Asmik Grigorian @ Salzburg Festival 2024

Queen Poppy and Branch make a surprising discovery — there are other Troll worlds beyond their own, and their distinct differences create big clashes between these various tribes. When a mysterious threat puts all of the Trolls across the land in danger, Poppy, Branch, and their band of friends must embark on an epic quest to create harmony among the feuding Trolls to unite them against certain doom.

His unforgettable scores are an essential part of some of the most beloved movies of our time, over a career that spans decades. See and hear maestro John Williams' own story, with insights from filmmakers, musicians, and others he has inspired, complete with rare behind-the-scenes looks at the making of movie history.

Fresh off the heels of her brand-new album, "Happier Than Ever," this cinematic concert experience features an intimate performance of every song in the album's sequential order – for the first and only time – from the stage of the legendary Hollywood Bowl.

Laufey takes the audience on a spell-binding sonic journey under the stars, performing alongside the legendary Los Angeles Philharmonic.

Join The Beach Boy's Brian Wilson on an intimate journey through his legendary career as he reminisces with Rolling Stone editor and longtime friend, Jason Fine. Featuring a new song written and performed by Wilson and interviews with Elton John, Bruce Springsteen, Nick Jonas, Linda Perry, Jim James, Gustavo Dudamel and Al Jardine.

Having enjoyed a 50-year musical partnership with the Vienna Philharmonic, Riccardo Muti takes charge of the celebrations for the sixth time in what’s bound to be a uniquely poignant occasion. The concert includes the traditional mix of Austrian classics, featuring music by the Strauss family and ending with the ever-popular By the Beautiful Blue Danube and the foot-stamping Radetzky March. In these uncertain times, the concert looks to send people all over the world a new year's greeting in the spirit of hope, friendship and peace.

Captured live from Naples’ splendid San Carlo Theatre – the world’s oldest continuously running public opera venue – where it opened the company’s theatrical season, acclaimed director Dmitri Tcherniakov stages a new production of Dvořák’s beautiful, supremely romantic opera about a water sprite Rusalka who longs to find love.

The story is set at the beginning of the Christian era on a large terrace of Herod’s palace, during the reign of Herod Antipas. At night, on a terrace of the palace, Salome, Herod’s stepdaughter, is gazed at passionately by Narraboth, captain of the guard. Jochanaan, a prophet, is imprisoned in a cistern for having slandered Herod. He proclaims the coming of Jesus, but his message is met with incomprehension by the guards. Salome hears the prophet. She manages to convince the guards to bring Jochanaan out so she can see him. Both fascinated and frightened by his prophecies, Salome falls passionately in love with this man. Richard Strauss’s opera at the 2018 Salzburg Festival, directed by Romeo Castellucci at the Felsenreitschule. In her debut in the title role, Asmik Grigorian distinguished herself with her talents as a singer and actress.

No one better described the half-starved, struggling artists than Murger in his Scènes de la Vie de Bohème: artists ready to burn a manuscript to try to keep warm yet,in an era of triumphant bourgeois materialism, dreaming of another existence. Taking up these scenes of Bohemian life, Puccini offers us a heart-breaking love story and some of the most beautiful music in the history of opera in the story of the poet Rodolfo and fragile Mimi. The staging of this new production has been entrusted to Claus Guth who sets the drama in a future devoid of hope in which love and art become the sole means of transcendence.

Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.

A production of Strauss' opera 'Der Rosenkavalier' performed at the Saltzburg Festival in 1984. Includes the Vienna State Opera Choir, the Philharmonic Orchestra with singers Wilma Lipp, Anna Tomowa-Sintow and Agnes Baltsa. Conducted by Herbert Von Karaja

Fierrabras of 1823 is the last of Franz Schubert’s stage works. Rarely performed to this day, this heroic-romantic opera has now been staged for the first time ever at the Salzburg Festival by famous director Peter Stein. Based on an old French 12th-century epic, the plot depicts the military conflict between Christians and Moors at the time of Charlemagne – as a backdrop to stories of love and friendship that prove to be stronger than war and hatred of otherness. The strong cast includes the “marvellously expressive miracle Dorothea Röschmann” (Die Zeit) and “Michael Schade, who exudes his exceptional tenor in Fierrabras’s heroic arias” (Der neue Merker). Under the energetic baton of lngo Metzmacher, the Vienna Philharmonic unfold “the melos, the poetry, the sweetness and the dramatic force of Schubert’s highly refined and atmospheric sound worlds” (Kleine Zeitung) in highly romantic fashion.

For the New Year’s Concert 2018 world-renowned conductor Riccardo Muti returns to conduct the New Year’s Concert for the fifth time. He has conducted the Vienna Philharmonic for over 500 concerts, has a very close connection to the orchestra and is one of the most engaged New Year’s Concert conductors. Italian conductor Muti holds two music directorships: the Chicago Symphony Orchestra and the Orchestra Giovanile Luigi Cherubini. A prolific recording artist, Muti has received dozens of honors, titles, awards and prizes throughout his career.

DG presents John Williams in Vienna, the live recordings of the Hollywood legend's Vienna Philharmonic 2020 debut. Saying it's "one of the greatest honors of my life," he received a standing ovation before a single note was played. Sharing the stage with the famous orchestra and violinist Anne-Sophie Mutter, he performs iconic themes from Star Wars, Harry Potter, Indiana Jones, Jurassic Park and other cinematic landmarks that have earned countless awards: 5 Oscars, 5 Emmys, 25 Grammys & more.

Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahmss orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Leonard Bernstein, Krystian Zimerman, and the Wiener Philharmoniker, it's very hard to get a better group of musicians for these masterpieces. Mr. Zimerman and Mr. Wolfgang Herzer's piano cello duets in the third movement of Brahms' second is simply tearful.

Tchaikovsky’s many moods—tender, grand, melancholy—are all given free rein in Eugene Onegin. The opera is based on Pushkin’s iconic verse novel, which reimagines the Byronic romantic anti-hero as the definitive bored Russian aristocrat caught between convention and ennui; Tchaikovsky, similarly, took Western European operatic forms and transformed them into an authentic and undeniably Russian work. At the core of the opera is the young girl Tatiana, who grows from a sentimental adolescent into a complete woman in one of the operatic stage’s most convincing character developments.

Opera confronts us with extremes of emotion, sometimes delivering unforgettable, life-changing experiences. Fuoro sacro (‘Sacred Fire’) seeks out singers who have the power to pierce our hearts, presenting three of them at work in the most intimate details of their rehearsals and preparations. Ermonela Jaho, Barbara Hannigan and Asmik Grigorian are watched closely as some of their secrets are revealed: how they inhabit their roles and transform words and notation on a page into that intangible but powerful magic being communicated to audiences from the opera stage. Over 90 minutes of extras are included featuring vocal warm-ups and live performances accompanied by pianists Evgenia Rubinova, Reinbert de Leeuw and Francesco Piemontesi.

Live performance from the Komische Oper Berlin, February 15 2016.

Rusalka, a water spirit, lives with her family in the pure waters of the forest lake. When she falls in love with a Prince, she sacrifices her voice and leaves her home in the hope of finding true love in a new world – a world that does not love her back.

Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

When Clara’s mother leaves her a mysterious gift, she embarks on a journey to four secret realms—where she discovers her greatest strength could change the world.

Bolívar was instrumental in Latin America’s struggle for independence from the Spanish Empire, and is today considered one of the most influential politicians and emancipators in American history. Libertador is told from the viewpoint of Bolívar, portrayed by Ramírez, about his quests and epic military campaigns, which covered twice the territory Alexander the Great conquered, and his vision to unify South America.

The two short operas Eine Florentinische Tragödie and Herzog Blaubarts Burg are linked by a central theme: the progressive recognition of the only seemingly familiar counterpart. In Zemlinsky's Eine Florentinische Tragödie, the murder of Bianca's lover by her jealous husband Simone leads to a dialog between the two spouses that surprisingly signals a new beginning of love. In Bartók's one-act opera, however, Judith's journey to the inner depths of her beloved Duke Bluebeard - symbolized by the opening of seven mysterious doors - ends in darkness and loneliness.

After a victorious battle, three witches predict that Macbeth, who commands King Duncan's army, will ascend the throne of Scotland. Urged on by his wife to force fate, he takes advantage of the monarch's stay in their castle to murder him... The daring Krzysztof Warlikowski revisits Verdi's most powerful Shakespearean opera, with baritone Vladislav Sulimsky and soprano Asmik Grigorian in the roles of the murderous spouses.