Aquari

Marie's life gets turned upside down when the love of her life, Rasmus, takes on a teaching job at a local school in West Jutland, Denmark. Rather unwillingly, Marie joins Rasmus in moving their roots from Copenhagen to the windy town, Velling. While Rasmus is an immediate match to the local ways, it becomes a culture chock for Marie, who time and time again proves herself a misfit to the locals. However, as she gradually learns to listen more and talk less, she realizes that she might need Velling as much as Velling needs her – and her advice column for the local newspaper.

Johan, a gay man in Copenhagen, revels in nightlife until meeting William, a transgender man. Their profound love challenges societal norms surrounding gender, identity, and relationships.

At the height of her music career, Maja falls apart and has to step away from her ambitions. Depressed and broke, she moves back home with her mother and works part-time at a local high school. Far from the spotlight, wrapped in everyday kindness, she slowly finds her way back to life.

In Copenhagen, a triptych of love stories come to vivid life. Framed with a prying naturalism, these tales through the seasons tackle the ever rising tide of loneliness and self-doubt that can come in the face of new love.

Bruno struggles to fit with the girls or the boys, preferring to express themselves through dance, in this warm fiction.

Viktoria is an odd and extremely self-disciplined researcher in the field of suicide. She is invited to a psychiatric ward to treat the suicidal patient Jenny. Through intimate night conversations, they form a tight bond. Viktoria slowly opens up to experience closeness with another person for the first time in her life, but the closer the two women get, the more it becomes clear that something is not as it seems.

The shop manager of a floating bordershop container in the Baltic Sea casts off the chains to shore to save the universe of love she and her employees have created inside. Is unconditional love an escapist dream?

Martin's daughter, Emma, takes up a night watch job to find out what happened to her parents almost thirty years ago. A meeting with Wörmer in his cell pulls the serial killer out of his coma and sets in motion a chain of fateful events.

Asger is at a nightclub with his three best friends. But something is bothering him. His girlfriend has been with someone else and intends to continue a relationship with them both. This opens up a wealth of emotions for Asger.

Adda and her husband Ove live a quiet and routined life in their home of many years. Their marriage is filled with love and respect but Adda finds herself wondering what could have been. When their granddaughter visits this is brought to the surface and the dreams that Adda has selflessly been hiding start to show.

Selma and her friend Marie are going to Marie’s family vacation house in Sweden. They meet Marie’s friend, Agnete, and she gets invited along. The film explores the everchanging group dynamic, and what happens when two becomes three.

Unfold emerges from the collaborative surrealist method cadavre exquis (equisite corpse), known from the children’s game in which a blank sheet of paper is folded, and participants draw parts of a person. In this artistic game, three filmmakers create a continuous work based on a vision of artistic collaboration across genres and art forms. In Unfold, music is the canvas on which the filmmakers paint. They were each given a third of a piece composed for the project, and asked to cinematically interpret it to create one continuous film, having only seen the last ten seconds of the previous filmmaker’s work. The protagonist begins her journey in an abstract light-world, and moves to a dystopian realm filled with haunting images of outbreak and quarantine, before ending up in an emotional and intense one-take love story that takes a turn for the worse. Unfold challenges conventions and celebrates the transformative power of collaborative storytelling through music and film.