isn’t long before Mükerrem yields to her lust and thus they embark on an affair. When Seniha finally reveals her sister-in-law’s un-virtuousness to her brother, Seniha has no idea what the consequences will be and how cruelly her destiny will change.

Chef and owner Sina Bora faces personal and professional challenges on one of his restaurant's busiest nights. His father's emergency surgery, staff tensions and his former mentor Renzo's plans to take over push Sina to make tough decisions.

Orhan who lived in London for years and did not come back to Turkey agrees to help Deniz -a famous director- edit his first book. Deniz has been living in a mansion with his family which started to lose its old brightness and power. Orhan finds himself in the middle of Deniz's complicated relationships, mysterious friends and stange family members. This is the first movie of Ferzan Ozpetek which is shot in Turkey after a long time. It is also based on his own book which has the same name with the movie.

He is a boss who dedicates his life to grow up the textile empire he inherited from his father and does not hesitate to follow ruthless methods for it. He decides to choose a different life after a heavy traffic accident.

Sinan (Mert Firat) and Olcay (Acelya Devrim Yilhan) are two young people who have broken up with their lovers and lost their faith in love. After they have found each other, they start all over again. However, things get complicated when Sinan's ex-fiance shows up and Olcay starts to act strange.

An idealist district governor, Selahattin Bey, adopts Yusuf, orphaned after his family was killed by thugs. Yusuf falls in love with Muazzez, the daughter of Selahattin. But when Hilmi Bey’s son Şakir also wants to marry Muazzez, a conflict escalates.

A feature film that tells the story of the director's grandfather who was forced to leave Crete in the 1920s during the Greek-Turkish population exchange.

A self sacrificing, selfless mother who makes the impossible "possible" for her daughter - a daughter who is ashamed of her mother and wants to run away from her mother and her life with her. Her journey to the college drives Nazli away from the village she has grown up - but years later, she wants to go back to the village where she was born, back to her mother - after all those years passed by with tons of "I wish". Candan Ercetin performed her song "Annem - Mom" once again for the movie twenty years later.

Muharrem faces his life, thoughts, and inner darkness at a party he does not want to attend.

Yusuf served nine years in prison for a crime he did not commit. When he returns home, he sees that his wife, who was pregnant at the time of jail, left home. While searching for his wife and child in the snowy town, he also tracks the events that happened to him. This journey, which alternates between the past and the present and becomes complicated as we ask questions, will reach places that Yusuf could not even imagine, and will change his life irrevocably.

Growing up in a house where her brothers are considered more valuable, İlhan decides to have a child when she learns that she is about to enter menopause. He just broke up with his boyfriend. Psychology graduate student makes a deal with Mustafa for money and becomes pregnant. İlhan and Mustafa decide to spend the pregnancy process in the village house of Mustafa's family. İlhan is distant to himself and everyone else. Meanwhile, a deaf and dumb, five-year-old Zel, who lives in the village, loses her grandmother, his only being. The little girl, who does not communicate with anyone, suddenly becomes attached to her when she smells the daffodils collected by her grandmother in Ilhan. What Zel can tell without words will open Ilhan's heart.

In a small Turkish town, two young tuberculous poets try to survive while publishing their poems. As they both fall in love, their life would never be the same.

The film tells the story of three families who produce enough to sustain themselves in a small town and live off what they produce. Talat, who runs a dairy farm, Bedrettin, who raises chickens, and Rıfkı, who bakes bread in the bakery he inherited from his father, are three friends who have lived in the same town since birth, raised their children together, and have never been apart since childhood. When Talat's child falls ill, life begins to change suddenly. The most important message the film conveys to the audience is defined as "hope."

The story of a Turkish family living in Germany and their struggle for survival, as well as their relationship with their Greek friends, Niko.

A family forcibly displaced from their village struggles to stay together when Süsen, the daughter of an already broken home, defies her kin to marry her childhood love Yusuf. As her father and brother abandon the family and marriage fails to bring the dreamed-of salvation, Süsen and Yusuf must confront mounting responsibilities and learn to adapt, or risk losing each other entirely.

Inhospitable at the best of times, the snow-covered mountainscapes of Eastern Anatolia constituted a fatal frontier for many war exiles after the battle of Sarikamish in 1915, and provides a canvas laced with beauty and threat for this bone-chilling survival yarn, the superb debut feature of Alphan Eşeli. Starting out with three characters – a refugee mother and daughter and their grizzled guide – the film traces their daunting trek across this barren terrain to safety, with the Russians encroaching and other stragglers, including a pair of wounded, frostbitten Ottoman soldiers, all orbiting the same burnt-out village they find in their path. Puncturing its aura of ghostly impasse with some shocking narrative reversals, and constantly prickling with the mutual dread of strangers in gruelling extremes, the movie stakes out hugely credible ground next to established Eastern Front war classics (In the Fog, Come and See) while remaining thoroughly its own beast. (Source: LFF programme)

The film Sarıkamış Children tells the story of a group of children living in a village in 1915 who set out to fight on the front lines in harsh winter conditions. In 1915, two friends from the same village, Mehmet and Yusuf, have their fathers killed by bandits in Sarıkamış. The two boys' older brother is fighting on the Sarıkamış front. Determined to find a way to join their brothers at the front, Mehmet and Yusuf learn that a group of soldiers from their village is also being sent to the front. They decide to set out with this group to reach the front.

A shy Turkish student, Ekin, goes to Italy for his studies. There, he meets Signora Enrica, a strong-willed Italian widow who agrees to host him in her home. At first reserved and cautious, Ekin gradually discovers her warmth, joie de vivre, and eccentricity. This encounter transforms his outlook on life, love, and freedom.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

Işık visits a friend's summer home to spend some time alone after growing up under the strain of her surroundings and family. Here, she reflects on her prior issues and the challenges she has encountered as a woman.

A woman recovering from an attempted suicide meets an aspiring doctor who takes a keen interest in her efforts to move forward in life through dance.

A look inside the story of two newlyweds who are parted from each other and spend the next half-century of their lives trying to reunite.

El Yazısı follows three stories on a day when the town is welcoming its very first foreign English teacher. As an accidental tourist is mistaken for her, the wind of change starts to blow.

Political satire comedy featuring the memories of a red leather chair. He is aware that no matter who the next governor will be, more corrupted will the system get. But only until the last governor who decides to set him on fire.

Deniz goes to Izmir when she sees the danger of losing her great love Emre,who has not succeeded in forgetting. Melisa, who is competing to steal Emre's heart.

Onur, who has been deaf since birth, works as a librarian. His father had left him and his mother when he was seven, and Onur has always blamed himself for this. Although being able to speak, he has chosen to stay silent because of the pitying looks of the people around him. At his friend Vedat's engagement party, he meets Zeynep, who later finds out about Onur's hearing disability, but is not bothered by it. She is forced by her overbearing father to leave home and gets a job at a call-center. Having to speak on the phone all day to people she doesn't know, Zeynep finds peace with Onur, who she communicates with perfectly without speaking...

It's a complete heist game. They have to win no matter what, a game where they put their loved ones in danger while winning. Two bad cops, a powerful man, a weak link Orhan, and two people who can pull off this magnificent plan.

Fog and the Night is the search of an investigator who has lost his confidence in his organization and whose happy "family father" order has been disrupted by his young lover.And introverted man due to his profession, not a big talker or well in expressing his feelings, Sedat is being consumed, going through the hardest time of his life, not able to silence his guilty conscience because he was unsuccessful in solving the murder of his partner, whom he saw as a brother. His faith in his organization is shaken as he witnesses the schemes in machination inside the organization and between the organization and the state. Meanwhile, while trying to find his lover who has disappeared after falling for a former militant, he does not refrain from making use of the filthiest methods of his profession.

When Ali's father hires a new secretary, she awakens desires in Ali that the shy 22-year-old never knew he had. But working for his father, his mother reminding him he's the right age to marry, and trying to be a good Muslim complicate things. Now he must choose between family duty and true love. Can you really make yourself and your family happy at the same time?

A man's eagerness to deliver his consciousness and unconsciousness in the hands of an application for the sake of a better life.